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Part of 'The City As Setting'.

Volume I.

Volume II.

Volume I.

Volume II.

Volume II.

Part of 'Music And Some Other Arts'.

This poster advertised the work of graduating sculpture students which was showcased in The Glasgow School Of Art degree show in 1984. The exhibition was held in The Glasgow School Of Art's Haldane Building from the 14th to the 21st of June.

This poster advertised the work of graduating sculpture students that were part of one of The Glasgow School Of Art's degree shows in the late 20th century. The exhibition was held in the Haldane building on The Glasgow School Of Art campus and ran from the 13th to the 20th of June.

This poster advertised an exhibition of work by students graduating from the Master of Fine Art course as part of The Glasgow School Of Art's 1984 degree show. The image used on the poster was photographed by Jim Oakes and shows the exhibiting students standing on the fire escape steps of the JD Kelly building at The Glasgow School Of Art. The poster was designed at The Glasgow School Of Art and printed by David J Clark Limited. The exhibition ran from the 15th to the 21st of June.

This poster advertised the work of graduating fine art students included in The Glasgow School Of Art degree show in 1986. The exhibition included work by students of painting, photography, printmaking and sculpture and environmental art. The undergraduate work was exhibited in the Mackintosh Building on The Glasgow School Of Art campus while the postgraduate students exhibited in the McLellan Galleries on Sauchiehall street. The image used on the poster shows the students standing in front of the Mackintosh Building and was taken by Vaughan Judge who was a previous lecturer at the school. The poster was designed by The Glasgow School Of Art and printed by David J Clark Limited.

This poster advertised The Glasgow School Of Art's annual degree show in 1984. The exhibition showcased work by graduating students in drawing and painting, photography, printmaking, murals, stained glass and sculpture. The degree show was held in the Mackintosh Building at The Glasgow School Of Art and ran from the 15th to the 21st of June. The photograph used on the poster shows exhibiting students sitting on the steps of the Mackintosh Building and was taken by Vaughan Judge who previously worked as a lecturer at the school. The poster was designed at The Glasgow School Of Art and printed by David J Clark Limited.

Poster for Royal Scottish Academy Students Competition, Edinburgh, 1987. Featuring red and pale green artwork. The poster gives dates in February and March for handing in, exhibition and removal of works.

Poster for Royal Scottish Academy Students Competition, Edinburgh, 1987. Featuring orange and blue artwork. The poster gives dates in February and March for handing in, exhibition and removal of works. The poster is signed 'Joseph Davie'.

Poster for 'Glasgow Group, 29[th] Annual Exhibition: Paintings - Print - Sculpture', McLellan Galleries, Glasgow, 09 Jun 1986-21 Jun 1986. Artwork featured is 'Song of the Black Mirror' by Brian Kelly.

Poster for 'Glasgow Group, 27[th] Annual Exhibition: Paintings - Print - Sculpture', McLellan Galleries, Glasgow, 04 Jun 1984-16 Jun 1984. Artwork featured is 'Sea Forms' by Philip Reeves.

Poster for exhibition 'Astrologia Magia e Alchimia nel Rinascimento Fiorentino e Europo' (Astrology, Magic and Alchemy in the Florentine and European Renaissance) in Florence, Italy, 15 Mar 1980-15 Jun 1980.

Poster for exhibition 'A Basketful of Currencies', Glasgow Arts Centre, Glasgow. The exhibition featured paintings and sculpture by Richard Walker, Peter Bevan, John Main and Tommy Lyndon. The date for the exhibition is given as 01 Sep-22 Sep, no year is given but it was held in 1990.

Source: https://archive.list.co.uk/the-list/1990-09-14/66/

Poster for exhibition ' European Paper Artists', Glasgow Print Studio, Glasgow. 03 Dec 1990-24 Dec 1990. The exhibition was held as part of Glasgow 1990, Cultural Capital of Europe celebrations.

The featured artwork on the poster is 'Ways of Editing', Jacki Parry, 1990.

Poster for 'Berlin - Kulturstadt Europas 1988' [Berlin European City of Culture], Berlin, Germany. Artwork featured is 'Spin' by Peter Sedgley, 1981.

Poster for 'Berlin - Kulturstadt Europas 1988' [Berlin European City of Culture], Berlin, Germany. Artwork featured is 'Berliner Skulpturen' by Bjorn Norgard, 1986/87.

This poster advertised an exhibition of paper sculptures by the designer Kisa Kawakami. The exhibition was held in the Mackintosh Library and ran from the 1st to the 18th of December 1981.

This poster advertised an exhibition of work by artists who graduated from The Glasgow School Of Art's sculpture department between 1979 and 1989. The exhibition was curated by Cliff Bowen who worked as a sculpture lecturer from 1973 until 1978. It was held in The Glasgow School Of Art's Newbery Gallery in the Newbery Tower from the 4th of August until the 1st of September and was sponsored by the Ian McTaggart Trust.

This poster advertised an exhibition organised by The Arts Council Scottish Committee that focused on sculpture in the home. The exhibition was held at The Glasgow School of Art and ran from the 17th of November to the 5th of December 1953.

Poster advertising 'Man Walks Among Us - A Sculpture by Kenny Hunter', St Mungo Museum of Religious Life and Art, Glasgow. The poster advertised the Jesus 2000 Commission, to mark the millennium.

Source: https://archive.list.co.uk/the-list/2000-11-02/92/

Volume II.

Capital decorated with stylized leaves with portion of pilaster.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.

Original: The Apollo is thought to be a Roman copy of Hadrianic date (120 - 140 BC) of a lost bronze original made between 350 and 325 BC by the Greek sculptor Leochares. Statue depicts the Greek god Apollo, who has just overtaken the serpent Python, the cthonic serpent of Delphi. Apollo has been variously recognized as a god of light and the sun; truth and prophecy; archery; medicine, healing and plague; music, poetry, and the arts; and more. Apollo is the son of Zeus and Leto, and has a twin sister, the chaste huntress Artemis. Listed in first catalogue of casts as Greco-Roman and from the Vatican Museum, and purchased from D. Brucciani. Original currently in the collection of the Vatican Museum, Rome, italy.

Stele with strips or ribbons of ornamentation. Annotated with "7".

Small putto statue supported by tree stump.

Original: Poets’ Corner, Westminster Abbey, London, UK.

Entablature with egg and dart enrichment and a series of small masks.

Ornament including bands of egg and darts enrichment.

Panel with commemorations flanked by man and woman with cherubs and surrounded by decorative ornamentation.

Body of a Queen with the head of a King.

This item was damaged in the fire in the Mackintosh Building on 23rd May 2014. It underwent conservation and consolidation work in 2016.

Original: Designed by Pheidias, 447-432BC. Horsemen. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

Original: Designed by Pheidias, 447-432BC. A section of the south frieze showing men leading sacrificial animals. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

Original: Designed by Pheidias, 447-432BC. Figures bearing water jugs. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787. Original currently in the collection of the Acropolis Museum, Athens, Greece.

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

Sculpture of panther holding a captured rabbit in its jaws. This is after an original sculpture c.1850 by Antoine-Louis Barye.

Large panel in high relief.

In relief.

Original: Possibly a cast of a copy after John Hennings miniature carvings of the frieze using the Parthenon Marbles and sketches made prior to the acropolis explosion.