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A coloured anatomical study, featuring the muscle placement in a head. Includes annotations of student registration no. ("No. 71") and signed "G. Murphy." Another left profile sketch on verso.

Diverse studies illustrating human anatomy, including facial muscles and bones, the collarbone, an eye, and muscles of the upper body. Includes annotations of student registration no. ("No. 71") and signed "G. Murphy".

A botanical watercolour painting of violet flowers. Includes annotations of student registration no. ("No. 71") and signed "G. Murphy".

A watercolour painting depicting three brightly coloured anemone flowers with distinctive leaves, marked the probable creation date '17/10/34' on the back.

Botanical watercolour studies of Holly in fruit and a young green plant.

A pattern design featuring a repeating motif of plants with purple-coloured stems, blue-toned leaves, and green petals.

A multi-coloured oblique pattern design with fruits and trees repeatedly intersected. Includes annotations of student registration no. ("No. 71") and signed "Gerard Murphy."

A diamond shaped organic pattern design. Includes annotations of student registration no. ("No. 71") and signed "Gerard Murphy."

A life sketch with slight traces of white chalk, portraying a woman with folded arms.

A life sketch of a male model, possibly from a drawing class at the Glasgow School of Art.

A small watercolour drawing depicting the head of rooster.

Two multicolour-printed pieces of teaching examples for printmaking, attached to backing paper. These prints illustrate the heroic myth of Saint George slaying a dragon. Also used as teaching materials in schools in Scotland, as marked with the level of students "Sixth year."

Abstract figurative mono-print in black ink on white card. Collage pieces adhered. Pink and blue dotted ink pattern applied to surface of print.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Abstract figurative mono-print in black ink on white card. Shapes rendered in pastel colours using gouache. Similar design to DC 089/1/2/4/1.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Brown paper with abstract shapes adhered to the surface in a lighter colour. A figurative shape is collaged in green coloured paper and shaded in black conte crayon. Pieces of drawing are rendered in black paint. Backed on conservation board.

Background of design painted in blue and red acrylic paint to create a vibrant distressed effect. Left hand side of composition has collaged pieces of brown paper displaying blue linear brush marks. Central to the design is a stylised female from, collaged in blue and yellow paper and shaded using black conte crayon. Backed on conservation board.

Collage design featuring many figures similar in composition to DC 089/2/3/6. A multitude of papers varying in texture, colour and density. Figures are collaged to the surface of the papers and shaded using black conte crayon and paint. The composition features blue, red and browns.

Abstract drawing of people in black crayon.

Two abstract drawings of people in black crayon, one with the note 'Fraser Taylor 82'.

Lino print of abstract figures reaching towards small suns on coloured papers with acrylic paint. Mounted on card covered in tracing paper.

Lino print of a man's face, with sun and bird.

A drawing of standing figurative sculptures in various poses and wearing robes. One figure is holding a shield. Drawn in charcoal pencil on white paper.

A drawing of standing figurative sculptures in various poses and in medieval garments and accessories. Annotated "Grave slabs at the Abbey. Isle of IONA". Drawn in charcoal pencil and graphite pencil on white paper.

Sketch of a man-made structure, in pencil and pastel and utilising eraser marks.

Life drawing of a male figure with hands behind his back facing to the left, left side view.

Life drawing of a male figure facing away from the artist with his right arm extended out, drawing created from memory.

Life drawing study of upper torso , heads, and arms. Lower right corner has annotation in blue ink stating 'Robert Anning Bell'.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Mounted print of a design for 'A Midsummer Night's Dream' by William Shakespeare. Quote above image says 'The fairyland buys not the child of me.'

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Drawing of a city from above with a figured monument in the centre and two individuals sitting below it. Includes churches and various houses surrounding the monument with hills in the background. "148" in the top left corner.

Black and white portrait photograph. Believed to be Sydney d'Horne Shepherd, wearing a white dress shirt, light coloured tie, and darker coloured suit jacket. A stamp reads "Howard Coster, / Photographer of Men, / 9, Sackville St., Piccadilly, W.1. / Regent 4561.", with an "A" drawn in pencil below it verso.

Pencil drawing of three men in what appears to be a bath house lounging and conversing. Includes windows and plants in the background. Signed. Dark blue mount. "45" and "50" verso. '"Three Brothers" c.1930." on the back top left and "Shepherd 5250" on the top right.

Two copies of the card for The Glasgow Art Students Tryst for Belgium and the Red Cross dating to the 29th and 30th of January.

