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Records of The Glasgow School of Art, Glasgow, Scotland The Glasgow School of Art
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Accession of Papers related to Francis Newbery

Later accessions of material relating to Francis Newbery. Material was not deposited as part of his working papers as Director of the School, but includes some working papers and correspondence from during his time as Director in addition to papers dating to after his retirement, family records and photographs, and written materials regarding Newbery.
Includes:

  • DIR/5/38/1: Correspondence, 1889-1947
  • DIR/5/38/2: Working Papers of Francis Newbery, 1902-c1910
  • DIR/5/38/3: The 'Masque of the City Arms' Papers and Correspondence, 1905
  • DIR/5/38/4: The Teaching of Design, Papers and Correspondence, 1910
  • DIR/5/38/5: Needlecraft in Secondary Schools Papers and Correspondence, 1910-1912
  • DIR/5/38/6: Family Papers, 1906-1984
  • DIR/5/38/7: Family Photographs, c1895-c1980s
  • DIR/5/38/8: Materials relating to Francis Newbery

See this blog-post for more information about the discovery of these materials: http://www.gsaarchives.net/2018/03/cataloguing-gsa-famous-friends-fra-newbery-discovered/

Newbery, Francis Henry

Audiovisual material

GSA Archives and Collections hold 216 audiovisual files, covering a range of topics and a wide date range. The audiovisual material has been created both by GSA and by external organisations, such as the BBC (television and radio), STV and ITV, other educational institutions and the Scottish Arts Council. Media in the collection include 16mm films, 35mm films, audio cassettes, audio CDs, CD Rom, DV cassette, DVD, Floppy disk, Reel to reel audios, Super 8 film, U-matic films, VHS tapes and Video 8 tapes. The audiovisual files pertain to topics including the GSA Fashion and Degree Shows, and Activities Week; students discussing their work; lectures by architects; presentations by, and interviews and conversations with, GSA alumni; centenary of the Mackintosh Building; Charles Rennie Mackintosh and Margaret Macdonald Mackintosh; plays; and documentaries on GSA. Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers. As at August 2017, only the fashion show audiovisual material has been catalogued. The remaining uncatalogued material is therefore not currently accessible for researchers.

Webster, Chris

Calligraphy

Includes collection of modern calligraphy teaching aids and examples as well as a collection of European and Turkish medieval manuscript fragments. Also includes a leather book cover with decorative gilding and Arabic lettering.

