3519 results with digital objects Show results with digital objects
Part of Kenilworth Castle with sheep grazing to foreground. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Study of river with rowing boat. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Two studies of trees; beech and ash. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Study of three cottages. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
A Heath Cloudy Effect and Snowdon, North Wales
Two landscapes. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Study of various farming tools. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Heath scene. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
A view in Surrey. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Study of various fishing boats. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Four studies; three of cottages, one of river with cathedral in background. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
View on the Thames near Chertsey. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
View of Caernarvon, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Cottage near North fleet, Kent/Lane at Edgbaston near Birmingham
Two landscapes with cottages. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Dolbadden Tower, Llanberis Lake, North Wales/Pont Abber Glas Lyn, North Wales
Two landscapes. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Landscape with farmhouse. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Study of Aston Hall, near Birmingham. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Hampton in Arden, Warwickshire
Study of farm buildings with church tower in background. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Oil portrait, quarter length, of John Murdoch, a Master at Glasgow School of Art from 1848 until his death in 1854. Sitter is clean shaven, wearing a black bow tie and white winged collar shirt and dark jacket against a dark background. No visible signature of artist or identifying label on frame; donor believes that it may be a self portrait.
*Not available / given
Pencil self portrait of John Murdoch
A pencil sketch of a young man working in the sculpture workshop. A hand written label on the reverse reads, 'John Murdoch sketch by himself at Glasgow School of Art when a student.' In another hand, the dates 1824 - 1954 have been added. On the backing sheet, another note reads,' John Murdoch (1824 - 1854) Self portrait at Glasgow School of Art when Rector.'
Murdoch, John
Study of the Parthenon.
Spiers, Richard Phené
Picture of Domestic Fun: Causing the Coins to Play
Depiction of four women among anthromorphized coins engaged in various activities.
Kunimaro, Utagawa
Drawing of castle.
Anderson, Agnes
Drawing of church or minster, with herd of cattle in foreground.
Anderson, Agnes
Study of woman holding a plate.
Strang, William
Drawing of the bridge and abbey.
Anderson, Agnes
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
An illustrative drawing of a roe deer fleeing from two dogs in the forest. Undated.
Meldrum, William
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
An undated landscape sketch depicting a town view as seen from the upland. A man stands to the left of several typical houses, with the distant church in the background.
Meldrum, William
Drawing of a stream in a village
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A small drawing featuring a stream under a bridge next to a house in a village. This work is not dated, but has some texts on the reverse, presumed to be Meldrum's diary.
Meldrum, William
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A drawing featuring the landscape view of a mountain peak of Marsco near Glen Sligachan, on the Isle of Skye, Scotland. Includes annotations indicating the location of drawing, "Marsco, Glen Sligachan, Clach Glas, Bheinn," but has no dates.
Meldrum, William
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A drawing of a village view from a small square, featuring possibly Tudor style houses and a distant castle beyond the houses. This work is not dated.
Meldrum, William
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
An undated drawing of hands stacked over one another.
Meldrum, William
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A small design sketch of leaves on a grid. Undated.
Meldrum, William
Drawing titled "Correspondence"
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
An illustrative drawing featuring a man seated at a desk receiving letters from three birds flying towards him. Annotated as "Correspondence," but not dated.
Meldrum, William
Drawing of a castle in the country
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A small landscape drawing featuring the outskirts of the countryside with a castle in the distance. This work is signed "W. M." and presumably dated "9.5," but with no exact year of creation.
Meldrum, William
Rough sketch for drawing of Marsco
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
An undated rough sketch, presumably for one of his drawings in the collection, "Drawing of Marsco (DC 120/1/11)."
Meldrum, William
Drawing of a woman hugging her knees
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A small drawing of a woman seated on the floor, hugging her knees, with her head down. This work features shading of the entire background using pencil. Undated.
Meldrum, William
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A drawing of a nude woman lying down, twisting her upper body while supporting her weight with an elbow, with downcast eyes. This work features shading of the entire background using pencil. Undated.
Meldrum, William
Study of a woman in a twisting pose
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A drawing of a woman laying down in a twisting pose, while supporting her weight with an elbow and a hand. This work features shading of the entire background using pencil. Not dated.
Meldrum, William
Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A number of sketches and photographs of works by William Meldrum. This collection includes figure and illustrative drawings, unique pieces made of seaweed, and a series of monochrome photographs featuring landscape paintings. Most of the items are undated however the dates of creation are presumed to fall between the 1880s and 1920s. A set of typewritten paper by an unknown author dated after 1966, features a brief biography of Meldrum and descriptions of two drawings along with their custodial histories.
William Meldrum tended to work on depicting city views of Glasgow in the early 20th century and landscapes of diverse areas in Scotland. He created multiple pieces of black-and-white photographs on which his paintings have been printed; some of the photographs have identical versions.
Meldrum, William
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A variety of artworks, including landscape drawings, designs and life sketches, unique paintings made of pressed seaweed, and one printed work. A few items have annotations, such as related locations to the works or some letters. None of them are dated, except for one piece of the seaweed work.
Meldrum, William
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A small print featuring the scenery in front of the courtyard of a Scottish manse. Annotated as "The Manse, Kilmore" on the upper left side, but not dated.
Meldrum, William
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A sketch of a landscape featuring a building with a tower peeking out beyond the trees. Undated.
Meldrum, William
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A rough sketch of a nude woman sitting with one arm folded. Signed "W.M." but not dated. The paper has been stamped with the embossed letters, "E.S.K. (Examined South Kensington)," indicating the late 19th century art education system in the UK.
Meldrum, William
Sketch of a woman with drapery
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A rough sketch featuring a standing woman with drapery, viewed from the back. Signed "W.M." with pencil, but not dated. Embossed letters "E.S.K. (Examined South Kensington)" stamped on the sheet indicate the late 19th-century UK art education system.
Meldrum, William
Sketch of a woman in white draped dress
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A sketch depicting a reclining woman in a white draped dress resembling the classical Himation. Signed "W. Meldrum." and stamped with the embossed letters "E.S.K. (Examined South Kensington)" indicating the late 19th-century UK art education system.
Meldrum, William
Sketch of a man in ancient clothing
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A sketch depicting a draped classical Himation worn by a standing man. Signed "W.M." and stamped with the embossed letters "E.S.K. (Examined South Kensington)" indicating the late 19th-century UK art education system.
Meldrum, William
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A sketch using pencil and white chalk and featuring a draped classical outfit, seemingly women's Chiton. The sheet has been Signed "W. Meldrum," stamped with "E.S.K. (Examined South Kensington)," and attached to backing paper.
Meldrum, William
Artwork by Andrew Allan, lithographic artist and student at The Glasgow School of Art, Scotland
7 works of art, undated.
Allan, Andrew