The photograph features Archibald Haswell Miller holding a palette and standing in front of nude male portrait.

Francis H. Newbery's application to the Committee of Management of The Glasgow School of Art and Haldane Academy to be Head Master of the School.

Framed watercolour with blues, oranges, and browns of the Botanical Gardens in Glasgow. Includes a blue path and orange grass. Matthew wrote "Botanic Garden" bottom right of the painting before the frame. Wrote "Matthew 223 / Full size 7/8 x 3/8 box white".

Includes a copy with different writing on the back; the content on the back was asked by the donor to not be public information. Includes two people and a bird carved into the scraperboard in cream and black; says "A good new year and a Merry Xmas to Veronica from Alasdair."

A small drawing of a woman seated on the floor, hugging her knees, with her head down. This work features shading of the entire background using pencil. Undated.

An illustrative drawing featuring a man seated at a desk receiving letters from three birds flying towards him. Annotated as "Correspondence," but not dated.

A small print featuring the scenery in front of the courtyard of a Scottish manse. Annotated as "The Manse, Kilmore" on the upper left side, but not dated.

A monochrome photograph of a watercolour landscape painting depicting a house in the countryside. Signed "W. Meldrum," but not dated.

A monochrome photograph of a watercolour landscape painting featuring a mansion in the country. Signed "W. Meldrum,"and dated "1920" assumed to be the date of creation of the painting.

A monochrome photograph of a watercolour landscape painting depicting two people near the river Tweed in Melrose, Scotland. One person is standing towards the river, while another is on a floating boat in the painting. Signed "W. Meldrum," but not dated. Includes the annotation "The Tweed near Melrose" on the reverse of backing paper.

A sepia-toned photograph of a watercolour painting depicting Gourock Bay, as annotated "Gourock at the Clyde" on the reverse. Signed "W. Meldrum," but not dated.

A black-and-white photograph of a watercolour painting featuring a view from Tollcross Park in Glasgow. A distant building, assumed to be a church, is visible over the woodland scenery. Annotated "Tollcross Park Glasgow" on the reverse, but not dated.

A monochrome photograph of a watercolour painting depicting the stream in Clarkston, Scotland, as annotated "Placid Stream Clarkston" on the reverse. Signed "W. Meldrum," but not dated.

A monochrome photograph of a watercolour painting depicting the view of the Cuillin Hills on the Isle of Skye, Scotland. Annotated "Loch Scavaig, The Cuillin Hills from the south" on the reverse, but not dated.

This poster advertised an exhibition which showcased the work of graduating postgraduate fine art students from 1988. Exhibitors included David Bowe, Jillian Campbell, Kathy Chambers, Kirstie Cohen, Matthew N. Dalziel, Mark Durden, Peter Finnemore, Steven Hurrel, Evelyn Jardine, Simon C. Laurie, Olivia Lloyd, Maree Meahan, Iona A. E. Montgomery, Ann Vance, Alison Watt and Eveleen Wright. The exhibition was held in the Mackintosh Building at The Glasgow School Of Art from the 18th to the 23rd of June 1988. The poster was designed at the school and features a photograph of the exhibitors sitting on top of The Glasgow School Of Art's Bourdon Building which was taken by Stanley C. Shepherd.

This poster advertised an exhibition which showcased the work of graduating postgraduate fine art students from 1989. Exhibitors included: Suzanne Applefold, Reuben Kench, Raymond Lee, John Shankie and Zandra Thomson. The exhibition was held in The Glasgow School Of Art's Mackintosh Building from the 17th to the 22nd of June 1989. The poster was designed at The Glasgow School Of Art and features a photograph which was taken by David Kenmillshank.

This poster advertised The Glasgow School Of Art's annual degree show which showcased the work of graduating students in 2002. Undergraduate students exhibited on campus while the Masters of Fine Art students exhibited at local arts centre Tramway. The exhibition ran from the 22nd to the 29th of June and had a number of sponsors including Ziper Beer, McGrigor Donald, Gordon Yuill and Company, BD-Tank and the Centre for Contemporary Arts.

This poster advertised The Glasgow School Of Art's annual degree show. The exhibition was held on The Glasgow School Of Art campus as well as in the Centre for Contemporary Arts and Tramway which are local arts centres. The 2003 degree show was sponsored by McGrigor Donald, Hoegaarden Beer, the MacFarlane Group and the Gordon Yuill Company. The image used in the poster is by Raul Ortega and the poster was designed by Inlapland.