*Not available / given

Correspondence

Various correspondence of Francis Newbery, and relating to Francis Newbery. Some correspondence dates from his time as Director of the School but other correspondence dates to after Newbery's retirement. Most of the correspondence is Newbery's but some is from the School Secretary or others connected with the School of Art. The letters include correspondence with artists, writers and architects such as: William Morris, Charles Francis Annesley Voysey, P Wilson Steer, David Young Cameron, Auguste Rodin, John Lavery, Walter Crane, and H.G. Wells. Correspondence as follows: DIR/5/38/1/1: Letters from William Morris to Mr Mavor, 1889 (4 letters): (a) Letter about Morris visiting Glasgow to give a lecture and about his travelling expenses,14 Jan 1889 (1 sheet). (b) Letter about a series of lectures Morris was to give upon his visit to Glasgow to groups such as 'the Glasgow Branch of the S. L.' , the students of the School of Art, and the Edinburgh Socialists, 21 Jan 1889 (1 sheet). (c) Letter addressed 'Dear Sir' about lectures Morris plans to deliver on his visit: 'Arts & Crafts', and 'Gothic Architecture' for the Haldane Students, 24 Jan 1889 (1 sheet). (d) Letter about Morris' travel arrangements to Glasgow, 06 Feb (1 sheet). DIR/5/38/1/2: Postcard, perhaps from T. P. C..(?) of 146 Blythswood Drive (portion of postcard damaged) to Francis Newbery about an engraving of a brooch found at Duncan Keith's auction rooms, called 'The Macgregor Brooch', 14 Mar 1896 (1 item). DIR/5/38/1/3: Letter from Edward J Poynter to Newbery conveying thanks for Newbery's congratulations on Poynter's election, 04 Dec 1896 (1 sheet). DIR/5/38/1/4: Letter from John Lavery to Newbery about his seeing Newbery's paintings at an exhibition in Venice,18 May 1897 (1 sheet). DIR/5/38/1/5: Letters from Walter Crane to Newbery, 1897-1913 (3 letters): (a) Letter to Mr & Mrs Newbery thanking them for their hospitality during his short stay, 12 Dec 1897 (1 sheet). (b) Letter to Newbery thanking Newbery for his kind letter on Crane's appointment, 28 Aug 1898 (1 sheet). (c) Letter to Newbery thanking Newbery and his wife for their hospitality during his visit, 12 Jun 1913 (1 sheet). DIR/5/38/1/6: Letters from staff to Newbery requesting an increase in salary, 1898 (5 letters): (a) Letter from John Dunlop, 12 Sep 1898 (1 sheet). (b) Letter from James M Dunlop, 13 Sep 1898 (1 sheet). (c) Letter from A Aston Nicholas, 15 Sep 1898 (1 sheet). (d) Letter from Johan Keller, 17 Sep 1898 (1 sheet). (e) Letter from James Gray, 19 Sep 1898 (1 sheet). DIR/5/38/1/7: Draft letter to Mr R S Allan about classes at the School, c1900 (3 sheets). DIR/5/38/1/8: Correspondence to Newbery about a fire escape stair, 1900 (2 letters): (a) Letter from W Forrest & Salmon cover letter returing documents sent by Newbery concerning a proposed escape stair, 07 Dec 1900 (1 sheet). (b) Letter to Honeyman & Keppie from Robert Scott, Measurer & Valuator about the cost of a fire escape stair for the Glasgow School of Art, 01 Aug 1900. Enclosure of the above (1 sheet). DIR/5/38/1/9: Letters from Auguste Rodin to Newbery, 1901-1903 (2 letters): (a) Letter, in French, about the return of plaster casts to Rodin and about an exhibition of plaster casts, 29 Apr 1901 (1 sheet). (b) Letter, in French, thanking Newbery for his kind wishes, 11 Dec 1903 (1 sheet). DIR/5/38/1/10 Correspondence between Newbery and Vanderstappen about proposing Mr Delville and Mr Paul Artot as Professors at the School, 1902 (4 letters). DIR/5/38/1/11: Letter and transcription of letter from William Leiper, Architect, to Newbery, 1904-1905 (2 letters): (a) Letter from Leiper to Newbery congratulating Newbery on the work of the School observed by Leiper on a recent visit, 13 Dec 1904 (1 sheet). (b) Typed transcript of the above letter from William Leiper to Newbery, 13 Dec 1904. Also on this sheet is a typed transcript of a letter from Alexander Roche to Newbery about an enclosed cheque for a supplementary travelling studentship, 22 May 1905 (1 sheet). DIR/5/38/1/12: Letter from W Forrest Salmon of Salmon & Son & Gillespie Architects to E Catterns, School Secretary, apologising that Salmon will be unable to attend the next Governors' meeting and recording his thoughts on some business such as his support for the re-election of W Fleming to the Chair, 26 Sep 1906 (1 sheet). DIR/5/38/1/13: Letter from George Gregory to Newbery about arrangements for Mr Wilson's class coming to 'modelling' (the sculpture department), 12 Oct 1906 (1 sheet). DIR/5/38/1/14: Correspondence about a letter to Newbery from Sir Henry Craik, Oct 1906 (2 letters): (a) Letter from Newbery to James Fleming requesting Fleming to telephone him to discuss an enclosure. On the back is a draft reply to the enclosure that Newbery wishes to discuss with Fleming (see below for enclosure), Oct 1906 (1 sheet). (b) Letter from H Craik to Newbery enquiring about the possibility of a position for a 'W Kennaway' who was at the Athenaeum School of Art in Glasgow until it closed. (enclosure of above correspondence), 23 Oct 1906 (1 sheet). DIR/5/38/1/15: Correspondence with Mr Robertson Weir, 1909-1919 (3 letters): This correspondence was donated to the School of Art Archives and Collections by the daughter of Robertson Weir in 1994. (ACC 52) (a) Letter from Newbery to Robertson Weir about Weir's trasmission to the Scotch Education Department. Refers to the course of study and Training of Teachers in the Special Subject of Art (Article 47), 04 Nov 1909 (1 sheet). (b) Letter from Newbery to Robertson Weir expressing his relief that Weir survived the War, 19 May 1919 (1 sheet). DIR/5/38/1/16: Letter from J Struthers of the Scotch Education Department to Newbery about the possible uses of the bursary of a student Mr Alexander Gordon, 28 Jul 1910 (2 sheets). DIR/5/38/1/17: Letter from H G Wells to Newbery thanking him for sending a copy of the Art School 'Masque', 10 Jun 1927 (1 sheet). DIR/5/38/1/18: Letters from Charles Francis Annesley Voysey to Newbery, 1927-1931 (2 letters): (a) Letter about a letter Newbery sent to 'MacAlister' that was flattering to Voysey and thanking Newbery for his support, 15 Nov 1927 (1 sheet). (b) Letter to Mr and Mrs Newbery apologising for having missed them when they went to his show and asking them if they have ever visited Sir Herbert Cook who lives in a house built by Voysey for Alfred Sutro, 05 Oct 1931 (1 sheet). DIR/5/38/1/19: Letter from P Wilson Steer to Newbery thanking Newbery for his congratulations and reminiscing about Walberswick, 19 Jan 1931 (1 sheet). DIR/5/38/1/20: Letter from D. Y. Cameron to Mr & Mrs Newbery thanking them for their sympathy on the death of his partner, c1930s (1 sheet). DIR/5/38/1/21: Letter from Archibald A McGlashan to 'Alick' thanking Alick for sending a painting of Francis Newbery and reflecting on the character of Newbery, 03 May 1947 (1 sheet).

