- NMC/0358XX
- Item
- c1907
Various studies of carved pilasters.
Revel, John D
Various studies of carved pilasters.
Revel, John D
Portion of choir stall from Halberstadt.
Revel, John D
Study of overmantle.
Revel, John D
The Annonciation, Santa Croce, Florence
Section at D (annotated).
Revel, John D
Church of St Akeveranus, St Keverne, Cornwall
Detail of stone arch. Drawing states: St Kevern (sic), Cornwall.
Revel, John D
Detail of pulpit.
Revel, John D
Church of St Akeveranus, St Keverne, Cornwall
Elevation and tower plans.
Revel, John D
Church of St Akeveranus, St Keverne, Cornwall
West elevation/cross section.
Revel, John D
One bay of choir stalls.
Revel, John D
Church of St Akeveranus, St Keverne, Cornwall
Window, mullion detail.
Revel, John D
Mouldings of refectory door.
Revel, John D
Measured drawing of column.
Revel, John D
Nave arcade/north aisle.
Revel, John D
Plate 14 The Dining Room from Portfolio of Prints
An Art-Lover's house competition. Portfolio published 1902. In 1901 the Zeitschrift fur Innen-Dekoration of Darmstadt organised an international competition for the design of an Art Lover's House. The 1st prize was shared among 16 entrants, Baillie Scott recieved 2nd prize and 3rd prizes were also awarded. Mackintosh's entry was disqualified as his interior drawings were not finished in time for the competition deadline, but when they arrived he was awarded a special purchase prize of 600 marks by the publishers. The original drawings cannot now be traced, but in 1902 Alexander Koch published them as a portfolio in 'Meister Der Innenkunst' with an introduction by Herman Muthesius. A portfolio was presented by Mackintosh to the GSA and a 2nd set of prints, framed, is in the GSA collection. Like the hall, this room is wood panelled. The sombreness of the dark panelling is relieved by a frieze of coloured panels using the standard Mackintosh theme of a stylised female figure, and the coloured lights handing from the barrel vaulted ceiling. As in the reception room, Mackintosh makes use of furniture designs he has already used elsewhere, the stone surround of the fireplace is based on that in the original Board Room in the GSA, the table (the flat, plank like surfaces echoing the construction of the sideboard) on the dining table designed for Windyhill, and the chairs recall the oval backrail armchairs used in the Mains Street dining room. The central feature of the room is the fireplace, set in a deep recess decorated with fanciful female figures, details picked out in rose against a strong blue ground which dominates the otherwise severe room. The colours are echoed in the wall panels, the decorative insets on the sideboard, the china and even the table runner and roses on the table.
Mackintosh, Charles Rennie
15th century carved oak English reading desk.
Revel, John D
Revel, John D
Revel, John D
Revel, John D
Revel, John D
Revel, John D
Revel, John D
Revel, John D
Revel, John D
Revel, John D
Revel, John D
Revel, John D
Revel, John D
Revel, John D
Revel, John D
Revel, John D
Revel, John D
Revel, John D
Revel, John D
Revel, John D
Revel, John D
Revel, John D
End of a bedstead of carved oak. English 16th century.
Revel, John D
Plan and elevation of villa.
Revel, John D
Measured drawing of cornice/column.
Revel, John D
Design for an Artist's Town House and Studio: east elevation
Proposed east elevation of building.
Mackintosh, Charles Rennie
Design for an Artist's Town House and Studio: south elevation and plans
Proposed plans for building.
Mackintosh, Charles Rennie
Design for an Artist's Town House and Studio: south elevation
Proposed south elevation of building.
Mackintosh, Charles Rennie
Artist book: '2 Short stories of love and hair' (Page 1)
Artist book: 'Small drawings' (Page 1)
Part of Mary Ramsay artworks
A sketchbook of notes and artworks by Mary Ramsay. This item does not include an official date, but is presumed to be from 1918, when Ramsay was still at The Glasgow School of Art, due to dates included in some illustrations. This sketchbook includes floral illustrations, religious illustrations, greeting card designs, portraits and life drawings, and some notes.
There is one loose drawing included in this sketchbook. Most artworks are in pencil, with a few additional pieces in ink or paint on paper.
Ramsay, Mary
Part of Mary Ramsay artworks
A sketchbook of notes and artworks by Mary Ramsay. This item does not include an official date, but is presumed to date to c1926 due to the inscription 'Mary A. Ramsay, Dunellan, Strathyre' on the first page. This sketchbook includes a sketch of Comiston Road, Edinburgh, children's illustrations, sketches of floral pattern designs, and some portraits; however, most of the pages are left blank. All drawings are pencil on paper.
Ramsay, Mary
Part of Mary Ramsay artworks
A sketchbook of notes and artworks by Mary Ramsay. This item does not include an official date, but is presumed to date to c1926 due to the inscription 'Mary A. Ramsay, Dunellan, Strathyre' on the first page. This sketchbook includes a sketch of Comiston Road, Edinburgh, children's illustrations, sketches of floral pattern designs, and some portraits; however, most of the pages are left blank. All drawings are pencil on paper.
Ramsay, Mary
Part of Mary Ramsay artworks
A sketchbook of artworks by Mary Ramsay. This item includes a number of pastel and pencil drawings of landscape scenes and floral studies; however, most of the pages are left blank.
Ramsay, Mary