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Textile work by GSA students and staff
Textile work by Glasgow School of Art students and staff, including examples of woven textiles, some of which are most likely to be submissions for degree shows, while others seem to be submissions for an RSA Bursary Competition. Some creators are known, others are yet to be identified.
Blackwood, Jilli
Collection of plaster casts comprising human figures, architectural fragments, plaster friezes, plaster reliefs, marble reliefs, tondos and busts.
Casts were used as an important teaching aid by the School, from the late 19th century onwards. The casts are generally based on classical statuary and were originally sourced from Greek, Roman and later Italian and medieval periods. Whilst not totally unique (most art schools in the UK and across Europe owned their own collections, purchased from established suppliers in London, Paris etc.), their continued existence within their original setting gives them an added significance. Importantly, the Glasgow School of Art's photographic archive contains many period images of how these casts have been used by staff and students since they were first introduced.
The majority of GSA's plaster cast collection was located in the School's Mackintosh Building at the time of a fire in the building on 23rd May 2014. As a result the majority of the collection suffered damage, of varying degrees, and all casts were subsequently surveyed by a conservator. Six casts were lost in the fire and eleven larger casts have undergone remedial conservation in 2016-17. The majority of the remaining casts have undergone cleaning before being repositioned around GSA's campus during 2019.
*Not available / given
This collection comprises recorded interviews with the following former Glasgow School of Art staff and students:
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Arthur, Liz
Art, Design and Architecture collection
Artworks, design pieces and architectural designs related to Glasgow School of Art staff and students.
Items include
Almost all works are by former students and staff or figures related to the history of The Glasgow School of Art. The earliest pieces date from the 16th century and later examples have been purchased from recent Degree Shows. The work is in a variety of media and includes drawings, paintings, prints, sketchbooks, furniture and sculpture. Artists represented include many key figures and the most influential and successful students.
There are also several works from former tutors including Neil Dallas Brown, David Donaldson and Fred Selby, alongside contemporary works by students, donated or purchased at degree show. Key works include those by: Maurice Greiffenhagen, Francis Newbery, John Quinton Pringle, Benno Schotz, Ian Fleming and James D Robertson. Suites of note include large collections of Joan Eardley sketches and paintings, Joan Palmer prints, and architectural drawings by Eugene Bourdon.
*Not available / given
Records and textiles of the Needlework Development Scheme
The collection consists of the surviving papers of the Needlework Development Scheme and over 100 examples of needlework. Of these examples, 28 are from Great Britain and 54 are examples of non-British work including examples from Greece, India, Norway, Sweden, Italy, Switzerland, Turkey and Bosnia. Items include ecclesiatical, domestic, costume, clothing and modern embroideries, tea cosies, funeral pall, clothing, lace work, wall hangings, samplers, linen work and cushion covers.
The surviving papers include a complete inventory of 1012 items that were part of the Needlework Development Scheme prior to its dispersal in 1961. This provides information on the original numbering scheme used for the needlework examples and also provides information on the provenance of each item, although this is not necessarily the creator of the item but the person from whom the item was received, as well as a description of the item itself. There is an inventory of the parts of the collection received by the Glasgow School of Art, insurance details concerning the collection and the correspondence of the Needlework Development Scheme, 1931-1941.
This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.
The Needlework Development Scheme
Mackintosh Art, Design and Architecture Collection
Items in The Glasgow School of Art's Mackintosh collection include: furniture, watercolours, drawings, architectural drawings, design drawings, sketchbooks, metalwork and photographs.
Mackintosh studied evening classes at the Glasgow School of Art between 1883-1894, winning numerous student prizes and competitions including the prestigious Alexander Thomson Travelling Studentship in 1890. Mackintosh and his contemporaries also produced four volumes of a publication called "The Magazine" during their time as students, which included examples of their writing and artworks. GSA Archives and Collections hold Mackintosh's Italian Sketchbook, as well as all four volumes of The Magazine, all of which can be browsed on our catalogue.