Morris, William

Drawings

These folders contain drawings produced by Harry Anthony Wheeler when he travelled to Italy after being awarded the John Keppie Scholarship in 1948. The John Keppie Scholarship gave a bursary of £100 to one architecture student per year to fund a study trip of their choice. The focus of Wheeler's project was Loggias in Florence, Rome and Venice. Included are 5 "plottings" of the Loggia La Badia near Florence, Wheeler's original portfolio case and 48 loose plates of drawings and photographs which are listed below: Plate 1: Drawing of the courtyard, cortile, open staircase, gateway and loggia of The Bargello Palazzo Del Podesta in Florence. Plate 2: Drawing of the Loggia Bargello in Florence. Plate 3: Drawing of the Loggia Dei Lanzi in Florence. Plate 4: Entrance to the Loggia Dei Lanzi in Florence. Plate 5: Detail of Lion on columns in the Loggia Dei Lanzi in Florence. Plate 6: Loggia Bigallo in Florence. Plate 7: The Ponte Vecchio in Florence. Plate 8: The Pazzi Chapel in Florence. Plate 9: Plan and Elevation drawing of Loggia La Badia near Florence. Pencil and watercolour on white paper. Plate10: Drawing of an elevation of Loggia La Badia in Florence. Wheeler has added comments to this drawing about materials and techniques. Pencil and watercolour on white paper. Plate 11: Drawing of section detail of the Loggia La Badia near Florence. Wheeler has added comments to this drawing about materials and techniques. Pencil and watercolour on white paper. Plate 12: Detail of Stone Bracket, Loggia La Badia near Florence. Plate 13: Detail of Capital, Loggia La Badia near Florence. Plate 14: Four small photographs (mounted) of Loggia La Badia near Florence. Plate 15: The Dome of The Duomo from The Cloisters, San Lorenzo in Florence. Plate 15a: The Dome of the Medici chapel and church of S.Lorenzo from Giotto's Campanile in Florence. Plate 16: Loggia Ospedale Degli Innocenti in Florence with Della Robbia's Bambini Medalions in the spandrils. Plate 17: Loggia Ospedale Degli Innocenti in Florence. Plate 18: Cloisters, Covent of S. Marco in Florence. Plate 19: Loggia, Academy of Fine Arts in Florence. Plate 20: Small mounted photographs of the Pitti Palace Loggia in Florence. Plate 21: Small mounted photographs of the Uffizi Logia in Florence. Plate 22: Small mounted photographs of Loggia Fiesole in Florence. Plate 23: Small mounted photographs of Loggia S.Giovanni Laterno and Loggia Palazzo Venizia in Rome. Plate 24: Ink drawing of Michaelangelo's Cloister, the National Roman Museum in Rome. Plate 25: Ink drawing of a corner of Michaelangelo's Cloister in Rome. Plate 26: Two small mounted photographs and one drawing of Michaelangelo's Cloister in Rome. The drawing is a study of the columns. Plate 27: Small mounted photographs of Vignola's Loggia's in Campidoglio in Rome. Plate 28: Drawing and a small mounted photograph of The Loggia on the South West side of the Palazzo Farnese in Rome. Plate 29: The Loggia of the Knights of Rhodes in Rome. Plate 30: Small mounted photographs of the Cortile Cancelleria and the Cortile Doria Panfili in Rome. Plate 31: Drawing of the Loggia of Julius II S.Angel's Castle in Rome. Plate 32: Small mounted photographs of the Loggia of S.Angel's Castle in Rome and two modern Loggia's. Plate 33: Drawing of the open arcading on the south west corner at The Doge's Palace in Venice. Plate 34: Drawing of "The Judgement of Solomon" carved in fine grained marble for The Doge's Palace in Venice. Plate 35: Small mounted photographs of The Doge's Palace in Venice. Plate 36: Drawing of The Ca' d'Oro in Venice. Plate 37: Drawings of details from The  Ca' d'Oro in Venice. Plate 38: Small mounted photographs from the Ca' d'Oro in Venice. Plate 39: Small photographs of the facades of palaces in Venice. Plate 40: Drawing of the corner of St Mark's Library in Venice. Plate 41: Pencil drawing of Loggetta Venice. Architect Jacopo Sansovino. Plate 42: Five small photographs of the Library Vecchia, Procuratie Vecchie, Loggetta del Sansovino, Arcading alongside Rialto Bridge and the Palazzo Rezzonico in Venice. Plate 43: Two photographs and a pencil and watercolour drawing of Palazzo Contarini del Bovolo in Venice. The first photograph is of the foot of the staircase with comments by Wheeler about the contrasting brick and stonework textures. The second photograph is the interior of the building's Loggia and the drawing is of the building's facade. Plate 44: Six photographs, four of the Cloister S. Stephano and two of the Cloister S.Carmine in Venice. Plate 45: Five photographs of the Pescheria in Venice. The photographs feature the detail of the Capital Fish's Head Moteif on top of a column, timber brackets, Ca' d'Oro seen from the market, the top Loggia looking over the Grand Canal and some Arcading. Wheeler has commented that the Arcading is Modern Gothic and features textured brickwork. Plate 46: Five small mounted photographs. The photographs feature the sotto portico (meaning under the porch) of the Scuola Giorgo degli Schiavoni with one photograph featuring Wheeler's comments on the alternating column shapes, a Loggia near Ponte Lungo, a colonnade near San Francesca della Vigna and the Cloisters of the Monestry adjoining San Maria Maggiore in Venice. Plate 47: Four small mounted photographs. The photographs feature; A portico with a balcony Loggia above with Wheeler's comments that it is Venetian Gothic, a potico with an arcade above with Wheeler's comments that it is Venetian Byzantine, a Loggia of Modern Building with Wheeler's comments that it is Gothic style and some modelled timber brackets above columns.

