Bust of Haldane? (obverse): figure of Minerva (reverse). Awarded to Charles Eadie. Stage 19B. The GSA was known as the Glasgow School of Art and Haldane Academy from 1869-1892. Inscribed obverse: "Glasgow School of Art and Haldane Academy"; On rim: "Charles Eadie Stage 19B".
Bust of Haldane? (obverse): figure of Minerva (reverse). Awarded to Alex C W Duncan. The GSA was known as the Glasgow School of Art and Haldane Academy from 1869-1892. Inscribed obverse: "Glasgow School of Art and Haldane Academy"; On rim: "Alex. C.W.Duncan, Stage 9A".
Bust of Haldane? (obverse): figure of Minerva (reverse). The GSA was known as the Glasgow School of Art and Haldane Academy from 1869-1892. Inscribed obverse: "Glasgow School of Art and Haldane Academy".
Bust of Haldane (obverse); figure of Minerva (reverse). Awarded to Jessie Rowat (Mrs Fra Newbery). The GSA was known as the Glasgow School of Art and Haldane Academy from 1869-1892.
Bust of Haldane? (obverse): figure of Minerva (reverse). Awarded to John Rogerson. The GSA was known as the Glasgow School of Art and Haldane Academy from 1869-1892. Inscribed obverse: "Glasgow School of Art and Haldane Academy"; On rim: "John Rogerson, 1887".
Bust of Haldane? (obverse): figure of Minerva (reverse). Awarded to James Brough. The GSA was known as the Glasgow School of Art and Haldane Academy from 1869-1892. Inscribed obverse: "Glasgow School of Art and Haldane Academy"; On rim: "James Brough, Stage 23c".
Bust of Haldane (obverse); figure of Minerva (reverse). Awarded to Catherine C. Peacock, Stage 17A. The GSA was known as the Glasgow School of Art and Haldane Academy from 1869-1892. Inscribed: "Glasgow School of Art and Haldane Academy Awarded by the Haldane Trustees (with figure of Minerva) Catherine C. Peacock, Stage 17A, 1870".
Bust of Haldane (obverse); figure of Minerva (reverse). Awarded to Mrs Kershaw Stage 15A. The GSA was known as the Glasgow School of Art and Haldane Academy from 1869-1892. Inscribed: "Awarded by the Haldane Trustees. Mrs Kershaw, Stage 15A".
Ceramic blank decorated with pink image of north-west façade of The Glasgow School of Art. "Wedgwood of Etruria & Barlaston - A - Made in England" stamped on verso.
Large double-faced hanging in twill weave with a design of vertical stripes in the upper half and aquarium fish behind a grid in the lower half. Woven in cream-coloured thread with a glittering effect, and black threads to create the design. It also has grommets for hanging.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. All that remains is a badly damaged copper repousse panel. This was assessed by a conservator but no conservation work was deemed possible. Settle with high back and wings. The style of the settle is very similar to work produced by Wylie & Lochhead and it is most likely that it was made by this firm. The fabric was probably designed by Samuel Rowe. The woven fabric covering of the settle was woven by the firm of A H Less of Birkenhead in 1897 and is jacquard woven and warp-printed wool and cotton. Warp printing was a special technique used by this firm. Although Lee's bought designs from a numbers of leading freelance designers it is uncertain who designed this particular piece although it is likely to have been by Samual Rowe.
This item is an identification key showing each student depicted in the photograph on the poster under the reference number GSAA/EPH/10/204. It was created by Katie Hawson who was a volunteer at The Glasgow School Of Art Archives and Collections in 2013. Eddie Stewart, a former painting and printmaking tutor at the school helped Katie to identify each individual.
Large and wide white ornamental vase with light and dark blue hand-painted floral patterns. Hand-painted bands of designs along the mouth and the bottom. Has a lid with several hand-painted bands of light and dark blue patterns. '18-24' handwritten in black on bottom of vase and lid. Glaze over the vase and lid. Was given to one of the school's directors as a gift.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. A number of examples of this design exist, and variations on it, in private collections.
This master clock was provided by the Glasgow firm of Dykes Brothers. However, the stylised clock face with distinctive numbering is likely to have been to a design by Mackintosh. Electrically operated, the 'master' clock' powered all the numerous wooden 'slave' clocks by means of an electrical pulse every 30 seconds. This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.
South Kensington Medal. Awarded to GSA student Albert H Hodge, subject 23A. Inscribed: 'Victoria by the grace of God Queen MDCCCLVI' 'National medal for sucess in art awarded by the science and art department'.
Tapestry looped pile rug in bright acid colours depicting a standing lion and sleeping lioness among rocks and plants against a vivid sunset. "A4 8046" on reverse as well as "lion & lioness".
Tapestry rug of worsted yarn and jute in acid colours featuring a pheasant in a floral landscape. Labelled "8017, 36 x 16 ins Tapestry, ID 2/2/12, 17th Nov 1888".
This poster advertised various events happening during The Glasgow School Of Art's activities week in 1971. The poster details a number of film screenings and talks which took place in the Mackintosh Lecture Theatre. Other events included visits to the National Engineering Laboratory in East Kilbride and to an exhibition of prints by the London based printmaking organisation Editions Alecto. There was also an exhibition of work by John McInnes which was held in the Mackintosh Museum.
This poster was used to advertise courses available at The Glasgow School Of Art. The poster invites potential applicants to write to the school's academic registrar.
Poster advertising 'Man Walks Among Us - A Sculpture by Kenny Hunter', St Mungo Museum of Religious Life and Art, Glasgow. The poster advertised the Jesus 2000 Commission, to mark the millennium.
This poster advertised the undergraduate BA Honours degree courses offered by The Glasgow School of Art. The poster states that those interested should write to The Glasgow School Of Art registrar for more information.
This poster advertised the masters course in design offered by The Glasgow School of Art in the mid 1980s. The poster details the objectives and benefits of studying for a postgraduate qualification at The Glasgow School Of Art, including the multidisciplinary opportunities available, the different course options, the Mackintosh legacy and the Glasgow style. The design of the poster suggests it could also have been used as a promotional leaflet. This particular copy has an Irn Bru sticker attached to it that dates back to the 1980s.
This poster promoted the new one year long Master of Design course offered at The Glasgow School Of Art. The course offered a variety of creative disciplines including ceramics, embroidered textiles, graphic design with illustration and photography, interior design, printed and knitted textiles, product design and silversmithing and jewellery. It ran from January to December and was split into four terms of study with each student's programme tailored to their statement of intent.
This poster advertised the undergraduate BA Honours in Product Design course offered at The Glasgow School of Art. The back of the poster answers a number of questions potential applicants might have had, including: Why Glasgow? Why Glasgow School of Art? What are the aims of the course? Will it appeal to me? What are the career prospects? How can I apply? What entrance qualifications do I need? The front of the poster states "There has never been a greater need for product design graduates to take up their crucial role in guiding the future prosperity of society, commerce and culture. The Department of Product Design at Glasgow School of Art is well placed to answer this exciting challenge, offering a rich programme which has earned an international reputation for producing versatile, creative designers."