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Modern calligraphy examples

Group of modern calligraphy instructional prints and examples. Includes printed examples of calligraphy teaching various techniques, two examples of calligraphy on parchment in red and black ink, calligraphy in black ink on aged paper giving instruction for raised gilding in books signed Graily Hewitt, Sep. 1915, and a print in black ink on white paper of a pointing hand.

*Not available / given

Miscellaneous photographs

Group of miscellaneous photographs that do not fit an existing theme and do not have any notes indicating a collector/tutor, except one photograph which has a handwritten note "J Keppie" (John Keppie). Includes architectural photographs and photographic prints of various artwork and ornamental details.

*Not available / given

Cloud studies

Collection of cloud and sky study photographs. Photographs are mounted on a supporting cardboard backing. Most have a stamp on the support that says "Glasgow School of Art and Haldane Academy".

*Not available / given

Eugene Bourdon photograph collection

Collection of photographs of architectural exteriors and interiors of churches and other historical buildings in Italy and France. Photographs are mounted on a supporting cardboard backing. Back of photographs have stamp "Eugene Bourdon, Architecte, Diplome par le Gouvernement". Some photographs have handwritten titles on the cardboard below the photograph.

*Not available / given

Charles Edward Whitelaw photograph collection

Collection of photographs of architectural exteriors and interiors of churches and other historical buildings in Ireland and France. Photographs are mounted on a supporting cardboard backing. Back of photographs have stamp "Chas. E. Whitelaw". Many photographs have handwritten titles on cardboard below the photograph.

*Not available / given

Animal prints

Collection of various animal prints including sheep, cows, horses, dogs, and deer with focus on different parts of the anatomy (full body, heads, horns, hoofs, tails, etc). Many prints with French labels. Some prints signed by Robert Hills (1769-1844).

*Not available / given

Architectural prints

Includes two copies of architectural sketches for an early English doorway, entrance to Chapter House, Glasgow Cathedral. Sketch is dated 28 January 1903, supplement to The Builder's Journal and Architectural Record, measured and drawn by Charles Forsyth. Also includes collection of architectural lithograph prints, sketches, and watercolours of various locations including Paris, Rome, Cairo, and throughout the UK, some by E. Hildebrandt. Two have a stamp on corner of work, "Department of Science and Art, Specimen presented to schools". Also includes coloured prints of various rooms in the Great Kremlin Palace in Moscow, Russia. Views include halls, courtyard, indoor garden, holy vestibule, throne room. Labelled in Russian and French, some include English labels written in pencil. Also includes collection of printed architectural plans and designs including two ordinance surveys of Garnethill and City Centre/Sauchiehall St., three copies of a poster of "100 Years of British Architecture" by The Observer, a floor plan of the Great Kremlin Palace in Moscow, a poster of "James Caldwell & Co. Abbotsford Stained Glassworks" designs, and three small architectural sketches/plans/designs of Grey Friars Church in Edinburgh, Chartres Cathedral in France, and Candlish Memorial Church in Glasgow.

*Not available / given

Flower prints

Collection of prints and sketches of flowers, fruits, and other plants. Includes empty portfolio used to store the collection of flower prints. Written in pencil on the front cover, "Photographs and Coloured Illustrations of Flowers".

*Not available / given

Letters sent by Francis H Newbery, Director of Glasgow School of Art

Outgoing letters, K-Mc: Pr. Keller re: lack of students in the Day Life Modelling Classes (Oct); Alfred A. Longden, Board of Trade re: general matters (Dec-Jan); Ann Macbeth re: note on classes to be undertaken by Embroidery students (n.d.); Mr Miller re: travelling scholarship, refs: to Paris, the Impressionist movement, & Berlin (Oct-Dec); Mr Monro re: a sitting for the Building Committee painting (Nov); Professor James Mavor, Toronto re: the sale of paintings by Olive Carleton Smyth (May); to C.R. Mackintosh re: reproduction of Talwin Morris' tomb & other drawings (Nov); Dr MacDonald, Scottish Education Department re: list of unsuccessful Diploma candidates, with reasons given for failure, and notes on Greiffenhagen & Clausen as jurors (Nov); Frances MacNair re: work in Liverpool and loneliness (Jun).