Wheeler, Sir Harry Anthony

Exhibition catalogues

GSA-related exhibition catalogues, including those for the following exhibitions: Ancient & Modern Embroidery & Needlecraft, 1916 (2 copies); The Page Right Printed, An Exhibition of the Work of the Private Presses from William Morris to the Present Day, May 1973; Come All Ye: Exhibition of Broadsides, Broadsheets, Chapbooks, Songsheets, Poem Cards, Private Press Ephemera and Street Literature, Feb 1975; Work by GSA Design School staff, Mar/Apr 1982; Tenth Degree: Exhibition of work by final year and postgraduate students in Fine Art, 1988; Art at Heart: Work by students at schools for the blind in Japan 1950-1988, Oct 1989; Hannah Frew Paterson, Embroiderer, 1990 (ISBN 0901904147); Berlin/Glasgow | Glasgow/Berlin, 1995/6 (2 copies);Glasgow School of Art Design Staff, Tyler School of Art, Philadelphia, USA, 13th-24th Feb 1996; Lines of Continuity, 2002 (ISBN 0901904430)(2 copies).

*Not available / given

Family Papers

Family Papers

Papers of the Newbery family including papers dating to after Newbery's retirement; papers of his wife, Jessie Newbery; and documents relating to Mary Newbery Sturrock, daughter of Francis and Jessie Newbery. Papers as follows:

  • DIR/5/38/6/1: Letter from F R Benson of the Royalty Theatre, Glasgow, to Miss Newbery enclosing tickets for a Box for the play 'Much Ado', 12 Mar 1906 (1 sheet).

  • DIR/5/38/6/2: Headed letter paper of Francis Newbery, Eastgate, Corfe Castle, Dorset, c1918 (10 sheets).

  • DIR/5/38/6/3: Order of Proceedings for the inauguration of the Sign of Saint Edward, King and Martyr, Patron Saint of the Village, at Corfe Castle. Newbery made many of the readings at the event, 02 Jul 1927 (1 item).

  • DIR/5/38/6/4: Cardboard silhouette of Francis and Jessie Newbery in a photograph mount, c1930s (1 item).

