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Item Sculpture
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Anatomical feet

Plaster casts of a left and right anatomical feet. Both feet show details of musculature, and the heel of the right foot is slightly elevated. On top of each leg is a maker's stamp that reads "J Giusti & Co Makers, St Vincent St, Glasgow". The inward facing edge of each base includes the inscription "J Giusti & Co, Glasgow". These anatomical feet are the only items in the Giusti Plaster Cast Collection to include such an incription, and the presence of both the inscriptions and the maker's stamp suggests that the feet may have been both sculpted by J. Giusti & Co. (likely in the late 19th century) and subsequently reproduced by the company.

J Giusti & Co

Bust of child

Plaster bust of a child after a late 15th century orginal executed in terracotta by Andrea della Robbia.

J Giusti & Co

Bust of Girolamo Benivieni

Plaster bust after a terracotta bust of Girolamo Benivieni executed in 1863 by Giovani Bastianini in the collections of the Louvre, Paris. However, significant differences between the plaster bust by J Giusti & Co and the original bust by Bastianini, particularly the shape of the hat, suggest that the plaster bust is derivative of an unidentified intermediary copy.

J Giusti & Co

Bust of young man in armour

Plaster bust of a young man in armour after a terracotta original from the 15th century sculpted by Antonio Pollaiuolo and held in the Bargello Museum, Florence.

J Giusti & Co

Carved tablet to Sir James Fleming

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.

A carved tribute panel dedicated to Sir James Fleming (Chairman of GSA's Board of Governors). Located on the half landing between the ground and first floors of the Mackintosh Building. Panel unveiled, 17 January 1903.

Frampton, Sir George James

Ceramic sarcophagus cast

Hollow sarcophagus cast with relief pattern of animals and figures. Dark yellow glaze over exterior. White, unglazed interior. '14-103' handwritten in black on bottom right corner.

*Not available / given

Classical woman in relief

  • PC/063B
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.

*Not available / given

Classical woman in relief

  • PC/063A
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.

*Not available / given

Collection of cast reliefs

Collection of brown stained round plaster cast reliefs. Mostly depicting portrait busts. Kept in eight shallow wooden drawers. Themes include: religious figures, military figures, ancient Greek and Roman figures, royalty, various historical figures, and commemorative scenes. Some include stamped titles on front, some scratched on back, some without any identification. Also includes paper timeline of ancient Roman rulers.

*Not available / given

Drawing of bust

Drawing of bust of male. Annotated with the date '24.7.12'. Drawn while the artist studied at Dundee Technical College and School of Art, 1911-1912.

Wilson, Jessie Dunlop McCulloch

Drawing of lion sculpture

Drawing of lion sculpture. Annotated with the artist's name and date '13.10.11'. Drawn while the artist studied at Dundee Technical College and School of Art, 1911-1912.

Wilson, Jessie Dunlop McCulloch

Drawing of three figures and eyes

Pencil drawing of three figures/sculptures which all appear to be female. Sculptures looking in three different directions. The word "futile" seems to be written to the right of the women. Four drawn eyes that seem to be similar to the Egyptian Eye of Horus verso.

Biggar, Helen Manson

Framed plaster portrait

Wooden framed plaster relief portrait of a bearded man in profile with brown glaze. Bottom left corner has initials "J.R." or "R.J" and indecipherable signature above left shoulder. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014 and was conserved in 2018.

*Not available / given

Heart of the Rose

Designed for the 'Rose Boudoir', International Exhibition of Modern Decorative Art, Turin, 1902. This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.

A Rose Boudoir included two gesso panels - composite works of plaster with pigment, set with glass beads - made exclusively by Macdonald. On the manifest for the exhibition, Mackintosh indicated that ‘duplicates only’ were available for sale. Two other versions, both in Glasgow, had the same design but with different palette and surface detail: The White Rose and the Red Rose hung above the mantle in the Mackintoshes’ own home, and can now be seen in the Mackintosh House at the Hunterian Art Gallery; and The Heart of the Rose belonged to Wylie Hill, a relative of Jessie Newbery, and was later given to the Glasgow School of Art. Previously it was assumed that these versions were created from a cartoon or template, each hand made, but it was difficult to tell which set came first, or even if they were made simultaneously. But recent analysis by Graciela Ainsworth Conservation Studio in Edinburgh has shown that the GSA version is not a gesso panel as we have come to understand Macdonald’s technique, but rather a traditional plaster cast that has been painted. This may seem like a minor technical point, but when considered alongside Mackintosh’s note that duplicates could be ordered, it reminds us that he carefully curated this space to show both that he and Macdonald could be commissioned to do entire rooms but were also very happy to have individual pieces replicated and sold on their own merit (information supplied by Dr Robyne Erica Calvert, Cultural Historian, Mar 2022).

Mackintosh, Margaret Macdonald

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