- DC 039/1
- Item
- 1840s-1850s
Part of Paisley Shawl Designs
Predominantly reds, pinks and purples. Annotated "No 24".
*Not available / given
Part of Paisley Shawl Designs
Predominantly reds, pinks and purples. Annotated "No 24".
*Not available / given
Part of Paisley Shawl Designs
Predominantly pinks and reds. Annotated "No 73".
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Nine designs attached to one piece of paper. Mostly designs for borders and details.
*Not available / given
Part of Paisley Shawl Designs
*Not available / given
Part of Paisley Shawl Designs
Predominantly based on reds and maroons.
*Not available / given
Part of Paisley Shawl Designs
Predominantly reds, purples and pinks.
*Not available / given
Part of Paisley Shawl Designs
Predominantly purples and maroons.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Three designs attached to one piece of paper: one design for a border; one design detail; one larger, predominantly red design.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Three designs attached to one piece of paper: Two of which are Paisley pattern like the rest of the collection, but one is a floral rug design.
*Not available / given
Part of Paisley Shawl Designs
Predominantly based on pinks and greens.
*Not available / given
Part of Paisley Shawl Designs
*Not available / given
Part of Paisley Shawl Designs
Predominatly greens and purples.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Two designs attached to one piece of paper: one maroon; one comprising reds, greens and blues.
*Not available / given
Part of Paisley Shawl Designs
Predominantly reds and maroons.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Five designs attached to one piece of paper, featuring yellows, turquoise and maroon.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Four designs attached to one piece of paper. Predominantly based on maroons and pinks.
*Not available / given
Part of Paisley Shawl Designs
Predominantly maroons.
*Not available / given
Part of Paisley Shawl Designs
*Not available / given
Part of Paisley Shawl Designs
Brown design on green background.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Four designs attached to one piece of paper. Mostly on black or dark backgrounds.
*Not available / given
Part of Paisley Shawl Designs
Reds and greens on black background.
*Not available / given
Part of Paisley Shawl Designs
Design for a border, predominantly greens and pinks. Annotated "No 7".
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Four designs attached to one piece of paper, including turquoises and pinks.
*Not available / given
Part of Paisley Shawl Designs
Predominantly pinks on a black background.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Two designs attached to one piece of paper.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Two designs attached to one piece of paper.
*Not available / given
'Indignation loosened Peter's tongue' (two male figures). Several of these illustrations appeared in 'Good Words' 1863.
*Not available / given
'He followed them through the fire...' (male figure). Several of these illustrations appeared in 'Good Words' 1863.
*Not available / given
'Children played beneath it...' (two lovers under a tree). Several of these illustrations appeared in 'Good Words' 1863.
*Not available / given
'There went not the least waft of wind...' (mother and child walking through wood). Several of these illustrations appeared in 'Good Words' 1863.
*Not available / given
'The explanation was given...' (three figures seated around table). Several of these illustrations appeared in 'Good Words' 1863.
*Not available / given
'Autumn thoughts' (male figure standing in forest glade). Several of these illustrations appeared in 'Good Words' 1863.
*Not available / given
Design for printed hanging - flowers. Same design as NMC/115B. On mount: Design for printed hanging/ Violet McGlashan/76/Owen Jones competition.
McGlashan, Violet Meikle
Design for wall decoration - mermaids. On mount: Design for wall decoration/ Violet McGlashan/76/Owen Jones competition.
McGlashan, Violet Meikle
Textile design - velvet brocade
Design for printed hanging - flowers. On mount: V/ McGlashan/76/Monthly competition 14/3/92.
McGlashan, Violet Meikle
Design for a Bookplate for Lucy Raeburn
Bound in the November 1893 edition of 'The Magazine'.
MacNair, Frances Macdonald
Design for a Glasgow School of Art Club 'Programme'
Featuring two seated, semi-clothed female figures integrated amongst swirling plant forms.
Mackintosh, Margaret Macdonald
Design for a Glasgow School of Art Club 'Programme'
Featuring male and female figures in front of oversized artist's palette.
Anderson, G G
Design for a Glasgow School of Art Club 'Programme'
Invitation for a social event held in the Institute of Fine Art Galleries, Sauchiehall Street, Glasgow, 25 November 1893.
