Woodcut prints depicting the St George myth
Part of Material relating to Gerard V Murphy, former GSA student
Two multicolour-printed pieces of teaching examples for printmaking, attached to backing paper. These prints illustrate the heroic myth of Saint George slaying a dragon. Also used as teaching materials in schools in Scotland, as marked with the level of students "Sixth year."
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
A small watercolour drawing depicting the head of rooster.
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
A multi-coloured oblique pattern design with fruits and trees repeatedly intersected. Includes annotations of student registration no. ("No. 71") and signed "Gerard Murphy."
Murphy, Gerard V
Portrait of a woman with folded arms
Part of Material relating to Gerard V Murphy, former GSA student
A life sketch with slight traces of white chalk, portraying a woman with folded arms.
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
A life sketch of a male model, possibly from a drawing class at the Glasgow School of Art.
Murphy, Gerard V
Study of holly and a young plant
Part of Material relating to Gerard V Murphy, former GSA student
Botanical watercolour studies of Holly in fruit and a young green plant.
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
A pattern design featuring a repeating motif of plants with purple-coloured stems, blue-toned leaves, and green petals.
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
A watercolour painting depicting three brightly coloured anemone flowers with distinctive leaves, marked the probable creation date '17/10/34' on the back.
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
A diamond shaped organic pattern design. Includes annotations of student registration no. ("No. 71") and signed "Gerard Murphy."
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
Diverse studies illustrating human anatomy, including facial muscles and bones, the collarbone, an eye, and muscles of the upper body. Includes annotations of student registration no. ("No. 71") and signed "G. Murphy".
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
A coloured anatomical study, featuring the muscle placement in a head. Includes annotations of student registration no. ("No. 71") and signed "G. Murphy." Another left profile sketch on verso.
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
A botanical watercolour painting of violet flowers. Includes annotations of student registration no. ("No. 71") and signed "G. Murphy".
Murphy, Gerard V
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Abstract drawing of people in black crayon.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Two abstract drawings of people in black crayon, one with the note 'Fraser Taylor 82'.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
A drawing of standing figurative sculptures in various poses and wearing robes. One figure is holding a shield. Drawn in charcoal pencil on white paper.
Taylor, Fraser
Design for the Dug-Out, Willow Tea Rooms, Glasgow
Design for the staircase and vestibule, West Elevation, The Dug-Out, Willow Tea Rooms, Sauchiehall Street, Glasgow. Miss Cranston and her husband Major Cochrane commissioned Mackintosh to redesign the interiors of their home Hous'hill at Nitshill. Mackintosh designed several suites of furniture in 1904 and more pieces in 1909. Stripes are the dominant motif in the decorations, in the panels over the settle and between the doors where they are carried over the ceiling as in the guest bedroom at 78 Derngate. The lampshades are also similar to those used in this bedroom. (Roger Billcliffe). The lattice work recalls the hall at Derngate, but here it is used as an open screen rather than with solid or glazed panels. The only furniture that has been traced is the chair at the writing desk and the small table.
Mackintosh, Charles Rennie
One sheet from a folder of six sheets of furniture designs,and designs for a fireplace, including one with a GSoA label recording session 1903-1904, James Porteous' student registration number 237, and Mr Taylor as his tutor. This sheet shows a design for a fireplace with integral mantle clock.
Porteous, James Henry
One sheet from a folder of six sheets of furniture designs, and designs for a fireplace, including one with a GSoA label recording session 1903-1904, James Porteous' student registration number 237, and Mr Taylor as his tutor. This sheet shows designs for a single wardrobe, dressing table, side view of dressing table, chair and wash stand.
Porteous, James Henry
One sheet from a folder of six sheets of furniture designs, and designs for a fireplace, including one with a GSoA label recording session 1903-1904, James Porteous' student registration number 237, and Mr Taylor as his tutor. This sheet shows front elevations of a chair, a dressing table and a cabinet.
Porteous, James Henry
One sheet from a folder of six sheets of furniture designs, and designs for a fireplace. This one with a GSoA label recording session 1903-1904, James Porteous' student registration number 237, and Mr Taylor as his tutor.
Porteous, James Henry
One sheet from folder of six sheets of furniture designs, and designs for a fireplace. Includes one with a GSoA label recording session 1903-1904, James Porteous' student registration number 237, and Mr Taylor as his tutor. Large sheet with double wardrobe, dressing table, cabinet and details.
Porteous, James Henry
Binnie, Maureen
Moffat, Alexander
Half-length study of man wearing jacket (probably a Glasgow subject).
Eardley, Joan Kathleen Harding
Study of an open market, Glasgow.
Eardley, Joan Kathleen Harding
Study of an open market, Glasgow.
Eardley, Joan Kathleen Harding
Italian farm study.
Eardley, Joan Kathleen Harding
An old, four-wheeled farm wagon.
Eardley, Joan Kathleen Harding
An old, four-wheeled farm wagon.
Eardley, Joan Kathleen Harding
Church interior, Basilica di San Marco, Venice
Study of church interior.
Eardley, Joan Kathleen Harding
Drawing of elderly, seated woman (probably from Lincolnshire).
Eardley, Joan Kathleen Harding
Church interior, Basilica di San Marco, Venice
Study of male worshippers. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Study of seated male model (possibly from Glasgow School of Art life class).
Eardley, Joan Kathleen Harding
Study of male model (possibly from Glasgow School of Art life class).
Eardley, Joan Kathleen Harding
Italian farm study. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Unidentified Italian hill town. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Study of San Rufino, Assisi. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Montage of costume designs for the Masque of the City Arms.
Smyth, Dorothy Carleton
Half-length study of man wearing jacket (probably a Glasgow subject).
Eardley, Joan Kathleen Harding
Study of young man (standing) and two crouching figures in background (probably a Glasgow subject).
Eardley, Joan Kathleen Harding
Drawing of young man (probably from Lincolnshire).
Eardley, Joan Kathleen Harding
Study of seated male model (from GSA life class).
Eardley, Joan Kathleen Harding
Study of male model from behind (from GSA life class).
Eardley, Joan Kathleen Harding
Study of male model (possibly from Glasgow School of Art life class).
Eardley, Joan Kathleen Harding
Little bridge over Venetian canal
Study of a Venetian canal. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Interior view of an Italian chapel, with scattered chairs. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Scotland Street School, North Elevation
Free hand sketch showing the north elevation of Scotland Street School including some architectural descriptions, for example, "scale has been a major design factor in this building for children, windows diminish in height as they rise from the floor, and the wall has been set back to lessen the effect of three stories. Not every room in a building has the same height, each houses a different function and should be designed with that function in mind".
Platt, Christopher
Different kinds of Street's lightings
Free hand sketches showing different kinds of lighting on three different street at Glasgow:
Platt, Christopher
Daylight effects on street: Royal Bank Place
Free hand sketch describing Royal Bank Place as a peaceful space, very different from Royal Exchange Place (other side of arch) or Buchanan Street where there is either vehicular traffic or pedestrian traffic. Nothing invites you through the Arch except the sun.
Platt, Christopher