The majority of Mackintosh's three-dimensional work was created with the help of a small number of patrons within a short period of intense activity between 1896 and 1910. Francis Newbery was headmaster of The Glasgow School of Art during this time and was supportive of Mackintosh's ultimately successful bid to design a new art school building in 1896 - his most prestigious undertaking. For Miss Kate Cranston he designed a series of Glasgow tearoom interiors and for the businessmen William Davidson and Walter Blackie, he was commissioned to design large private houses, 'Windyhill' in Kilmacolm and 'The Hill House' in Helensburgh. In Europe, the originality of Mackintosh's style was quickly appreciated and in 1900 he was invited to participate at the 8th Vienna Secession.
In 1902 Mackintosh was invited to participate at the International Exhibition of Modern Decorative Art in Turin and later at exhibitions in Moscow and Berlin. Despite this success Mackintosh's work met with considerable indifference at home. Few private clients were sufficiently sympathetic to want his 'total design' of house and interior and he was incapable of compromise.
By 1914 Mackintosh had despaired of ever receiving true recognition in Glasgow and together with his wife Margaret Macdonald he moved, temporarily, to Walberswick on the Suffolk Coastline (in England), where he painted many fine flower studies in watercolour. In 1915 the Mackintoshes settled in London and for the next few years Mackintosh attempted to resume practice as an architect and designer. The designs he produced at this time for textiles, for the 'Dug-out' Tea Room in Glasgow and the dramatic interiors for 78 Derngate in Northampton, England show him working in a bold new style of decoration, using primary colours and geometric motifs.
In 1923 the Mackintoshes left London for the South of France, finally living in Port Vendres where Mackintosh gave up all thoughts of architecture and design and devoted himself entirely to painting landscapes. He died in London, of cancer, on 10 December 1928.
The majority of Mackintosh's design work, (including furniture and metalwork), architectural drawings, textile designs and watercolours are in the possession of three public collections - The Glasgow School of Art, Glasgow Museums, and the Hunterian Art Gallery at the University of Glasgow - although significant (individual) pieces can be found in museums across the UK and Europe, North America and Japan. However, some of Mackintosh's most important, symbolist watercolours from the early to mid-1890s are to be found in the collection of The Glasgow School of Art.
The Glasgow School of Art Archives and Collections hold a large number of items by Mackintosh, giving us one of the largest collections of his work held in public ownership. The collection is one of 50 Recognised Collections of National Significance to Scotland. We continue to investigate new routes of engagement for the collection. For example, our Mac(k)cessibility project in conjunction with GSA’s School of Simulation and Visualisation explores digital display and loans of our Mackintosh furniture. Find out more about the Mac(k)cessibility project here.
Mackintosh, Charles Rennie
Helen Cargill Thompson Silversmithing and Jewellery Collection
A diverse collection of mainly silver items including a wide selection of contemporary GSA undergraduate, graduate and staff works from about 1985 to 2019, as collected by Helen Cargill Thompson.
The collection includes items of contemporary, antique and period silver exhibiting a broad range of technical skills, design finesse and a selection of provincial historical Scottish silver makers marks and town marks on both functional and decorative objects.
Items included in the collection were acquired with the intention of being gifted to the Glasgow School of Art Archive as an educational resource.
Photographs by David Octavius Hill and Robert Adamson
The collection constists of 4 volumes containing 29 portrait carbon prints and 90 calotype prints by Hill and Adamson. The images are mainly portraits but also include some scenes of Edinburgh. Some of the portraits within the collection are of Hill and Adamson themselves and members of their families. In addition to this material, there is a volume (volume 5) of 50 photographic carbon prints printed by Jessie Bertram, Rose Street, Edinburgh in 1916 from original negatives by David Octavius Hill's and then published by Andrew Elliot, Princess Street, Edinburgh. These images consist mainly of portraits with a small number of photographs of Edinburgh included. A further 7 loose photographs also exist.