Newbery, Francis Henry

Letters sent by Francis H Newbery, Director of Glasgow School of Art

Outgoing letters, D-J: to James Dron re: Art Teachers' Exhibition Society (Mar-Jan) & re: David Sutherland - writes disclaimer (Jun); Arnold Fleming re: School matters and staff (May-Jan); Findlay re: the use of goats in the Animal Classes (Mar); Dr Gemmell re: play based on the Foulis Brothers (Dec); Mr Grigor re: Bursaries available at GSA (Dec); James Gray re: reports on teachers in GSA (Nov); Greiffenhagen re: teaching arrangements (Apr-Sep); E.A. Hornel re: a Scholarship for Mr Heughan (Jan); Bailie Hoey re: Panels at Possil Library (Dec); Inventory of contents of Newbery's studio at GSA (May); Miss Incledon re: the East Anglian Art Club (Sep-Nov); Professor Joachim, Glasgow University re: music for GSA plays (Jan); to the Janitor re: the keeping of a goat for the Animal Class (Mar).

Newbery, Francis Henry

Letters sent by Francis H Newbery, Director of Glasgow School of Art

Outgoing letters, A-C - including letters to Gaetano Ballardini, Director of the International Museum of Faience, Faenza re: the appointment of Newbery to the Museum Board (Dec); to Miss Boyd re: production of a play based on the Foulis Brothers (Nov); J.T. Brown of the Muirhead Trust re: naming of the Women's Common Room as the: Muirhead Women's Common Room" (Oct); Professor Baltus re: illness in Spain and general School matters (Sep-Nov); letter from Bourdon re: scholarship travels in Italy & reply from Newbery (June); Charteris, Beltane Society: incl. ref. to illness and overwork (Jan); Walter Crane re: asks him to present Diplomas, ref. to Newbery's illness (Apr-Jun); George Clausen re: visit to Glasgow (May).

Newbery, Francis Henry

Letters sent by Francis H Newbery, Director of Glasgow School of Art

Letterbook of outgoing correspondence - includes letters to Mr Nunn Ayles re: role of art teachers (16 Feb); to Professor Britten re: use of models in the Architect's Life Class and the Composition Class (31 Jan & 1 Feb); Anning Bell re: post of Director at LCC School of Arts & Crafts being offered to Newbery (10 Mar); Anning Bell: re: post at GSA in Design Dept. (Mar-Apr); Sir William Bilsland re: the success of lectures at GSA (1 May); Reference for P. Wylie Davidson (8 Mar); Mr Ewen re: Children's drawing at Higher level (2 June); Messrs. Grindlay, Staffs. re: work by Herbert MacNair (10 Jan); Mr Gray re: the misbehaviour of architectural students (19 May); to Greiffenhagen re: officialdom, including comparison of Scottish Education Department with South Kensington system & remark about ECA (27 May); to Housekeeper at GSA re: dusting of casts and cases (10 Jan); Mr Whitelaw Hamilton re: Glasgow Artistic Circles (25 May); Mrs Talwin Morris re: the purchase of books and bookbinding equipment (May); C.R. Mackintosh re: the lift (1 Feb), invite to lunch to meet Anning Bell (11 Feb), request for name-plate for Entrance Hall (23 Mar); Baltus re: lectures at GSA (28 Jan); to Mary Newbery re: family arrangements, etc. (20 Mar); Pr. Orlik, Berlin re: exchange of students' works for comparison (Jan-Feb); Mr Orr: re art education, etc. (June); George Pirie: re becoming a Visitor to GSA Animal Class (4 & 9 June); David Rollo re: scholarship travel in Italy (23 Mar); W.G. Strickland, National Gallery of Scotland re: Henry MacManus, first Headmaster of GSA (1 Mar); to Bernard Shaw asking him to give a lecture at GSA (4 May); Mr Weeks, Bridport re: design for a memorial to John Beard (May-June).

