- DC 084/1/3
- Item
- 1934-1935
Part of Material relating to Gerard V Murphy, former GSA student
A study of the male muscle torso, including annotations of student registration no. ("No. 71") and signed "G. Murphy".
Murphy, Gerard V
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Part of Material relating to Gerard V Murphy, former GSA student
A study of the male muscle torso, including annotations of student registration no. ("No. 71") and signed "G. Murphy".
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
An anatomical sketch showing the left lower leg and the foot muscles. Includes annotations of student registration no. ("No. 71") and signed "G. Murphy".
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
An anatomical study from the tendons to the feet illustrating the structure of bones, muscles and flesh. Includes annotations of student registration no. ("No. 71") and signed "G. Murphy".
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
A sheet of anatomical study on eight pieces of human hand, feet, and joint bones. Includes annotations of student registration no. ("No. 71") and signed "G. Murphy".
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
A sheet of anatomical sketches depicting the bones and muscles of the human lower body, divided into nine sections. Includes annotations of student registration no. ("No. 71") and signed "G. Murphy".
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
A botanical watercolour painting of violet flowers. Includes annotations of student registration no. ("No. 71") and signed "G. Murphy".
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
A watercolour plant study illustrating the buds, stems, and leaves, accompanied by the description "Bud" and "General shape of leaf". Includes annotations of student registration no. ("No. 71") and signed "G. Murphy".
Murphy, Gerard V
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
A composition of 4 figures in various poses. Outline of figures drawn in hot glue and painted Black. Small pieces of paper collaged to surface and painted in a cream coloured gouache. Flecks of pink and blue paint in background.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Two sided drawing on sketchbook page. Side one shows a line drawing of figures in black ink, with a rendered background in grey and pink gouache. Side two displays two line drawings of the same female form, one in black ink and the other in pencil.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Sketchbook page with line drawing in ink of figure and abstract shapes. On the reverse: pencil outline of abstract shapes.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
One sketchbook page divided into two designs. Both drawings showing abstract shapes and figure outlines. Drawn in charcoal and pencil and rendered in brown and blue gouache. On the reverse: pencil line drawing of shapes. Similar to DC 089/1/2/4/32.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
One sketchbook page divided into two drawings in charcoal, crayon, gouache and ink. Depicting a mountainous landscape with overdrawn figurative outlines. Annotated verso "Fraser Taylor 1980". Similar to DC 089/1/2/4/30.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
One sketchbook page consisting of two abstract drawings in gouache and ink. One drawing shows an abstract painted background of horizontal lines and two stylised figures, one made from tracing paper and the other tissue paper. Annotated verso "Project figure shapes over landscape. tissue paper + line -colour- blue etc. Shadows- more extreme shapes- skirts etc. draw free mix materials". "wax line. earthy colour- small areas of bright colour".
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
One sketchbook page consisting of two abstract drawings in gouache and charcoal. One drawing shows an abstract painted background with a line drawing in charcoal depicting three figures.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Abstract drawing of people in black crayon.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Two abstract drawings of people in black crayon, one with the note 'Fraser Taylor 82'.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
A drawing of standing figurative sculptures in various poses and wearing robes. One figure is holding a shield. Drawn in charcoal pencil on white paper.
Taylor, Fraser
Student thesis on Scottish architectural influences
Part of Papers of Sidney Wesley Birnage, student at The Glasgow School of Architecture, 1930s
Titled "The Foreign Influence on Scottish Architecture of the 16th and 17th Centuries". Completed in May 1937. Contains 74 pages. Includes typewritten pages and various drawn images throughout of architectural elements. Seems to have teacher pencil corrections throughout. "DORIC" exterior front bottom right.
Sidney Wesley Birnage
Design for the Dug-Out, Willow Tea Rooms, Glasgow
Design for the staircase and vestibule, West Elevation, The Dug-Out, Willow Tea Rooms, Sauchiehall Street, Glasgow. Miss Cranston and her husband Major Cochrane commissioned Mackintosh to redesign the interiors of their home Hous'hill at Nitshill. Mackintosh designed several suites of furniture in 1904 and more pieces in 1909. Stripes are the dominant motif in the decorations, in the panels over the settle and between the doors where they are carried over the ceiling as in the guest bedroom at 78 Derngate. The lampshades are also similar to those used in this bedroom. (Roger Billcliffe). The lattice work recalls the hall at Derngate, but here it is used as an open screen rather than with solid or glazed panels. The only furniture that has been traced is the chair at the writing desk and the small table.
Mackintosh, Charles Rennie
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
A sketchbook of drawings by Charles Rennie Mackintosh. The sketchbook consists of 19 drawings of flowers; interior sketches of Craigie Hall, Pollokshields, Glasgow; and a preliminary sketch for a sideboard/cabinet for Mackintosh's own house at Regent Park Square, c1896 (now held at The Hunterian, University of Glasgow, Bilcliffe ref: 1896.1).