This collection is unfortunately too fragile for users to handle, however the material has been fully digitized and is available to view online both via this catalogue and on Flickr at http://www.flickr.com/photos/gsalib/sets/72157623414969565/
Hill, David Octavius
The Giusti Plaster Cast Collection
Collection of items related to the Glasgow based firm J. Giusti & Co. which specialized in the production of plaster figures, mould making, statuary repair, and other plaster work. The collection is primarily composed of plaster busts and portraits, six moulds, and two medals. The casts and moulds are formed after a range of sculptural styles including ancient Greek and Roman, French Gothic, Italian Renaissance, and 19th century anatomical studies.
The Giusti Plaster Cast Collection highlights mould making and casting processes that were used to produce objects for retail and to repair existing plaster casts. Records from The Glasgow School of Art document purchases and repairs from J. Giusti & Co. from as early as 1890, and casts related to those in the collection were widely used as teaching and learning tools at the GSA through at least mid-20th century.
As most of the items in the collection were used in commercial casting processes, very few items have a plain white, white washed, or decoratively painted surface that are often observed in plaster cast collections. Many of the plaster casts and all of the plaster moulds are widely covered with uneven layers of shellac that appear yellow, red, or brown. Shellac was applied as a sealant and resist agent to prevent existing plaster elements from sticking to fresh plaster elements during the casting process.
In addition to the plaster casts and plaster moulds, several items provide further insights into the material processes employed by J. Giusti & Co. Two medals (likely bronze) showcase the company's involvement with mould making for metal casting, and a gelatine mould is a surviving example of a traditional process used to produce detailed casts in small quantities.
Proudfoot, Alexander
Records of The Glasgow School of Art, Glasgow, Scotland
Includes:
[b]Ephemera collection, 1890-[/b]
The School's collection of ephemera includes flyers, programmes and tickets for events at the School, such as plays, fashion shows, charities week events, exhibitions and performances.
Key records include:
[b]Newspaper cuttings, 1864-[/b]
The School's press cuttings include articles relating to staff and students.
[b]Photographs, c1880s-[/b]
The School's photograph collection provides an excellent record of events at The Glasgow School of Art, its students and their work.
Key records include:
[b]Prospectuses, 1893-1995[/b]
The Glasgow School of Art
The Grace Melvin Textile Collection, Glasgow School of Art, Glasgow, Scotland
14 textile items, thought to have been designed as part of Grace Melvin's diploma show c1918.
Melvin, Grace
Records of Gillespie, Kidd and Coia Architects
The collection consists of job files, photographs, architectural drawings and plans for projects undertaken by the architectural firm of Gillespie, Kidd and Coia between c1933 and 1987. There are also general office files containing correspondence, account papers, ephemera and artefacts.
This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.
Gillespie, Kidd and Coia
Embroidered and Woven Textile Collection, Glasgow School of Art
44 textile items, chiefly lace work, created or acquired by staff and students of the School of Embroidered and Woven Textiles at the Glasgow School of Art.
*Not available / given
Papers of Isobel Alison Mitchell Shearer
3 x 2nd year GSA student notebooks belonging to Isobel Alison Mitchell Shearer:
Shearer, Isobel Alison Mitchell
Entire range of student work from year 1 to year 5 with the exception of the year 3 part-time which he failed.
There is a small number of reports and essays as well and a boxed game and accompanying report which a student friend and Platt designed to teach students professional practice. This was their way of "avoiding writing a 4th year 10,000 word dissertation".
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Platt, Christopher
Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A number of sketches and photographs of works by William Meldrum. This collection includes his figure and illustrative drawings, unique pieces made of seaweed, and series of monochrome photographs featuring landscape paintings. Most of the items are undated; however, the dates of creation are presumed to fall between the 1890s and 1920s. A set of typewritten paper by an unknown author at least after 1966, features Meldrum’s brief biography and descriptions of two drawings along with their custodial histories.
William Meldrum tended to work on depicting city views of Glasgow in the early 20th century and landscapes of diverse areas in Scotland. He created multiple pieces of black-and-white photographs on which his paintings have been printed; some of the photographs have identical versions.
Meldrum, William
H A Wheeler volumes of illustrated essays
3 volumes, each consisting of text, drawings and photographs relating to the subject matter.
