- MC/G/5
- Item
- 1894
Bound in volume, The Magazine, November 1894.
Mackintosh, Charles Rennie
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Bound in volume, The Magazine, November 1894.
Mackintosh, Charles Rennie
Bound in volume, The Magazine, November 1894. 'Behind a stylised tree stands another of Mackintosh's mysterious female figures, but this is the first one to appear that is not meticulously drawn. Only the head is shown in any detail, and the shape of the body is hidden by a voluminous cloak from which not even its limbs appear. This figure was to be repeated many times, becoming more and more stereotyped until, with the banners designed for the Turin Exhibition in 1902, the head is the only recognisably human part of a figure with a twelve-foot long, pear shaped torso. In 1895-96, Mackintosh was to develop this drawing into a poster for the Scottish Musical Review (Howarth, p1, 9F). The same cloaked figure appears with similar formal emblems at the ends of the branches of the bush.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Bound in volume, The Magazine, Spring 1896. One of three watercolours depicting the seasons drawn for The Magazine.
Mackintosh, Charles Rennie
From The Magazine, Spring 1896. The shadow does not correspond with the object in front; it touches it and echoes it but is different.
Mackintosh, Charles Rennie
Design for a Bookplate for Lucy Raeburn
Bound in the November 1893 edition of 'The Magazine'.
MacNair, Frances Macdonald
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Artwork on paper created during Fraser Taylor's time as a student at the RCA.
*Not available / given
Oil painting of Scottish quayside scene
McCance, William
Argyll landscape with farm buildings.
Gorman, James
Oil painting, portrait of Agnes D Smith
McCance, William
Abstract study.
Palmer, Joan