Newbery, Francis Henry

Letters sent by Francis H Newbery, Director of Glasgow School of Art

Letterbook of outgoing correspondence, pages 360-718 - includes letters to Frances MacNair re: unable to undertake enamel and metalwork classes (367); W Heath Wilson re: a visit to the School (374); to Rodin requesting the reproduction of one of his statues (403); Hilaire Belloc re: lecturing at GSA (424); the Formal Opening Masque (448, 474-5, 477, 504, 621, 645, 653, 666 & 683); notes to Mr. Baltus about presenting a lecture (498); to Charles McLure & R. Currie Robertson re: scholarship travel in Spain (518, 577); the Opening Exhibition of past student's work (548); E. Lagorara, Italian Consul General for Italy re: explanation of 1902 Turin Exhibition (575); E.A. Hornel re: the loan of a painting (599); correspondence, re: the Diploma and design for the certificate (608-9, 629); to Mr Rennie re: the best way to lecture to Art Students (620); to Dr. Struthers, Scottish Education Department re: a visit by Newbery to Egypt, Greece and Constantinople (695). Letters re: the New Building: choice of School Chairs by Mackintosh & Newbery (382); fittings required by Pr. Baltus for the Composition Department (387); to Mackintosh requesting that the furnishing of rooms be hurried forward (397); Scott St. Railings -problems with children climbing on them (407); the furnishing of the Dark Room as (410); to Professor Britten re: the Professor's Private Studios (418); to architects re: easels (428); stone carving room (445); coloured stickers on furniture to keep them in their correct rooms (491); to A. Proudfoot re: furnishing the Common Room (514); to Mackintosh re: fittings for the Metalwork Rooms (528); to Mackintosh re: tree trunk in Metalwork rooms (572); to Mackintosh re: screens between Architecture and Ornament Rooms (673). Please note: DIR/5/5 is Vol 2 of DIR/5/4.

Newbery, Francis Henry

Letters sent by Francis H Newbery, Director of Glasgow School of Art

Letterbook of outgoing correspondence, pages 1-359- includes letters re: Decorative Art Studios Teachers (357); letters to Professor Bourdon re: Architectural Studies Class (85) and the lecture scheme (324); letters about the progress of Highland Society Bursars (251); letters to the British Empire Shakespeare Society re: Recitals (24); letter to C Thorpe Davie re: invitation to a Vocal Recital (145); letter to Sir James Fleming re: Reception at the Art Club (44); letters to Honeyman, Keppie & Mackintosh re: the new lecture theatre (16) and updates on the progress of various parts of the School (79), etc; letter to Hutcheson's Boys Grammar School (254); letter to Sir John Stirling Maxwell about what was discussed at a meeting he could not attend (92); correspondence with Charles Rennie Mackintosh about details of the School of Architecture (55) etc; letters to Baron Van Overloep (53); letters to Dorothy C Smyth re: costumes for the School wardrobe (319).

Newbery, Francis Henry

Photographs of Decorative Works

Photograph album titled: 'Photographs of Decorative Works by Fra H Newbery'. Leather bound album of ten black and white photographs of paintings and other art works produced by Fra Newbery with a note of the name of the piece, and where they are located. Largely consists of works within churches in Dorset.

*Not available / given

Materials relating to Francis Newbery

Various papers and documents relating to Francis Newbery, including articles written by and about him, possibly related to the exhibition 'Fra H Newbery, Artist and Art Educationist, 1855-1946', held at The Glasgow School of Art, 29 Jul 1996-30 Aug 1996, curated by George Rawson. File includes: postcard of ‘The Paisley Shawl’, a painting by Francis Newbery c1910; printed image with description hand-written on back which reads ‘caricature of F H Newbery by Hugh Munro – in “St Mungo” 1897’; photocopy of article by Francis Newbery titled ‘Art Education’ and labelled ‘article by Fra Newbery, BA meeting Glasgow 1901’, about art education in Glasgow with particular focus on The Glasgow School of Art; typed copies of song titled ‘Dumble-Dum-Dearie or How Fra Newbery Got His Cloak and Hat; The School of Art Song’, unauthored, likely related to Newbery’s retirement [1916] (3 copies); typed page with biographical information regarding Francis Newbery’s artistic and educational career titled ‘Who’s Who In Glasgow In 1909’, unauthored and undated; typed page titled ‘Francis Henry Newbery 1853-1946’ with a biography of Newbery’s life and career from birth to death, focused on Newbery’s connection to Bridport in Dorset, unauthored and undated but likely related to and written by someone associated with Bridport; typed copy of a text titled ‘Francis Henry Newbery (1853-1946)’, possibly a draft of a catalogue published to accompany the exhibition 'Fra H Newbery, Artist and Art Educationist, 1855-1946', The Glasgow School of Art, 29 Jul-30 Aug 1996, written by George Rawson (2 copies); photocopy of article titled ‘Francis Newbery and the Glasgow Style’ by Isobel Spencer (now Isobel Johnstone) for Apollo Magazine, Oct 1973.

