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A monochrome photograph of a watercolour painting depicting the view of the Cuillin Hills on the Isle of Skye, Scotland. Annotated "Loch Scavaig, The Cuillin Hills from the south" on the reverse, but not dated.

A black-and-white photograph of a watercolour painting featuring a view from Tollcross Park in Glasgow. A distant building, assumed to be a church, is visible over the woodland scenery. Annotated "Tollcross Park Glasgow" on the reverse, but not dated.

A monochrome photograph of a watercolour painting depicting the stream in Clarkston, Scotland, as annotated "Placid Stream Clarkston" on the reverse. Signed "W. Meldrum," but not dated.

A monochrome photograph of a watercolour landscape painting depicting a house in the countryside. Signed "W. Meldrum," but not dated.

A monochrome photograph of a watercolour landscape painting featuring a mansion in the country. Signed "W. Meldrum,"and dated "1920" assumed to be the date of creation of the painting.

A monochrome photograph of a watercolour landscape painting depicting two people near the river Tweed in Melrose, Scotland. One person is standing towards the river, while another is on a floating boat in the painting. Signed "W. Meldrum," but not dated. Includes the annotation "The Tweed near Melrose" on the reverse of backing paper.

A small drawing of a woman seated on the floor, hugging her knees, with her head down. This work features shading of the entire background using pencil. Undated.

A sepia-toned photograph of a watercolour painting depicting Gourock Bay, as annotated "Gourock at the Clyde" on the reverse. Signed "W. Meldrum," but not dated.

An illustrative drawing featuring a man seated at a desk receiving letters from three birds flying towards him. Annotated as "Correspondence," but not dated.

A small print featuring the scenery in front of the courtyard of a Scottish manse. Annotated as "The Manse, Kilmore" on the upper left side, but not dated.

Poster for careers seminar 'Gettin' Yer Livin'?', Mac[kintosh] Lecture Theatre, Glasgow, 04 Nov. The year is not given but is believed to be late 20th century.

Poster for lecture and slide show 'Paolozzi "Images & Media"', Haldane Building, Glasgow, 11 Feb. The year is not given but is believed to be c1970s.

Poster for lecture 'Ron Heron Pentagram', Bourdon Lecture Theatre, Glasgow, 26 Apr. The year for the poster is not given but is believed to be late 1970s to early 1980s. As the lecture was held on a Thursday , the year would be 1979 or 1984.

Poster for exhibition and performance by Still House Plants, Glasgow as part of the Glasgow International Festival 2016. The exhibition and performance were held in a pavilion installation at the Kinning Park Complex, with the opening on 09 Apr 2016 and the matinee on 14 Apr 2016.

Source: https://thequietus.com/articles/28753-still-house-plants-fast-edit-review

Two multicolour-printed pieces of teaching examples for printmaking, attached to backing paper. These prints illustrate the heroic myth of Saint George slaying a dragon. Also used as teaching materials in schools in Scotland, as marked with the level of students "Sixth year."

A small watercolour drawing depicting the head of rooster.

A multi-coloured oblique pattern design with fruits and trees repeatedly intersected. Includes annotations of student registration no. ("No. 71") and signed "Gerard Murphy."

A life sketch with slight traces of white chalk, portraying a woman with folded arms.

A life sketch of a male model, possibly from a drawing class at the Glasgow School of Art.

A pattern design featuring a repeating motif of plants with purple-coloured stems, blue-toned leaves, and green petals.

Botanical watercolour studies of Holly in fruit and a young green plant.

A watercolour painting depicting three brightly coloured anemone flowers with distinctive leaves, marked the probable creation date '17/10/34' on the back.

A diamond shaped organic pattern design. Includes annotations of student registration no. ("No. 71") and signed "Gerard Murphy."

Diverse studies illustrating human anatomy, including facial muscles and bones, the collarbone, an eye, and muscles of the upper body. Includes annotations of student registration no. ("No. 71") and signed "G. Murphy".

