Plaster cast of Marcus Aurelius
- PC/064
- Item
- Mid 19th century-early 20th century
Part of Plaster Casts
Portrait bust. Marcus Aurelius was Roman Emperor from 161 to 180.
*Not available / given
Plaster cast of Marcus Aurelius
Part of Plaster Casts
Portrait bust. Marcus Aurelius was Roman Emperor from 161 to 180.
*Not available / given
Part of Plaster Casts
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
*Not available / given
Part of Plaster Casts
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
*Not available / given
Part of Plaster Casts
Angel figure in relief with mask at base. Possibly architectural fragment.
*Not available / given
Part of Plaster Casts
Plaster cast Archbishop holding Staff, gothic style.
*Not available / given
Plaster cast of Archer of the Royal Guard
Part of Plaster Casts
Brickwork sculpture of Persian Royal bodyguard carrying quiver on back. Original: Persian glazed frieze from the Palace of Darius I in Susa, 521-486 BC. Original currently in the collection of the Pergamon Museum, Berlin, Germany.
*Not available / given
Plaster cast of Mater Dolorosa (Version 3)
Part of Plaster Casts
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Plaster cast of Mater Dolorosa (Version 2)
Part of Plaster Casts
*Not available / given
Plaster cast of Mater Dolorosa (Version 1)
Part of Plaster Casts
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze (Block XL from the North frieze)
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Sandstone plaque - The Glasgow School of Art Staff Refectory
Sandstone name plaque for the GSA Staff Refectory, which was part of the building on the opposite side of Renfrew Street aquired ca. 1920 to allow the School to expand. This building housed the Assembly Hall which was opened in 1929, so other facillities are assumed to date from around the same time.
*Not available / given
Sandstone plaque - The Glasgow School of Art Common Room
Sandstone name plaque for the GSA Common Room, which was part of the building on the opposite side of Renfrew Street aquired ca. 1920 to allow the School to expand. This building housed the Assembly Hall which was opened in 1929, so other facillities are assumed to date from around the same time. (Plaque was formerly wrongly identified as that for the Assembly Hall).
*Not available / given
A litho stone with three separate plates of a steam train, an elephant and hippopotamus, and one of two unidentified animals. Beneath the steam train picture is a black marker pen label reading '3d HMO Painting Book Blue Sept 1938'.
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Architectural competition drawing
Large presentation drawing of Glasgow School of Art campus showing new public space on Renfrew Street in claret and crimson on cream paper.
*Not available / given
Two figures sunbathing on a tropical beach with palm tree and a row of brightly coloured striped sun shelters.
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Scene from a swimming pool with a swimmer in the foreground, a child being helped out of the water and a bather sitting by the poolside as others mill around.
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Charcoal drawing of female nude, sitting in an armchair and leaning forward over arms folded on knees, forehead resting on arms and hair falling forwards.
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Cast metal (probably bronze) commemorative plaque from the Mackintosh building with raised lettering reading, 'To record the use of this building as a sphagnum moss depot. during the Great War and the thanks of the Scottish Branch British Red Cross Society to the generous donors. April 1919.'
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Typeset poster, lettering reads, 'GSA interior Design Dept Big Show'
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Typeset poster, lettering reads, 'Communication can be overbearing...'
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Typeset poster, lettering reads, 'Communication can be brief...'
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Typeset poster, lettering reads, 'Communication can be emotional...'
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Typeset poster, lettering reads, 'Communication can be deep, clumsy...'
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Typeset poster, lettering reads, 'Communication can be stinging...'
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Typeset poster, lettering reads, 'Communication can be old fashioned..'
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Typeset poster designed by typochondriacs, lettering reads, 'Redpath...'
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Typeset poster, lettering reads, '18 line grotesque'
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Typeset poster, lettering reads, 'Communication can be well mannnered, academic.....'
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Typeset poster, lettering reads, 'I'm having a crisis...'
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Grey metal sign, Glasgow School of Art Newbery, in modern serif black typeface. Six fixing points for attaching to exterior of building.
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Study of insects.
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Study of light bulbs.
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Study of geometric forms.
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Life study, standing male figure.
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Life study, seated female figure.
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Life study, standing female figure (2 x studies).
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Life study, standing female figure.
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Life study, seated female figure.
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Life study, seated female figure.
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Life study, seated female figure.
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This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014 and was conserved in 2018.
*Not available / given
Ship block printing display case
Wooden display case showing process of wood and linoleum block printing, featuring ship design. Loose paper GSA label once attached to back of case with writing "Design. B-Block Printing". Due to information in archival documentation, display case can be dated pre-1943. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014 and was conserved in 2018.
*Not available / given
Display case showing process of etching and materials used. Back of display case has GSA label with writing "Etching B, 19.1.58". Due to information in archival documentation, display case can be dated pre-1943. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014 and was conserved in 2018.
*Not available / given
Display case showing techniques of enamelling, step by step examples, and materials used. Due to information in archival documentation, display case can be dated pre-1943. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014 and was conserved in 2018.
*Not available / given
This screen printed banner with a large photo of Mackintosh depicts his signature and the Glasgow School of Art emblem reading: "There is honour in honest error none in the icy perfection of the mere stylist".
*Not available / given