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Catalogue of books and prints belonging to the School and plans, busts, statues and tablets recommended to be acquired by the School in readiness for opening in 1845. Also contains correspondence regarding the acquiring of the specimens to make copies.

Inventory of School property. Inscribed "Delivered to the Social Committee 2nd October 1849", however there are materials listed in this inventory that were deposited within the School's Library of Reference as early as 1847.

One handwritten letter and one postcard.

Sketchbook bearing the inscription, "Catherine Mason the gift of Alice Rigby - Given by her dear Mother..." Contains poems accompanied by handpainted illustrations of flowers.

Unfinished watercolour and pencil sketches of Cockermouth and other locations done by T. Grant.

A book that lists items received from the Department of Art and Science, and loose material in separate folder.

Bookplate for R.Y. Pickering [Robina Pickering] with motto "Je Gardye Bien" by DYC [D.Y.-Cameron?]

There are 4 known surviving volumes: The Magazine 1893, The Magazine April 1894, The Magazine November 1894, The Magazine 1896.

The Magazine was a publication of original writings and designs by students from the Glasgow School of Art, Glasgow, Scotland, and their friends. Appearing in 4 volumes between November 1893 and Spring 1896, The Magazine contains text from contributors handwritten by Lucy Raeburn, editor, accompanied by original illustrations. These volumes are the only known copies of The Magazine. In addition to rare, early watercolours and designs by Charles Rennie Mackintosh, the volumes contain early designs by Frances MacDonald and Margaret MacDonald, at a stage in their development which has been labelled 'Spook School', and two sets of photographs by James Craig Annan, when he was beginning to establish a reputation at home and abroad. Among other contributors were Janet Aitken, Katherine Cameron, Agnes Raeburn and Jessie Keppie, all of whom enjoyed lengthy careers in art and design.

The Magazine is similar to an album amicorum such as those which originated in the middle of the 16th century among German university students, who collected autographs of their friends and notable persons, sometimes adding coats of arms and illustrations. The Magazine resembled the album amicorum in that contributions were by a close group of students and their friends and is all the more interesting because the illustrations were produced by young people who had a common social background, were trained at the same school, and subjected to the same artistic influences. The contributors were closely linked, some by family, some by romantic attachments and had close social connections. Other contributors include C Kelpie, John M Wilson, Jane Keppie, and Ethel M Goodrich. Source: Jude Burkhauser, Glasgow Girls: women in art and design (Edinburgh : Canongate, 1990).

One prospectus cover

Watercolour sketches of wild flowers from Cove & St. Andrews. 28 paintings, plus 1 at back.

Collection of various animal prints including sheep, cows, horses, dogs, and deer with focus on different parts of the anatomy (full body, heads, horns, hoofs, tails, etc). Many prints with French labels. Some prints signed by Robert Hills (1769-1844).

Inventory of School property including plaster casts. Volume also includes photographs of casts.

William Anderson is now their North of England rep.

Manuscript notebook signed by members.

Papers and correspondence relating to the 'Masque of the City Arms', a show organised by the School of Art in 1905. (13 items) Papers and correspondence include: passage explaining that the 'Masque of the City Arms' was performed by students of the School of Art in Dec 1904, and outlining the circumstances for its repeat in March 1905; lists of names of cast and orchestra members; correspondence regarding obtaining musicians, and organising venues, for the Masque; flier for the 'Masque of the City Arms', in St Andrew's Halls, 30 Mar 1905.

recto: watercolour sketch of Daisy & Violetverso: watercolour sketch of Miss Gordon

Glasgow School of Art Club "At Home" Programmes with frontispieces by Catkins, Charles M. Scott and Dawson Constable.

Letterbook of outgoing correspondence, pages 1-500 - includes letters re: appointment of Maurice Greiffenhagen (23, 49); to Charles Rennie Mackintosh re: the proposed extension (48, 55, 82, 84); to Norah Neilson Gray re: establishment of "Drawing for Fashion" classes (60, 182, 203, 396); gaining a diploma (162); Allan D Mainds re: scholarship trip to Europe (189, 251); reference to new building - "good and useful structure" (214); the use of animals in the Animal Room (240); students' balls (428, 452); Decorative Art at the Edinburgh International Exhibition of 1907 (442); general School administration, in particular finding a successor to Mr Delville.

Re: a trip with the family to Rahane. Refers to Anderson as "Rufus".

Mounted page from sketchbook showing measured drawing of oak panel in Crail Parish Church.

