- NMC/0541
- Item
- c1910-1913
Male nude with outstretched arm (back view).
McGlashan, Archibald A
Male nude with outstretched arm (back view).
McGlashan, Archibald A
Female nude standing (side view).
McGlashan, Archibald A
Portrait of seated woman wearing jacket, also separate hand study.
McGlashan, Archibald A
Male head and torso.
McGlashan, Archibald A
Head and shoulders (back view) of lady with hat.
McGlashan, Archibald A
Nude male with arms crossed.
McGlashan, Archibald A
Two female figures.
McGlashan, Archibald A
Studies of feet/forearm.
McGlashan, Archibald A
Head and shoulders of young man.
McGlashan, Archibald A
Study of man sitting in chair.
Macdonald, Neil
Male nude holding stick (back view).
McGlashan, Archibald A
Head and shoulders of young woman.
McGlashan, Archibald A
Toddler and hand.
McGlashan, Archibald A
Reflected woman II.
McGlashan, Archibald A
Study of forearm.
McGlashan, Archibald A
Child on horse.
McGlashan, Archibald A
Figure - part of Degree Show studio installation
One of four small figures (oil on paper cut-outs), part of a larger Degree Show studio installation.
Rose, Bryony
Figure - part of Degree Show studio installation
One of four small figures (oil on paper cut-outs), part of a larger Degree Show studio installation.
Rose, Bryony
Figure - part of Degree Show studio installation
One of four small figures (oil on paper cut-outs), part of a larger Degree Show studio installation.
Rose, Bryony
Figure - part of Degree Show studio installation
One of four small figures (oil on paper cut-outs), part of a larger Degree Show studio installation.
Rose, Bryony
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Brown paper with abstract shapes adhered to the surface in a lighter colour. A figurative shape is collaged in green coloured paper and shaded in black conte crayon. Pieces of drawing are rendered in black paint. Backed on conservation board.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Background of design painted in blue and red acrylic paint to create a vibrant distressed effect. Left hand side of composition has collaged pieces of brown paper displaying blue linear brush marks. Central to the design is a stylised female from, collaged in blue and yellow paper and shaded using black conte crayon. Backed on conservation board.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Collage design featuring many figures similar in composition to DC 089/2/3/6. A multitude of papers varying in texture, colour and density. Figures are collaged to the surface of the papers and shaded using black conte crayon and paint. The composition features blue, red and browns.
Taylor, Fraser
Fiesole, Italy; view through trees
"AEH Miller 1911 Fiesole 1913", bottom left.
Miller, Archibald E Haswell
'Field Marshall Death' from the songs and dances of death
Image of grim reaper riding a horse. This was one of a set of prints/ illustrations made for Mussorgsky's song cycle "Songs & Dances of Death" for a solo exhibition in the former Blythswood Gallery in Blythswood Square, Glasgow, which was opened by Emilio Coia in 1960. Among those who bought the prints were George Singleton ("Mr. Cosmo"), Emilio Coia and Jack Coia the architect.
Anderson, Charles
Study of female leaning against white couch; bare shoulders.
Brown, Margaret Oliver
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Female portrait, possibly the artist's sister Violet.
Anderson, Daisy McGlashan
Female life model, standing pose, arms raised. Signed: "Fyffe Christie December 1975" (in pencil), bottom left.
Christie, Fyffe
Female life model, kneeling pose. Signed: "Fyffe Christie May 1978" (in pencil), bottom left.
Christie, Fyffe
Portrait of woman with brown hair. Possibly the artist's wife, Anna Laurie. Lower right: John Laurie/21st Oct. 1940.
Laurie, John
Unfinished study; head and arm.
Green, Jocelyn
Unfinished study; side view.
Green, Jocelyn
Study of various farming tools. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
"A E Haswell Miller 1924" (in pen), bottom left.
Miller, Archibald E Haswell
An old, four-wheeled farm wagon.
Eardley, Joan Kathleen Harding
An old, four-wheeled farm wagon.
Eardley, Joan Kathleen Harding
Various farm structures - wells, sty, dovecot etc. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Farm buildings with road to foreground
Signed 'Sinclair'.
Thomson, Robert Sinclair
Mackintosh's style here is the closest he came to that of Margaret and Frances Macdonald, but his figures are always more substantial and the subject matter less whimsical than theirs.
Mackintosh, Charles Rennie
Colonial house set in gardens.
*Not available / given
Tall tree.
*Not available / given
Cottage.
*Not available / given