  • DIR/5/38/6/5: Letters and fragments of letters from Jessie Newbery to her daughter Elsie and perhaps Mary. One of the letters to Elsie is dated 24 Sep 1934. The other letters are fragmentary and include topics such as recipes, books and sewing projects, c1934. (4 sheets)

  • DIR/5/38/6/6: Letter from George M Baltus to Mr and Mrs Newbery catching up with them following the Second World War, telling them of his experiences during that time, and telling them family news, 07 Jan 1946 (1 sheet).

  • DIR/5/38/6/7: File of photographs, pressclippings, sketches, designs, documents and letters relating to Mary Newbery Sturrock, daughter of Francis and Jessie Newbery, c1930s-80s (1 folder). File includes:

  • DIR/5/38/6/7/1: postcard of ‘Port Vendres’, watercolour by Charles Rennie Mackintosh c1926-27, dated 1979;

  • DIR/5/38/6/7/2: mounted photograph of Mary Newbery Sturrock at South Gray Street Edinburgh, undated;

  • DIR/5/38/6/7/3: letter from Mary Newbery Sturrock thanking her correspondent (name not given) for the Mackintosh card and about her memories of the doors of The Glasgow School of Art being white, 16 Oct 1984;

  • DIR/5/38/6/7/4: mounted photograph of Mary Newbery Sturrock and another woman, front of mount reads ‘Wedding’, undated;

  • DIR/5/38/6/7/5: pressclipping from the Helensburgh Advertiser about the opening of a special Mackintosh exhibition held at the Hill House, 03 May 1977;

  • DIR/5/38/6/7/6: card addressed to Mary, from ‘Pamela’ thanking her for a recent note. Front of card depicts ‘Painted gesso panel set with glass beads and shell’ by Margaret Macdonald Mackintosh, 1904, card is undated.

  • DIR/5/38/6/7/7: postcard from ‘Pat’ and Harry Barnes to Mary Newbery Sturrock, from Port-Vendres in France, 1981.

  • DIR/5/38/6/7/8: postcard from Tom Howarth to Mary Newbery Sturrock, from Port-Vendres in France, undated; photograph of Jessie and Francis Newbery; photograph of Mary Newbery Sturrock and another woman; photograph of two women, one likely Mary Newbery Sturrock, signed ‘Whiteleigh, Christmas 66’, 1966;

  • DIR/5/38/6/7/9: photographs of Mary Newbery Sturrock (x4), undated;

  • DIR/5/38/6/7/10: photographs of Mary Newbery Sturrock (x3), undated; close-up photograph of a necklace, undated;

  • DIR/5/38/6/7/11: photographs of Mary Newbery Sturrock (x2), undated;

  • DIR/5/38/6/7/12: photographs of Mary Newbery Sturrock (x2), undated;

  • DIR/5/38/6/7/13: photographs of Mary Newbery Sturrock and family (x4), undated;

  • DIR/5/38/6/7/14: photograph of Eastgate, Corfe Castle, undated; photographs of Jessie and Francis Newbery at Eastgate (x3), undated;

  • DIR/5/38/6/7/15: photograph of Jessie and Francis Newbery and family, undated; photograph of village street, likely Corfe Castle;

  • DIR/5/38/6/7/16: letter from Rodrigo Rodriguez of Cassina S.p.A to Mary Sturrock regarding the terms of an agreement between them for the reproduction of items (cutlery and the 'Six Columns Clock') designed for Sturrock by C.R. Mackintosh, 30 Oct 1979;

  • DIR/5/38/6/7/17: change of address card for Mr and Mrs A. R. Sturrock, from 2 Mansfield Place Edinburgh to 13 South Gray Street, c1945 (7 copies);

  • DIR/5/38/6/7/18: two hand-printed floral designs with addition of watercolour, unsigned and undated (possibly 1937 based on related designs); two versions of a hand-printed design with addition of watercolour depicting a woman with floral headdress, signed ‘M.N.S.’, undated (possibly 1937 based on related designs);

  • DIR/5/38/6/7/19: hand-printed floral Christmas card design with addition of watercolour and ink, back of card is signed ‘C.R., 1/-', dated 1937;

  • DIR/5/38/6/7/20: bundle of sketchbook and loose pages featuring sketches of, notes about and designs for ceramics, unsigned and undated (one example, drawn on the back of a card to Mary reads ‘wishing her good business and good health in 1956’);

  • DIR/5/38/6/7/21: invitation for exhibition of Sigrid Mavor (Ceramic flora and fauna) and M.N. Sturrock (Flower Drawings) from 30 Oct – 10 Nov at ‘The Open Eye Gallery’ Edinburgh [1982];

  • DIR/5/38/6/7/22: letter from Alison Adburgham to MNS Sturrock in response to a letter sent by Sturrock related to her family history and relationship to Liberty fabrics, 01 Jul 1983;

  • DIR/5/38/6/7/23: interview between Mary Newbery Sturrock and Tony Jones (director of GSA 1980-1986) about the history of The Glasgow School of Art, Fra Newbery and Charles Rennie Mackintosh, c1980.