Wheeler, Sir Harry Anthony
Wing Hong Creative Residency publication
Publication created in January 2021 from Wing Hong Creative Residency, a partnership project between GSA Community Engagement and the Wing Hong Chinese Elderly Centre in Garnethill, Glasgow. Alaya Ang created the publication to capture the project which developed a series of creative and collaborative activities with service users at the Wing Hong centre, with the aim of exploring themes of ageing, ageism and isolation.
The project took place during October and November 2020 in the midst of the Covid-19 pandemic, which meant many of the activities had to be adapted to be conducted remotely. This publication is a look into the process and preservation of the delicate experience of life during the lockdown through the participants eyes, that aims to illustrate the strength and joy of the Chinese elderly with the creative and sustaining power of art.
Publication includes Chinese text and English text. The cover reads "A reunion in the place where you are".
Ang, Alaya
Variety of materials relating to the design work of former GSA student C A Wallace Shaw, including student work; Pringle of Scotland LTD; Donna Karan International; Braemar International; and Fornton Knitting Company LTD. The collection also includes a number of personal and professional photographs; designs and textiles; and personal papers.
Please note that some of this material is not yet fully catalogued and therefore may not be accessible.
Shaw, Wallace
Art and design work by Rose Valentine
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Valentine, Rose
Various samples of embroidered weave, canvas work and applique, plus bound volumes with relevant notes.
The collection contains 6 folders, binders, or books, which hold the samples of work:
Plus six loose cards with designs and worked textiles attached.
Mackie, Mary
Collection includes artworks and sketchbooks made by Jimmy Cosgrove as a student at the Glasgow School of Art; while working as a Tutor and the Director of the Glasgow School of Art; and afterwards, including work relating to the House for an Art Lover, and documenting travels across Europe, North America, and Mexico.
Cosgrove, James
A variety of loose artworks and six sketchbooks completed by Mary Ramsay, including life drawings, portraits, architectural studies, designs, prints, and illustrations. Some of these items are dated to her time as a student at The Glasgow School of Art. Most items are pencil on paper, with a few further studies in paint. This collection also includes a portfolio folder (DC 110/1/4) and personal papers (DC 110/3).
This collection includes one item by Jessie Wilson (DC 110/1/1/18), another student of The Glasgow School of Art, with whom Mary Ramsay and Margaret Macdonald started a pottery decorating business at The Studio, Strathyre, in 1926.
Ramsay, Mary
Student work produced by Eirene Hunter in 1950s.
Hunter, Eirene
Papers and textiles of Sheena Reid (nee Robertson), student at The Glasgow School of Art, 1950s
Collection includes a number of photographs featuring Sheena Reid and other GSA students plus five textiles designed and made by Sheena Reid as a student at GSA.
Reid, Sheena
Three hand-bound town studies prepared as submissions for the Town Planning Diploma in 1959 and 1960.
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Stewart, Alexander Reid
Papers relating to Fyffe Christie
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Christie, Fyffe
Valerie McLachlan student work
Portfolio of material relating to Valerie McLachlan (nee Gardiner)'s studies on the General Course (1967-69) and Graphic Publicity (1969-71).
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
McLachlan, Valerie
4 hand-written and illustrated silversmithing and jewellery essays from 1976-1977.
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Marriott, Helen
Four boxes of press material relating to The Lighthouse.
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Booth, Lesley
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Avella, Alfredo
Papers and Textiles of Veronica Matthew, student at The Glasgow School of Art, 1950s
The collection includes:
Matthew, Veronica
Papers of Sidney Wesley Birnage, student at The Glasgow School of Architecture, 1930s
This collection includes a bound volume of student architectural notes, a student thesis, and a residential house brochure by Lanarkshire Builders Limited, plus some photocopies of correspondence.
Sidney Wesley Birnage
This collection comprises student work from GSA c1945-1960 and professional work as an architect for GKC, Robert Rankin, and Clydebank District Council.