Newbery, Francis Henry

Family Photographs

Family photographs, mostly of Francis Newbery and some of his paintings. Photographs as follows:
DIR/5/38/7/1: Photograph of Newbery, head and torso, taken by Annan, c1895 (1 item) DIR/5/38/7/2: Photograph of Francis Newbery, head and torso, wearing large beret style hat and draped with cloak around shoulders, c1903. Previous reference: 'GSA:MC:P:29'. (1 item) DIR/5/38/7/3: Photograph of Francis Newbery, head and shoulders, with an exhibition ticket of Newbery's pasted to the back, 1913. Previous reference: 'GSA:MC:P:30'. (1 item) DIR/5/38/7/4: Photograph album of the Newbery family, with note on the front reading: 'Newbery Photo Album. Donated to GSA 1986 by Mr F Lang from the estate of Mary Newbery Sturrock'. Photographs date from c1910-1929 and include: photographs of Francis and Jessie Newbery; views of Blashenwell Farm, Corfe Castle; Lottie Seymour, a Corfe Castle character; views of Eastgate, Corfe Castle; views of family gravestones; photographs of Corfe Castle pageants; views in and around Chideock, Dorset; and family members e.g. Fred Lang, grandson of the Newberys, as a baby. Some photographs have become detached over time and are no longer present. Requires careful handling. (38 photographs within 1 volume) DIR/5/38/7/5: Black and white photographs on a card of a mural triptych painting of the 'Annunciation' and the 'Adoration' by Francis Newbery. Card has a greeting written on the back by Francis Newbery: 'To my friend J T Ewen from the Artist, Corfe Castle, Christmas 1910' (1 item). DIR/5/38/7/6: Mounted photograph of Francis Newbery in painter's overalls and with palette, next to his large painting of 'The Annunciation'. Inscription on the photograph mount reads: 'The Annunciation, Lady Chapel-Church of the Holy Ghost & St Edward, Swanage, Dorset. Fra H Newbery, Pinxit, John T Ewen, with Seasonable Greetings, Corfe Castle, Dorset, Christmas 1930' (1 item). DIR/5/38/7/7: Black and white photograph of a painting by Newbery of Edward S Reynolds, 1919-1920, Mayor of Bridport, 1919 & 1945, painted 1925 (1 item). DIR/5/38/7/8: Colour photograph of one of Francis Newbery's paintings, of a young girl in a black dress leaning on a railing, looking out to a river with a paddle steamer in view (1 item). DIR/5/38/7/9: Sleeve of negatives of Newbery paintings that are in the Town Hall in Bridport, c1980s (24 negatives).

*Not available / given

Family Papers

Papers of the Newbery family including papers dating to after Newbery's retirement; papers of his wife, Jessie Newbery; and documents relating to Mary Newbery Sturrock, daughter of Francis and Jessie Newbery. Papers as follows:

  • DIR/5/38/6/1: Letter from F R Benson of the Royalty Theatre, Glasgow, to Miss Newbery enclosing tickets for a Box for the play 'Much Ado', 12 Mar 1906 (1 sheet).

  • DIR/5/38/6/2: Headed letter paper of Francis Newbery, Eastgate, Corfe Castle, Dorset, c1918 (10 sheets).

  • DIR/5/38/6/3: Order of Proceedings for the inauguration of the Sign of Saint Edward, King and Martyr, Patron Saint of the Village, at Corfe Castle. Newbery made many of the readings at the event, 02 Jul 1927 (1 item).

  • DIR/5/38/6/4: Cardboard silhouette of Francis and Jessie Newbery in a photograph mount, c1930s (1 item).

  • DIR/5/38/6/5: Letters and fragments of letters from Jessie Newbery to her daughter Elsie and perhaps Mary. One of the letters to Elsie is dated 24 Sep 1934. The other letters are fragmentary and include topics such as recipes, books and sewing projects, c1934. (4 sheets)

  • DIR/5/38/6/6: Letter from George M Baltus to Mr and Mrs Newbery catching up with them following the Second World War, telling them of his experiences during that time, and telling them family news, 07 Jan 1946 (1 sheet).