Newbery, Francis Henry

Family Photographs

Family Photographs

Family photographs, mostly of Francis Newbery and some of his paintings. Photographs as follows:
DIR/5/38/7/1: Photograph of Newbery, head and torso, taken by Annan, c1895 (1 item) DIR/5/38/7/2: Photograph of Francis Newbery, head and torso, wearing large beret style hat and draped with cloak around shoulders, c1903. Previous reference: 'GSA:MC:P:29'. (1 item) DIR/5/38/7/3: Photograph of Francis Newbery, head and shoulders, with an exhibition ticket of Newbery's pasted to the back, 1913. Previous reference: 'GSA:MC:P:30'. (1 item) DIR/5/38/7/4: Photograph album of the Newbery family, with note on the front reading: 'Newbery Photo Album. Donated to GSA 1986 by Mr F Lang from the estate of Mary Newbery Sturrock'. Photographs date from c1910-1929 and include: photographs of Francis and Jessie Newbery; views of Blashenwell Farm, Corfe Castle; Lottie Seymour, a Corfe Castle character; views of Eastgate, Corfe Castle; views of family gravestones; photographs of Corfe Castle pageants; views in and around Chideock, Dorset; and family members e.g. Fred Lang, grandson of the Newberys, as a baby. Some photographs have become detached over time and are no longer present. Requires careful handling. (38 photographs within 1 volume) DIR/5/38/7/5: Black and white photographs on a card of a mural triptych painting of the 'Annunciation' and the 'Adoration' by Francis Newbery. Card has a greeting written on the back by Francis Newbery: 'To my friend J T Ewen from the Artist, Corfe Castle, Christmas 1910' (1 item). DIR/5/38/7/6: Mounted photograph of Francis Newbery in painter's overalls and with palette, next to his large painting of 'The Annunciation'. Inscription on the photograph mount reads: 'The Annunciation, Lady Chapel-Church of the Holy Ghost & St Edward, Swanage, Dorset. Fra H Newbery, Pinxit, John T Ewen, with Seasonable Greetings, Corfe Castle, Dorset, Christmas 1930' (1 item). DIR/5/38/7/7: Black and white photograph of a painting by Newbery of Edward S Reynolds, 1919-1920, Mayor of Bridport, 1919 & 1945, painted 1925 (1 item). DIR/5/38/7/8: Colour photograph of one of Francis Newbery's paintings, of a young girl in a black dress leaning on a railing, looking out to a river with a paddle steamer in view (1 item). DIR/5/38/7/9: Sleeve of negatives of Newbery paintings that are in the Town Hall in Bridport, c1980s (24 negatives).

*Not available / given

Flow: The Magazine of the Glasgow School of Art

Includes the following issues:
Issue 1 - 2002 (2 copies)
Issue 2 - 2003 (2 copies)
Issue 3 - 2003 (2 copies)
Issue 4 - 2004 (2 copies)
Issue 5 - 2004 (2 copies)
Issue 6 - 2005 (2 copies)
Issue 7 - 2005 2 copies)
Issue 8 - 2006 (2 copies)
Issue 9 - 2006 (2 copies)
Issue 10 - 2007 (2 copies)
Issue 11 - Autumn/Winter 2007
Issue 13 - 2009
Issue 14 - 2011
Issue 15 - 2012
Issue 24 - 2021

The Glasgow School of Art

GSA Fashion Show film

This film comprises both the 1982 and 1984 fashion show films. The only exception is that the instrumental section with no images, at the end of the 1984 film, is not included here. For more details please see GSAA/AV/1/2 for the 1982 film and GSAA/AV/1/3 for the 1984 film. A short clip of this film is available online at https://vimeo.com/channels/504825/videos. To view the full length film, please contact GSA Archives and Collections.