Mackintosh, Charles Rennie
This sketchbook consists of 81 pages of sketches made by Charles Rennie Mackintosh during his trip to Italy in 1891 funded by his Greek Thomson travelling scholarship prize money. The subjects he sketched are mainly architectural, with the one he felt to be most impressive being labelled 'A Caution'. Each sketch is labelled with the name of the city or town in which it was sketched. In 1890 Mackintosh won the Alexander 'Greek' Thomson Travelling Scholarship with a design for a public hall, which enabled him to take an extensive tour abroad from February to July 1891. He left Glasgow for London on 21 March 1891, sailing from Tilbury on the Thames on 27 March and arriving in Naples on 5 April. He then visited Palermo in Sicily, Rome, Orvieto, Siena, Florence, Pisa, Pistoia, Bologna, Ravenna, Ferrara, Venice, Padua, and Vicenza, arriving in Verona on 10 June 1891. The Sketchbook contains drawings from the later part of Mackintosh's tour, from 10th June, with sketches, mostly of architectural and sculptural details, beginning with Verona. It covers Verona (11-14 June); Mantua (14 June); Cremona (14-15 June); Brescia (16 June); Bergamo (17 June); Lecco (18 June); Cadenabbia and Lake Como (19-25 June); Como (26-27 June); Milan (28 June-6 July); Pavia (7 July-?); Certosa di Pavia (probably several days around 12 July); Paris and Chateau d'Ecouen (late July?); Antwerp (late July? - briefly visited on his return journey). It also contains several pages of designs for the Glasgow Art Club (1892-3) and the Glasgow Herald Building (1893-5). The drawings themselves are almost all pencil sketches, some of which are now quite faint.
Mackintosh, Charles Rennie
Entire range of student work from year 1 to year 5 with the exception of the year 3 part-time which he failed.
There is a small number of reports and essays as well and a boxed game and accompanying report which a student friend and Platt designed to teach students professional practice. This was their way of "avoiding writing a 4th year 10,000 word dissertation".
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Platt, Christopher
One sheet from a folder of six sheets of furniture designs,and designs for a fireplace, including one with a GSoA label recording session 1903-1904, James Porteous' student registration number 237, and Mr Taylor as his tutor. This sheet shows a design for a fireplace with integral mantle clock.
Porteous, James Henry
One sheet from a folder of six sheets of furniture designs, and designs for a fireplace, including one with a GSoA label recording session 1903-1904, James Porteous' student registration number 237, and Mr Taylor as his tutor. This sheet shows two views of a double wardrobe.
Porteous, James Henry
One sheet from a folder of six sheets of furniture designs, and designs for a fireplace, including one with a GSoA label recording session 1903-1904, James Porteous' student registration number 237, and Mr Taylor as his tutor. This sheet shows designs for a single wardrobe, dressing table, side view of dressing table, chair and wash stand.
Porteous, James Henry
One sheet from a folder of six sheets of furniture designs, and designs for a fireplace, including one with a GSoA label recording session 1903-1904, James Porteous' student registration number 237, and Mr Taylor as his tutor. This sheet shows front elevations of a chair, a dressing table and a cabinet.
Porteous, James Henry
One sheet from a folder of six sheets of furniture designs, and designs for a fireplace. This one with a GSoA label recording session 1903-1904, James Porteous' student registration number 237, and Mr Taylor as his tutor.
Porteous, James Henry
One sheet from folder of six sheets of furniture designs, and designs for a fireplace. Includes one with a GSoA label recording session 1903-1904, James Porteous' student registration number 237, and Mr Taylor as his tutor. Large sheet with double wardrobe, dressing table, cabinet and details.
Porteous, James Henry
One sheet with a series of pencil sketches, source photographs attached, recording movement. Handwritten note at the foot of the sheet records the date April 1997, 'the arms swing like gyroscopes to balance the action, contrapposto is not just a concept but a fact of movement'
Robertson, Frances
Architectural drawing: Design for Oriel Window
Framed architectural drawing of design for an oriel window. Annotated with 'Design for Oriel Window', artist's name and 'No. 1'.
Biggar, Hugh
Binnie, Maureen
Moffat, Alexander
Half-length study of man wearing jacket (probably a Glasgow subject).
Eardley, Joan Kathleen Harding
Includes:
Mackintosh, Charles Rennie
Study of an open market, Glasgow.
Eardley, Joan Kathleen Harding
Study of an open market, Glasgow.
Eardley, Joan Kathleen Harding
Italian farm study.
Eardley, Joan Kathleen Harding
An old, four-wheeled farm wagon.
Eardley, Joan Kathleen Harding
An old, four-wheeled farm wagon.
Eardley, Joan Kathleen Harding
Church interior, Basilica di San Marco, Venice
Study of church interior.
Eardley, Joan Kathleen Harding