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Figurative collage design

Background of design painted in blue and red acrylic paint to create a vibrant distressed effect. Left hand side of composition has collaged pieces of brown paper displaying blue linear brush marks. Central to the design is a stylised female from, collaged in blue and yellow paper and shaded using black conte crayon. Backed on conservation board.

Taylor, Fraser

The Tree of Personal Effort

From The Magazine, Spring 1896. Inscribed: The Tree of Personal Effort, The Sun of Indifference, Charles Rennie Mackintosh, January 1895.' The exact meaning of the symbolism of this work, and its companion, 'The Tree of Influence' has eluded all commentators on Mackintosh's early water-colours. The obvious source of the symbolism is nature, and Mackintosh here reaches his most extreme distortion of organic forms.' (Roger Billcliffe).

Mackintosh, Charles Rennie

The Downs, Worth Matravers

'As in 'The Village' there are no figures in this view of the Dorset countryside. This absolute lack of human activity gives Mackintosh's pictures an air of eerie, even surreal, desertion. They are formal landscapes... the most dominant feature in this work is the tall telegraph pole, a formal and unnatural element in this gentle Dorset landscape.' (Roger Billcliffe).

Mackintosh, Charles Rennie

Summer landscape

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Summer landscape, with trees and water to foreground.

Alison, Henry Young

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