- NMC/1167
- Item
- 1928
"AE Haswell Miller 1928" (in pen), bottom left.
Miller, Archibald E Haswell
"AE Haswell Miller 1928" (in pen), bottom left.
Miller, Archibald E Haswell
Malcesine waterfront, Lake Garda, Italy
"Malcesine, Lago di Garda" (in pencil), bottom right.
Miller, Archibald E Haswell
Still life with mackerel. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Lunch, Original Refectory, GSA 42/43
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. GSA students and staff featured in this work include (from left to right), amongst others: Harry McLean, GSA student and conservator (seated at table bottom left, resting elbow on table); Hugh Adam Crawford, GSA staff, Drawing and Painting department (standing, front-facing, slightly left of centre); Joan Eadley, GSA student and artist (centre, standing, facing left); John Miller, GSA staff, Drawing & Painting department (slightly right of centre, facing right, carrying portfolio under right arm); Margot Sandeman, GSA student and artist (slightly right of centre, facing right, arms folded, in conversation with Cordelia Oliver); Cordelia Oliver, GSA student, art critic and journalist (slightly right of centre, facing left, in conversation with Margot Sandeman); Margaret McGavin, GSA student and artist (right of centre, adjacent to Cordelia Oliver, front-facing but looking right, in conversation with another female student); David Donaldson, GSA staff, Drawing and Painting department (right of centre, left-facing, positioned between Margaret McGavin and the female student she is talking to); Benno Schotz, GSA staff, Modelling and Sculpture department and sculptor (right hand side, facing left); Timothy Powell, GSA staff, Graphic Design department (right hand side, in the foreground, front-facing, wearing a suit).
Gardner, Tom
Miller, Archibald E Haswell
Miller, Archibald E Haswell
Another design verso.
Miller, Archibald E Haswell
Study of red and white lilies and bluebells.
Anderson, Daisy McGlashan
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
In 1896 McNair held his first one-man show, an exhibition of pastels at the Gutekunst Gallery, London. Twenty-one works, including this, were displayed in distinctive dark-stained wood frames. McNair had clearly drawn inspiration from Whistler’s exhibition installations, even down to the typesetting of the catalogue. The entry for this work explained, ‘The Fairy is guarding the Leaf of Love from the Witch of Evil who has robbed the Tree of Life of all its other leaves.’
MacNair, James Herbert
Mackintosh, Charles Rennie
Miller, Archibald E Haswell
Landscape with trees and hills. Composition under-drawn with pencil grid.
Gray, William
Miller, Josephine Haswell
Miller, Josephine Haswell
Probably Italy.
Miller, Josephine Haswell
Line of cottages, trees in foreground.
Gray, William
Landscape, trees to middle and background cottage at far right-hand side.
Anderson, William Smith
Probably France.
Miller, Josephine Haswell
Miller, Josephine Haswell
Unfinished abstract landscape. Lower left: The early stages of a water colour drawing (subsequently damaged) made by Mr. J. Q. Pringle when at Whalsay.
Pringle, John Quinton
Valley village with viaduct. Possibly the South of France.
*Not available / given
Village set amongst farmland and hills. Possibly the South of France.
*Not available / given
Farm buildings with distant hills. Two figures on roadway. Possibly the South of France.
*Not available / given
Landscape with cottage.
Raeburn, Agnes
Glued onto backing paper.
Miller, Josephine Haswell
Landscape with doves.
Raeburn, Agnes
Miller, Josephine Haswell
Miller, Josephine Haswell
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Lady with violin, sitting at piano.
Anderson, William Smith
Part of Kenilworth Castle with sheep grazing to foreground. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Portrait of artist's mother and father at the piano.
Ballantine, Lewis Nisbet
Probably near Naples.
Miller, Archibald E Haswell
Miller, Josephine Haswell
Miller, Josephine Haswell
Miller, Josephine Haswell
Study of farmhouse set amongst trees. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Interior view of an Italian chapel, with scattered chairs. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Study of two female figures, set against a background of classical statuary.
Laurie, John
Study of industrialised (Lanarkshire) landscape with smoking cooling towers.
Robertson, James Downie
Ethereal landscape with flowers.
Palmer, Joan
Illustration for Tales from Northern Sagas - Blackie Books
Drawing of a group of warriors on a boat.
Miller, Archibald E Haswell
Illustration for Tales from Northern Sagas - Blackie Books
Illustration of an individual on horseback branding fire in front of the sun.
Miller, Archibald E Haswell
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Self portrait. Two of Hugh Adam Crawford's self portraits were exhibited at the Royal Scottish Academy in 1951 and 1960. Another earlier self portrait is also owned by the Scottish National Portrait Gallery.
Crawford, Hugh Adam