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Taylor, Joe
Papers of Archibald Haswell Miller
A variety of loose artworks, cover designs, correspondence, ephemera, and photographs completed by and belonging to Archibald Haswell Miller. The collections includes proofs for book covers and pamphlets, personal correspondence relating to his studies and subsequent career, different ephemera relating to Haswell Miller's student days and photographs of artworks and students and staff members of The Glasgow School of Art.
This collection also includes material relating to Georges-Marie Baltus (DC 098/2) , including photographs of his artworks and his Italian and European trips, and Francis H. Newbery (DC 098/3).
Miller, Archibald E Haswell
Papers of the Shepherd and Biggar families
The collection includes material related to Helen Biggar, Sydney d'Horne Shepherd, Hugh Biggar, and the Kino Film Group.
Biggar, Helen Manson
Student thesis by James Campbell Mackie
A student thesis for the Diploma of The Glasgow School of Architecture, by James Campbell Mackie on The Palace of Linlithgow, 1934-35.
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Campbell Mackie, James
Student papers of Ian McLennan
This collection includes a student notebook, photographs and ephemera relating to GSA alumnus Ian McLennan.
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
McLennan, Ian
Variety of materials relating to the works of Dorothy Doddrell, including designs relating to the creation of First World War Roll of Honours; designs created by Doddrell; life drawing studies; and reference materials.
Doddrell, Dorothy Maria F
GSA Undergraduate Fashion Show
This collections in includes material relating to The Glasgow School of Art's undergraduate fashion show.
The Glasgow School of Art
Two interior design notebooks from c1990-1994.
This material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. It was assessed by a paper conservator but no conservation work was deemed possible.
Paula Murray
Records relating to Dugald Cameron
This collection comprises predominantly student work undertaken by Dugald Cameron whilst studying at The Glasgow School of Art between 1957-1963.
In addition it contains the following publications:
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Cameron, Dugald
Records relating to Ted Odling
This material mainly relates to Ted Odling's time teaching at The Glasgow School of Art from the 1950s to the early 1980s. It contains the following items:
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Odling, Ted
Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
The collection consists of printed textiles, garments and papers relating to Fraser Taylor's time as an undergraduate student at GSA (1978-1981), a postgraduate student at RCA (1983), and items relating to other professional activities. It also includes examples of textiles and associated ephemera for design collective The Cloth (1983-1987).
Taylor, Fraser
Material relating to former GSA student, Kenneth Murray Fraser
Collection of drawings relating to the student and commerical work of Kenneth Murray Fraser and his brother, fellow architect James Lovat Hosack Fraser.
Fraser, Kenneth Murray
Student material by Lindsay Winning, student at The Glasgow School of Art
A collection of graphic design work, product design prototypes, life drawings and graded coursework by Lindsay Wadey (née Winning), completed during her time as a student at The Glasgow School of Art from 1963 to 1967. Includes work carried out as part of courses in the Graphics department and on the Section 5 course under Ted Odling. Material spans the entirety of her student career, including final projects and degree show work.
Winning, Lindsay
Papers of Jane Richards and Fiona Jean Paton, students of The Glasgow School of Art
This collection relates to Jane Richards and her granddaughter Fiona Jean Paton who both studied at The Glasgow School of Art.
It includes:
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
One item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014 and was conserved in 2018-19.
Richards, Jane
Fire Recovery Testimonials 2015
This collection comprises testimonials from the following individuals who were involved in the recovery of The Glasgow School of Art's Archives and Collections after the Mackintosh Building fire on 23 May 2015:
These records are held as digital files (.jpg .doc or .pdf).
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Dadson, Emma
Testimonials written in support of James A Dron
Collection of testimonials written in support of James A Dron, a former student of Glasgow School of Art.
Includes:
The collection also includes a letter of application written by Dron for the post of Painting and Still-Life Master at Belfast School of Art in 1901 plus accompanying correspondence.
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Newbery, Francis Henry
A collection of 6 mounted boards with hand-drawn, hand-painted designs for shawls, featuring the Kashmir cypress cone or 'Paisley' pattern.