Featuring two seated, semi-clothed female figures integrated amongst swirling plant forms.
MacNair, Frances Macdonald
Design for Conversazione Programme
Designed for the Glasgow Architectural Association.
Mackintosh, Charles Rennie
Glasgow School of Art Club diploma.
Mackintosh, Charles Rennie
Dressing Table for Guthrie and Wells
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Designed for Guthrie and Wells, Glasgow. This and others pieces of green stained furniture made by Guthrie and Wells, were collected by William Davidson for his house Gladsmuir and later in Windyhill. Guthrie and Wells, originally founded as a painting and decorating firm by J and W Guthrie, who entered into partnership with Andrew Wells in 1895, played an important role in the history of decor and design in Glasgow. They were the most important of the stained glass studios emerging in Glasgow in the 1890s, supplied furniture, glass, mosaics etc and had a reputation for first class craftsmanship and always employed excellent designers. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Mackintosh, Charles Rennie
Linen Cupboard for John Henderson
Designed for John Henderson.'One of the earliest surviving pieces with repousse panels, here designed by Mackintosh. Although probably made by cabinet makers such as Guthrie & Wells, it has none of the more traditional mouldings that appear on the commercial bedroom units, probably because Mackintosh was designing directly for a client. The pendant leaf motif at the base was slowly transformed in later pieces, into a characteristic dip in the lower stretcher or apron based upon a favorite Mackintosh motif, the swooping bird.' (Roger Billcliffe). This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.
Mackintosh, Charles Rennie
Washstand for Guthrie and Wells
Designed for Guthrie and Wells, Glasgow. This and others pieces of green stained furniture made by Guthrie and Wells, were collected by William Davidson for his house Gladsmuir and later in Windyhill. Guthrie and Wells, originally founded as a painting and decorating firm by J and W Guthrie, who entered into partnership with Andrew Wells in 1895, played an important role in the history of decor and design in Glasgow. They were the most important of the stained glass studios emerging in Glasgow in the 1890s, supplied furniture, glass, mosaics etc and had a reputation for first class craftsmanship and always employed excellent designers. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Mackintosh, Charles Rennie
Designed for the nursery, Gladsmuir, Kilmacolm. Probably made by Guthrie & Wells. The wide vertical panels running either side of the back of the cupboard, here terminating in two decorated lugs, are a motif Mackintosh often used in later work. One of Mackintosh's early pieces which William Davidson acquired for his home in his parents' house Gladsmuir before he built Windyhill. Original photos of the Windyhill interiors show it located in the hall.
This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Mackintosh, Charles Rennie
Schoolroom bench for Gladsmuir
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Design for Gladsmuir, Kilmacolm. Designed to match the schoolroom tables and bookcase, the thistle motif pierced in the legs being repeated in the leaded glass of the bookcase.
Mackintosh, Charles Rennie
Designed for the schoolroom, Gladsmuir, Kilmacolm. The same two metal panels first appear in the design for the fireplace and fender probably intended for Regent Park Square and were repeated in the wardrobe designed for Westdel in 1898. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Mackintosh, Charles Rennie
Card table for Argyle Street Tea Rooms
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Designed for Argyle Street Tea Rooms, Glasgow. A very similar table with a square top was also used in the Argyle Street Tea Rooms, and a white version appears in Annan's photograph of Mackintosh's drawing room in Mains Street. Top repaired and repolished 1985. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Mackintosh, Charles Rennie
Domino table for Argyle Street Tea Rooms
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Designed for Argyle Street Tea Rooms, Glasgow. At least four examples of this table appear in contemporary photographs of the Smoking and Billiards Rooms at Argyle Street. Some appear in photographs of the Ingram Street Tea Rooms taken in the 1940s - possibly Mackintosh specified them for the Cloister Room but it is more likely that they were taken when the Argyle Street Tea Rooms were closed in 1920. The lower shelves held the cups and plates and unused dominoes of the four players.The GSA originally owned a second example of this table, which was donated to the Museum of Modern Art in New York in 1958 by Douglas Percy Bliss, then Director of GSA. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Mackintosh, Charles Rennie