  • DIR/5/38/6/7: File of photographs, pressclippings, sketches, designs, documents and letters relating to Mary Newbery Sturrock, daughter of Francis and Jessie Newbery, c1930s-80s (1 folder). File includes:

  • DIR/5/38/6/7/1: postcard of ‘Port Vendres’, watercolour by Charles Rennie Mackintosh c1926-27, dated 1979;

  • DIR/5/38/6/7/2: mounted photograph of Mary Newbery Sturrock at South Gray Street Edinburgh, undated;

  • DIR/5/38/6/7/3: letter from Mary Newbery Sturrock thanking her correspondent (name not given) for the Mackintosh card and about her memories of the doors of The Glasgow School of Art being white, 16 Oct 1984;

  • DIR/5/38/6/7/4: mounted photograph of Mary Newbery Sturrock and another woman, front of mount reads ‘Wedding’, undated;

  • DIR/5/38/6/7/5: pressclipping from the Helensburgh Advertiser about the opening of a special Mackintosh exhibition held at the Hill House, 03 May 1977;

  • DIR/5/38/6/7/6: card addressed to Mary, from ‘Pamela’ thanking her for a recent note. Front of card depicts ‘Painted gesso panel set with glass beads and shell’ by Margaret Macdonald Mackintosh, 1904, card is undated.

  • DIR/5/38/6/7/7: postcard from ‘Pat’ and Harry Barnes to Mary Newbery Sturrock, from Port-Vendres in France, 1981.

  • DIR/5/38/6/7/8: postcard from Tom Howarth to Mary Newbery Sturrock, from Port-Vendres in France, undated; photograph of Jessie and Francis Newbery; photograph of Mary Newbery Sturrock and another woman; photograph of two women, one likely Mary Newbery Sturrock, signed ‘Whiteleigh, Christmas 66’, 1966;

  • DIR/5/38/6/7/9: photographs of Mary Newbery Sturrock (x4), undated;

  • DIR/5/38/6/7/10: photographs of Mary Newbery Sturrock (x3), undated; close-up photograph of a necklace, undated;

  • DIR/5/38/6/7/11: photographs of Mary Newbery Sturrock (x2), undated;

  • DIR/5/38/6/7/12: photographs of Mary Newbery Sturrock (x2), undated;

  • DIR/5/38/6/7/13: photographs of Mary Newbery Sturrock and family (x4), undated;

  • DIR/5/38/6/7/14: photograph of Eastgate, Corfe Castle, undated; photographs of Jessie and Francis Newbery at Eastgate (x3), undated;

  • DIR/5/38/6/7/15: photograph of Jessie and Francis Newbery and family, undated; photograph of village street, likely Corfe Castle;

  • DIR/5/38/6/7/16: letter from Rodrigo Rodriguez of Cassina S.p.A to Mary Sturrock regarding the terms of an agreement between them for the reproduction of items (cutlery and the 'Six Columns Clock') designed for Sturrock by C.R. Mackintosh, 30 Oct 1979;

  • DIR/5/38/6/7/17: change of address card for Mr and Mrs A. R. Sturrock, from 2 Mansfield Place Edinburgh to 13 South Gray Street, c1945 (7 copies);

  • DIR/5/38/6/7/18: two hand-printed floral designs with addition of watercolour, unsigned and undated (possibly 1937 based on related designs); two versions of a hand-printed design with addition of watercolour depicting a woman with floral headdress, signed ‘M.N.S.’, undated (possibly 1937 based on related designs);

  • DIR/5/38/6/7/19: hand-printed floral Christmas card design with addition of watercolour and ink, back of card is signed ‘C.R., 1/-', dated 1937;

  • DIR/5/38/6/7/20: bundle of sketchbook and loose pages featuring sketches of, notes about and designs for ceramics, unsigned and undated (one example, drawn on the back of a card to Mary reads ‘wishing her good business and good health in 1956’);

  • DIR/5/38/6/7/21: invitation for exhibition of Sigrid Mavor (Ceramic flora and fauna) and M.N. Sturrock (Flower Drawings) from 30 Oct – 10 Nov at ‘The Open Eye Gallery’ Edinburgh [1982];

  • DIR/5/38/6/7/22: letter from Alison Adburgham to MNS Sturrock in response to a letter sent by Sturrock related to her family history and relationship to Liberty fabrics, 01 Jul 1983;

  • DIR/5/38/6/7/23: interview between Mary Newbery Sturrock and Tony Jones (director of GSA 1980-1986) about the history of The Glasgow School of Art, Fra Newbery and Charles Rennie Mackintosh, c1980.

