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Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze (Block XL from the North frieze)

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. Figures bearing water jugs. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787. Original currently in the collection of the Acropolis Museum, Athens, Greece.

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze (South Frieze XLIV)

Original: Designed by Pheidias, 447-432BC. A section of the south frieze showing men leading sacrificial animals. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze (West Frieze II)

Original: Designed by Pheidias, 447-432BC. Horsemen. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

Plaster cast of section of architrave with vines and eagle in clipeus

  • PC/159
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Original: Lorenzo Ghiberti, 1452. Bronze. Gates of Paradise, Baptistry di San Giovanni, Florence, Italy. Currently in the collection of the Museo dell'Opera del Duomo, Florence, Italy. In 2019, this item was conserved and now includes a central fragment, which was originally catalogued as a separate cast (PC/187).

*Not available / given

Plaster cast of chimera in relief

  • PC/209
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Chimera in relief, architectural fragment, probably part of larger scene or collection of panels due to lack of formal border. Annotated ""Chimere", "Hove" (or similar), and "PH-1"(in red).

*Not available / given

Plaster cast of Gothic capital

  • PC/120
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Bears "Commission Royale Belge Atelier du Moulage Bruxelles" maker's stamp.

Commission Royale Belge Atelier du Moulage Bruxelles

Plaster cast of trophy with musical instruments

  • PC/164
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Bears "Musée de Sculpture Comparée du Trocadero, Paris" maker's stamp. Annotated "976" and other illegible numbers.

Musée de Sculpture Comparée du Trocadero, Paris

Plaster cast of Cantorie Panels

  • PC/050D
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Original: Lucca della Robbia (1400-1482). Part of the two 'Cantorie' made for Florence Cathedral. Original currently in the collection of the Museo dell'Opera del Duomo, Florence, Italy.

This item was damaged in the fire in the Mackintosh Building on 23rd May 2014. It underwent conservation and consolidation work in 2016.

*Not available / given

Classical woman in relief

  • PC/063B
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.

*Not available / given

Plaster cast of King and Queen Column (Royal Portal Chartres Cathedral)

  • PC/031
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.

Original: Also known as the Porte Royale, the West Portal was carved by 1150. The sculptures and reliefs were modelled on those in the triple west portal at St. Denis and at Chartres Cathedral.

Plaster cast of foundling roundel

  • PC/044
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Foundling roundel, originally glazed blue and white terracotta. Original: Andrea della Robbia, 1487, at the Ospedale degli Innocenti, Florence, Italy. Annotated with numbers on reverse.

Commission Royale Belge Atelier du Moulage Bruxelles

Plaster cast of Mother and Child

  • PC/046
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Roundel, surrounded by fruits. Original: Studio della Robbia, c1490. Glazed terracotta. Original currently in the collection of the National Gallery of Ancient Art in the Palazzo Barberini, Rome, Italy. Annotated "D Brucciani & Co London EC" and "325".

D Brucciani & Co

Plaster cast of relief from story of Romulus and Remus

  • PC/074
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Matron with bambini, sea god, domestic animals (bull, sheep and frog). Original: Marble. Ara Pacis Augustae (Altar of Augustan Peace), Rome, Italy. Bears "Musées Nationaux Moulage, Paris" maker's stamp.

Musées Nationaux Moulage, Paris

Results 1 to 50 of 1648