A coloured anatomical study, featuring the muscle placement in a head. Includes annotations of student registration no. ("No. 71") and signed "G. Murphy." Another left profile sketch on verso.

A botanical watercolour painting of violet flowers. Includes annotations of student registration no. ("No. 71") and signed "G. Murphy".

Printed cotton. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was undertaken in 2019.

Organic shapes painted in black ink on paper. Background painted in cream coloured gouache with pink, gold and blue paint marks. Abstract piece on card and white ink attached to item with line drawing of leaf motif in ballpoint pen adjacent. Similar style and application of material to DC 089/1/2/4/9.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Female figure outline drawn in glue and mono-printed over in black ink. Background painted in cream, pink and blue. Backed on white card.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Abstract organic design painted in black ink and gouache, similar style of painting on reverse. Painted on paper and backed on white card.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Newspaper cutting: Mac-chic is the art of creative fashion

Printed wool scarf featuring images derived from drawings of gravestones produced on Iona Scotland.

Abstract drawing of people in black crayon.

Two abstract drawings of people in black crayon, one with the note 'Fraser Taylor 82'.

A drawing of standing figurative sculptures in various poses and wearing robes. One figure is holding a shield. Drawn in charcoal pencil on white paper.

Abstract female forms monoprinted onto light coloured paper and adhered to pink paper to create a collage effect. Charcoal is used to draw lines in the background, with strips of cream coloured paper also collaged to the surface. Backed on conservation board.

Abstract figurative relief printed block, printed in black ink on paper to produce a block like pattern. Backed on conservation board.

Figurative brush strokes in pink acrylic paint, outlined in black acrylic on a red ink background. Abstract marks in oil pastel. Work on paper and backed on conservation board.

Abstract collage pieces of paper painted in a spot design, shaded in black conte crayon and adhered to a grey acrylic painted background on paper. Backed on conservation board.

Rectangular motif drawing in conte crayon and collaged onto a piece on cream paper. Ball point pen is applied to the surface creating linear marks in a repeat style pattern. Pink ink splotches in background of design. Similar in design and media to DC 089/3/6/5. Backed on conservation board.

Ink is applied in washes to the surface of the paper, blue opaque gouache renders the background leaving floral shapes to reveal the ink underneath. Black acrylic is used to outline the organic shapes and loosely create a checked pattern in the background. Paper backed on conservation board.

Design for the staircase and vestibule, West Elevation, The Dug-Out, Willow Tea Rooms, Sauchiehall Street, Glasgow. Miss Cranston and her husband Major Cochrane commissioned Mackintosh to redesign the interiors of their home Hous'hill at Nitshill. Mackintosh designed several suites of furniture in 1904 and more pieces in 1909. Stripes are the dominant motif in the decorations, in the panels over the settle and between the doors where they are carried over the ceiling as in the guest bedroom at 78 Derngate. The lampshades are also similar to those used in this bedroom. (Roger Billcliffe). The lattice work recalls the hall at Derngate, but here it is used as an open screen rather than with solid or glazed panels. The only furniture that has been traced is the chair at the writing desk and the small table.

Letter dated November 1981 from the Chairman of the Governors W Leggat Smith.

It is entitled The Honorary President and regards the acceptance of an honorary president post by Sir Harry Barnes, filling the vacancy left by the death of Dr Jack Coia.

• 3 copies, inserted into the 1980-1981 annual report (bound and loose)
• 1 copy, inserted into 1981-1982 annual report (GSA/GOV/1/137)

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Catriona Hood has designed a poster for the Jan Svankmejer film 'Little Otik'. The poster has been created using off-set lithography techniques.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example student Li Lui has designed a poster for the Japanese film 'Tampopo', using collograph printmaking techniques.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Aaron McLaughlin has designed a poster for the Roy Andresson film 'You, the Living'. McLaughlin used Typeset printing techniques to create this poster.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Annie Ricard Strauss has designed a poster advertisting a screening of avant-garde films, the poster has been created using screen printing techniques.