Newbery, Francis Henry

Needlecraft in Secondary Schools Papers and Correspondence

Various papers and correspondence of Newbery relating to Needlecraft instruction in Secondary Schools. Some correspondence and reports from individuals such as Ann Macbeth and Margaret Swanson. Papers and follows: DIR/5/38/5/1: Letters from Ann Macbeth to Newbery, press-cuttings and papers about the Needlework scheme, 1910-1912 (1 folder). Includes: correspondence; presscutting from the Glasgow Herald, 23 Jan 1911, about Ann Macbeth and her address to the Glasgow Ruskin Society about needlecraft; cuttings from 'The Educational News' about the scheme, 1910; copy letters from Macbeth to Newbery, 1912, reporting her findings of the standard of needlework in Queen's Park and Shawlands Schools; memo regarding the Needlework and Embroidery, Article 55, Saturday Classes. DIR/5/38/5/2: Document- 'Suggested Scheme for Secondary School Course' in Needlework, giving specific information about the curriculum and course details for different ages, c1910 (7 sheets). DIR/5/38/5/3: Document- 'Scheme of Needlecraft in Secondary Schools' report by Margaret Swanson, Instructress in the Glasgow School of Art, 22 Mar 1912 (11 sheets, 2 copies). DIR/5/38/5/4: Document' 'Killearn School Board. Killearn Public School Continuation Classes. Approved Scheme of Instruction for Art Needlework Arranged as Required under Section 17 (7) of the Education (Scotland) Act 1908.', c1910-1912 (3 sheets, 5 copies)

*Not available / given

The Teaching of Design, Papers and Correspondence

Papers and correspondence relating to the development of the teaching of Design at the Glasgow School of Art. Papers as follows: DIR/5/38/4/1: Letter from Robert Anning Bell to Newbery regarding the post of Head of Design, 07 Jun 1910 (4 sheets). DIR/5/38/4/2: Letter from Lindsay P Butterfield to Mr Morton regarding Butterfield's professional opinions on the teaching of Design,14 Jun 1910 (5 sheets). DIR/5/38/4/3: Correspondence, mostly between Newbery and James Morton, about the teaching of Design at the School of Art, Jun 1910 (5 letters): (a) Letter from James Morton to Newbery about his collecting reports and experiences of the teaching of Design from Boston and Vienna, 11 Jun 1910 (1 sheet). (b) Letter from James Galbraith to Newbery about his opinions on the teaching of Design, 14 Jun 1910 (2 sheets). (c) Letter from James Morton to Newbery regarding the School of Art in Vienna and acquiring information from them about the teaching of Design,30 Jun 1910 (1 sheet). (d) Letter from James Morton to Newbery suggesting individuals with good experience in the area of Design to consult regarding the reaching of Design at the School of Art, for example Lindsay Butterfield, Sidney G. Mawson, Vesper Lincoln George, etc, 26 Aug 1910 (2 sheets). (e) Letter from John James Burnet to Newbery about Burnet's opinions on the teaching of Design, c.Jun 1910 (1 sheet). DIR/5/38/4/4: Francis Newbery's report on tours of London, Paris & Berlin, c.Jun 1910 (12 sheets). DIR/5/38/4/5: Letter from Vesper Lincoln George to James Morton about his opinions regarding the teaching of Design, 28 Jul 1910 (3 sheets). DIR/5/38/4/6: Letter from Sidney Mawson to Mr Morton regarding his opinions on the teaching of Design, 08 Aug 1910 (3 sheets). DIR/5/38/4/7: 'Design-Opinions of Experts'- table of remarks of Artists regarding the teaching of Design. Names include: Anning Bell; James Galbraith; Lindsay P Butterfield; Sidney Manson; Vesper L George, Boston; Mr James Morton; Vienna School of the Arts and Crafts, c1910 (1 sheet). DIR/5/38/4/8: Letter from Ann Macbeth, Queen Margaret Hall, to Newbery regarding her opinion on the teaching of Design, c1910 (2 sheets). DIR/5/38/4/9: Letter from Robert Anning Bell expressing his opinions on the teaching of Design, c1910 (1 sheet).

*Not available / given

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