The Nativity ('And lo the star...')
- MC/A/6
- Item
- 1896
Bound in the Spring 1896 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
MacNair, Frances Macdonald
The Nativity ('And lo the star...')
Bound in the Spring 1896 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
MacNair, Frances Macdonald
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Background of design painted in blue and red acrylic paint to create a vibrant distressed effect. Left hand side of composition has collaged pieces of brown paper displaying blue linear brush marks. Central to the design is a stylised female from, collaged in blue and yellow paper and shaded using black conte crayon. Backed on conservation board.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Brown paper with abstract shapes adhered to the surface in a lighter colour. A figurative shape is collaged in green coloured paper and shaded in black conte crayon. Pieces of drawing are rendered in black paint. Backed on conservation board.
Taylor, Fraser
Landscape of low lying hills and fields. Dominant sky with clouds.
Morrison, James
Still life composition.
McCance, William
Abstract landscape.
Robertson, James Downie
Study of young man (standing) and two crouching figures in background (probably a Glasgow subject).
Eardley, Joan Kathleen Harding
Study of male model from behind (from GSA life class).
Eardley, Joan Kathleen Harding
Study of seated male model (from GSA life class).
Eardley, Joan Kathleen Harding
Church interior, Basilica di San Marco, Venice
Study of male worshippers. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Church interior, Basilica di San Marco, Venice
Study of church interior.
Eardley, Joan Kathleen Harding
Study of San Rufino, Assisi. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Italian farm study. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Drawing of Venetian bridge. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Drawing of elderly, seated woman (probably from Lincolnshire).
Eardley, Joan Kathleen Harding
An old, four-wheeled farm wagon.
Eardley, Joan Kathleen Harding
In art nouveau frame drawn in ink on brown backing paper: The Harvest Moon, Chas. R. Mackintosh, 1893, To John Keppie, October 1894.
Mackintosh, Charles Rennie
Bound in volume, The Magazine, November, 1894.
Mackintosh, Charles Rennie
From The Magazine, Spring 1896. Inscribed: The Tree of Personal Effort, The Sun of Indifference, Charles Rennie Mackintosh, January 1895.' The exact meaning of the symbolism of this work, and its companion, 'The Tree of Influence' has eluded all commentators on Mackintosh's early water-colours. The obvious source of the symbolism is nature, and Mackintosh here reaches his most extreme distortion of organic forms.' (Roger Billcliffe).
Mackintosh, Charles Rennie
From The Magazine, Spring 1896. Inscribed: The Tree of Influence, The Tree of Importance, The Sun of Cowardice, Charles Rennie Mackintosh, Jan 1895.
Mackintosh, Charles Rennie
From The Magazine, Spring 1896. The shadow does not correspond with the object in front; it touches it and echoes it but is different.
Mackintosh, Charles Rennie
Roof of Napton Church, Norfolk
Sketch of three angels playing musical instruments.
Mackintosh, Charles Rennie
'As in 'The Village' there are no figures in this view of the Dorset countryside. This absolute lack of human activity gives Mackintosh's pictures an air of eerie, even surreal, desertion. They are formal landscapes... the most dominant feature in this work is the tall telegraph pole, a formal and unnatural element in this gentle Dorset landscape.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Half-length study of man wearing jacket (probably a Glasgow subject).
Eardley, Joan Kathleen Harding
Binnie, Maureen
Study of male figure; naked torso.
Brown, Margaret Oliver
Plant study with hemlock seedhead. Ravenna coat of arms, top right.
Fulton, James Black
Mule.
McGlashan, Archibald A
Full length male nude. Additional study of feet on same sheet of paper.
Hegarty, John MacGowan
Still life.
MacInnes, Jock
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Figure seated at table.
Nevay, Heather
Study of flower, with butterfly.
Paterson, George William Lennox
Abstract design with two white lines.
MacFadyen, Ian
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Summer landscape, with trees and water to foreground.
Alison, Henry Young
Bouquet of flowers in blue vase.
Gray, James
Landscape study, bridge and houses to foreground. Castle on hill in background.
Raeburn, Agnes
Two native dancing girls.
Addo-Osafo, Emmanuel
Native woman selling oranges.
Addo-Osafo, Emmanuel
Leaning female figure.
McAvoy, Joseph
Seated female figure.
McAvoy, Joseph
Study of hand.
McGlashan, Archibald A
Male nude with outstretched arm (back view).
McGlashan, Archibald A
Female nude standing (side view).
McGlashan, Archibald A
Portrait of seated woman wearing jacket, also separate hand study.
McGlashan, Archibald A
Study of 50 different species of flower/plant.
Wilson, Williamina R
Courtyard with loggia and tower beyond.
Selby, Frederick
Basilica di San Francesco, Assisi, Italy
View of Basilica looking towards the colonnade.
Selby, Frederick
View over the town's skyline.
Selby, Frederick