McLaughlin, Lyn

GSA Fashion Show film

GSA Fashion Show film

The exact date and location of the 1982 fashion show are unknown.  Other shows held around this time were however held in the spring, and in the Assembly building or in the Assembly Hall of the Bourdon Building. The film comprises footage of students modelling on the stage. There is a mixture of men’s and women’s garments.  Styles and themes of garments include rainbow, futuristic, Oriental, Egyptian, ballgowns, stripes, geometry, hats, formal, off-the-shoulder, utility wear, white, accessories, metallic, fantasy, swimwear. The show also features an extravagant period ballgown, designed by Kenny McLellan, which was subsequently shown at the “Young Blood” exhibition at the Barbican Centre in London, in November 1983 to January 1984. The set for the show consisted of a pale, self-coloured fabric backdrop. The soundtrack for this film was added during the editing phase of the film and contains music which was played at the fashion show. Soundtrack: Fever – Little Nell, You Make Me Feel (Mighty Real) – Jimmy Sommerville, Nice 'n' Easy – Frank Sinatra, Whip it – Devo, Lullaby of Broadway – Ella Fitzgerald, Move On (Extended Version) – Fashion, Life in a Day – Simple Minds, Living Doll – Cliff Richard, Lullaby of Broadway – Ella Fitzgerald, Move On (Extended Version) – Fashion, Je ne regrette rien – Edith Piaf, Walking on Thin Ice – Yoko Ono, You Make Me Feel (Mighty Real) – Jimmy Sommerville, Nice 'n' Easy – Frank Sinatra, I wanna be loved by you – Marilyn Monroe, It ain't what you do – Bananarama, The Hunter Gets Captured By the Game – Grace Jones, Move On – Fashion, Life in a Day – Simple Minds, The Hunter Gets Captured By the Game – Grace Jones, The Farmer and the Cowman should be Friends – Oklahoma, Poison Arrow– ABC, Those Lazy Hazy Crazy Days of Summer – Nat King Cole, Poison Arrow – ABC, Fever – Little Nell, Land of Hope and Glory, plus seven unidentified pieces of music. Captions for the film were provided by the Mackintosh School of Architecture Computer Department. A short clip of this film is available online at https://vimeo.com/channels/504825/222346080. To view the full length film, please contact GSA Archives and Collections. The information above has in part been provided by staff and alumni of GSA.

McLaughlin, Lyn

GSA Fashion Show film

GSA Fashion Show film

The 1984 Fashion Show was held in the Assembly Building from 30th April to 5th May 1984. The film comprises images of the fashion show poster, followed by footage of the audience arriving at the venue and students modelling on the stage. There is a mixture of men’s and women’s garments.  Styles and themes of garments include music, pastels, metallic, rainbow, wedding, hats, white, bright colours, jewellery, off-the-shoulder, flamenco. Students involved in the show came from a variety of subject areas and years, including: Embroidery and Weaving; and Printed Textiles. All the textiles students modelling designed garments for the show. The set for the show consisted of large musical notes and staves, plus piano keyboards. It was designed and built by Minty Donald and Jean Cameron. The soundtrack for this film was added during the editing phase of the film and contains music which was played at the fashion show. Soundtrack: In the Mood – Glenn Miller, Relax – Frankie Goes to Hollywood, Pull up to the Bumper – Grace Jones, It's Raining Men – The Weathergirls, Holiday – Madonna, Right Now – The Creatures, I Heard It Through the Grapevine – Marvin Gaye, There is Nothing like a Dame – South Pacific Male Chorus, Kick in the Eye – Bauhaus, We Live So Fast – Heaven 17, Vicious – Lou Reed, I am What I am – Gloria Gaynor, Living on the Ceiling – Blancmange, Get Up (I Feel Like Being a) Sex Machine – James Brown, Heaven Sent (extended Version) – Paul Haig, Je ne regrette rien – Edith Piaf, I Travel – Simple Minds, Bourgie Bourgie – Gladys Knight and the Pips, Propaganda – Dr. Mabuse, Loving You made a Fool out of Me – Kid Creole and the Coconuts, Small Town Creed – The Kane Gang, You Take Me Up – Thompson Twins, Free Nelson Mandela – The Specials, Fever – The Cramps, I Zimbra (12’ Version) – Talking Heads, Dancing in the Street – David Bowie & Mick Jagger, Cuentame Que Te Paso – The Manhattan Transfer The last five minutes of the film is purely instrumental music with no images. Special thanks are given to Marise and Ken Plater. A short clip of this film is available online at https://vimeo.com/channels/504825/222346130. To view the full length film, please contact GSA Archives and Collections. The information above has in part been provided by staff and alumni of GSA. With special thanks to Helena Britt for provision of information.