Letterbook of outgoing correspondence, pages 1-500 - includes letters re: reference for James Huck (86); letter to C F Voysey re: post of Design Professor (90, 97 & 131); to Bourdon re: the design of the Architectural rooms in the new building (121); Newbery's ideas about decorative art and its place in GSA (174); visits of Newbery & C R Mackintosh to Technical Studios at Birmingham School of Art & in London (188 & 204); to Frances MacNair re: teaching metalwork and enamels at GSA (225, 269); to Henry Wilson re: reservations about the new Professor of Design, Mr Britten (316). Extension to School building: requesting for a fireplace for Headmaster's studio (239), cleaning of windows and pigeons (244), heating arrangements & partitions in the Life School (279), school dances and architect's fears about unsafe floors (339).

Glasgow School of Art Club: Programme for Re-Union and exhibition of GSA Club Work, 1908 and GSA Students, 1909. With reception at GSA and Theatrical Productions.

Includes correspondence with M. Baltus, Professor of Technics & History of Art.

Letterbook of outgoing correspondence, pages 1-500 - including letters to Scottish Education Department; to Muthesius; to Professor Behrens of Düsseldorf, re: a visit to German Art Schools (232); award of the Haldane Traveling Scholarship to D. Forrester Wilson; Adolphe Giraldon re: the Design Section (116, 197 & 207); Eugene Bourdon re: the teaching in the School of Architecture (115); the Masque of the City Arms (133); Delville re: models required for the Life Classes (143); Professor Geddes re: directing the Masque and personal news (146); James Dunlop re: work by Design students (201); woman designers in Glasgow (249); the Bram Stoker Medal (311); Professor Baltus re: lectures to be given at GSA (343 & 350); Lavery re: the International Society (365); replacement for Delville (403-404); absenteeism among architectural students (434); general School administration.

Correspondence re: the purchase of a site in Gerrard's Cross with plan and conditions of sale.Plan and conditions of sale is outsize and stored separately.

Letterbook of outgoing correspondence, pages 1-359- includes letters re: Decorative Art Studios Teachers (357); letters to Professor Bourdon re: Architectural Studies Class (85) and the lecture scheme (324); letters about the progress of Highland Society Bursars (251); letters to the British Empire Shakespeare Society re: Recitals (24); letter to C Thorpe Davie re: invitation to a Vocal Recital (145); letter to Sir James Fleming re: Reception at the Art Club (44); letters to Honeyman, Keppie & Mackintosh re: the new lecture theatre (16) and updates on the progress of various parts of the School (79), etc; letter to Hutcheson's Boys Grammar School (254); letter to Sir John Stirling Maxwell about what was discussed at a meeting he could not attend (92); correspondence with Charles Rennie Mackintosh about details of the School of Architecture (55) etc; letters to Baron Van Overloep (53); letters to Dorothy C Smyth re: costumes for the School wardrobe (319).

Letterbook of outgoing correspondence, pages 360-718 - includes letters to Frances MacNair re: unable to undertake enamel and metalwork classes (367); W Heath Wilson re: a visit to the School (374); to Rodin requesting the reproduction of one of his statues (403); Hilaire Belloc re: lecturing at GSA (424); the Formal Opening Masque (448, 474-5, 477, 504, 621, 645, 653, 666 & 683); notes to Mr. Baltus about presenting a lecture (498); to Charles McLure & R. Currie Robertson re: scholarship travel in Spain (518, 577); the Opening Exhibition of past student's work (548); E. Lagorara, Italian Consul General for Italy re: explanation of 1902 Turin Exhibition (575); E.A. Hornel re: the loan of a painting (599); correspondence, re: the Diploma and design for the certificate (608-9, 629); to Mr Rennie re: the best way to lecture to Art Students (620); to Dr. Struthers, Scottish Education Department re: a visit by Newbery to Egypt, Greece and Constantinople (695). Letters re: the New Building: choice of School Chairs by Mackintosh & Newbery (382); fittings required by Pr. Baltus for the Composition Department (387); to Mackintosh requesting that the furnishing of rooms be hurried forward (397); Scott St. Railings -problems with children climbing on them (407); the furnishing of the Dark Room as (410); to Professor Britten re: the Professor's Private Studios (418); to architects re: easels (428); stone carving room (445); coloured stickers on furniture to keep them in their correct rooms (491); to A. Proudfoot re: furnishing the Common Room (514); to Mackintosh re: fittings for the Metalwork Rooms (528); to Mackintosh re: tree trunk in Metalwork rooms (572); to Mackintosh re: screens between Architecture and Ornament Rooms (673). Please note: DIR/5/5 is Vol 2 of DIR/5/4.

Correspondence re: reports on visits to the house and work being undertaken.

Details of designs & correspondence re: costs, fittings, contractors, etc.

Correspondence re: tiles specifications and prices.

Orders and letters re: gas fittings.

Correspondence re: slatework and plumbing at Kilmaurs, with account.