McLaughlin, Lyn

GSA Fashion Show film

GSA Fashion Show film

The 1985 Fashion Show was held in the Assembly Building from 11th to 16th March 1985. The film comprises footage of students modelling on the stage. There is a mixture of men’s and women’s garments.  Styles and themes of garments include African, Oriental, Egyptian, hats, bright colours, white, geometry, metallic, sleeves, fruit, accessories, Greek, graphics. Students involved in the show came from a variety of subject areas and years, including: Embroidery and Weaving; Fine Art; Sculpture; and Printed Textiles. All the textiles students modelling designed garments for the show. The set for the show consisted of a black background with white symbols. The soundtrack for this film was added during the editing phase of the film and contains music which was played at the fashion show. Soundtrack: Free Nelson Mandela – The Specials, Je ne regrette rien – Edith Piaf, Living On The Ceiling – Blancmange, March of the Siamese Children – The King and I, We Are Ninja – Frank Chicken, Psycho Killer – Talking Heads, One Night in Bangkok – Murray Head A short clip of this film is available online at https://vimeo.com/channels/504825/222346193. To view the full length film, please contact GSA Archives and Collections. The information above has in part been provided by staff and alumni of GSA. With special thanks to Helena Britt for provision of information.

McLaughlin, Lyn

GSA Fashion Show film

GSA Fashion Show film

The 1986 Fashion Show was held in the Assembly Hall from 10th to 15th March 1986. The film comprises footage of students modelling on the stage. There is a mixture of men’s and women’s garments.  Styles and themes of garments include Egyptian, metallic, wedding, Queen of Hearts, cloaks, formalwear, masks, hats, bright colours, geometry, flamboyant, utility wear. There is also a dress made from Benson and Hedges cigarette packets – the model wearing this dress is smoking on stage. There were also a number of Harris Tweed garments in the show as Harris Tweed ran a design competition that year. Students involved in the show came from a variety of subject areas and years, including: Embroidery and Weaving; Silversmithing and Jewellery; and Printed Textiles. All the textiles students modelling designed garments for the show. It is believed that this show had a mix of professional models and students. The models were less experienced models from agencies. The set for the show consisted of a garage workshop setting with car and motor parts at the rear and sides of the stage. It was designed by the Royal Scottish Academy of Music and Drama. The hair for this show was by Taylor Ferguson. The soundtrack for this film was added during the editing phase of the film and contains music which was played at the fashion show. Soundtrack: Metal/drums, Think – Aretha Franklin, What's New Pussycat – Tom Jones, I Heard It Through the Grapevine – Marvin Gaye, Dance of the Knights – Prokofiev, O Fortuna, Carmina Burana – Orff A short clip of this film is available online at https://vimeo.com/channels/504825/222346262. To view the full length film, please contact GSA Archives and Collections. Note – the full length film contains flashing images at 5:36 to 5:44. The information above has in part been provided by staff and alumni of GSA. With special thanks to Helena Britt for provision of information.

McLaughlin, Lyn

GSA Fashion Show film

GSA Fashion Show film

The 1978 Fashion Show was held in the Mackintosh Lecture Theatre from the 24th to 28th April 1978. The film comprises a combination of still images and film footage of students preparing for the show behind the scenes, and modelling on the stage. There is a mixture of men’s and women’s garments. Styles and themes include metallic fabrics, sportswear, bodysuits and off-the-shoulder dresses. Children’s clothes were also modelled in the show although these are not shown in the film. Garments were designed and modelled mostly by students or former students. Indigo Designs also designed evening dresses for the show. Students involved in the show came from a variety of subject areas and years, including: 1st year; Embroidery and Weaving; Textiles; and Graphics. Hair was by the Hely Design Group and shoes were from Ravel. The set for the show consisted of a pale, self-coloured ruched fabric backdrop. A soundtrack was recorded separately to accompany the film but GSA does not hold a copy of this. A short clip of this film is available online at https://vimeo.com/channels/504825/222346017. To view the full length film, please contact GSA Archives and Collections. Note – the full length film contains some nudity at 5:17 and 9:42. The information above has in part been provided by staff and alumni of GSA.

Carruthers, Colin

GSA Fashion Shows

A number of the GSA fashion shows were filmed and some of these films are held by GSA Archives and Collections, namely the films for 1978, 1982, 1984, 1985 and 1986. These show models on the stage plus in some cases backstage footage and/or stills, and the audience arriving at the venue. For four of the films held by GSA Archives and Collections, the soundtracks have been incorporated at the editing stage and reflect the songs played at the show.

Carruthers, Colin

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