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Costume design for performance of Parsifal.

Calligraphy, decorated with two fairies: "Come and trip it as you go on the light fantastic toe".

One of a series of twelve black and white fashion illustrations, several as finished adverts for Daly & Co Department Store, Sauchiehall Street, Glasgow.

One of a series of twelve black and white fashion illustrations, several as finished adverts for Daly & Co Department Store, Sauchiehall Street, Glasgow.

One of a series of twelve black and white fashion illustrations, several as finished adverts for Daly & Co Department Store, Sauchiehall Street, Glasgow.

One of a series of twelve black and white fashion illustrations, several as finished adverts for Daly & Co Department Store, Sauchiehall Street, Glasgow.

One of a series of twelve black and white fashion illustrations, several as finished adverts for Daly & Co Department Store, Sauchiehall Street, Glasgow.

One of a series of twelve black and white fashion illustrations, several as finished adverts for Daly & Co Department Store, Sauchiehall Street, Glasgow.

One of a series of twelve black and white fashion illustrations, several as finished adverts for Daly & Co Department Store, Sauchiehall Street, Glasgow. 'K' is an advert for Autumn Millinery

One of a series of twelve black and white fashion illustrations, several as finished adverts for Daly & Co Department Store, Sauchiehall Street, Glasgow.

One of a series of twelve black and white fashion illustrations, several as finished adverts for Daly & Co Department Store, Sauchiehall Street, Glasgow. 'G' is an advert for Coats and Skirts.

One of a series of twelve black and white fashion illustrations, several as finished adverts for Daly & Co Department Store, Sauchiehall Street, Glasgow. 'I' is an advert for gowns.

One of a series of twelve black and white fashion illustrations, several as finished adverts for Daly & Co Department Store, Sauchiehall Street, Glasgow.

One of a series of twelve black and white fashion illustrations, several as finished adverts for Daly & Co Department Store, Sauchiehall Street, Glasgow.

"Josephine Miller" (in pen), bottom right.

Fibre-based photogram of the cremated ashes of the artist's grandfather, Duncan Marshall.

Costume design for Shakespeare's Macbeth.

"Flight Mask" from degree show collection 'Kinetic Nature' made from milk bottle plastic and metal.

Artist's statement on "Kinetic Nature" collection: Biomimicry, which is innovation inspired by nature, through emulating, ethos and reconnection is the focus of this body of work. These jewellery pieces heighten the presence of nature in the wider landscape and its relationship to the human body, through texture, form, repetition, transformation and movement. The Caddisfly Larva use materials found around them to make intricate adorning cocoons in order to blend with their surroundings and in some respects personifies the idea of a sustainable existence. During the Covid-19 lockdown, this same ethos has been applied to practice, in giving new life to discarded objects, transforming these into body adornments. Milk bottle plastic, for example, has beautiful, ethereal and translucent qualities, that are used here in interactive sculptural pieces. It gives a new purpose to the continued existence of this material, transforming it from an everyday product to a desirable object. The concept of biomimicry sits usefully in Michel Serres’ understanding of human-to-non-human relations. In ‘The Five Senses: A Philosophy of Mingled Bodies’ (2008), Serres argues that our sense-experiences should be foregrounded in social and cultural life and that humans should recall from nature how to adapt and trust our intuitive bodily impressions. In this respect, the pieces of jewellery presented here are sculptures intended to become animated once positioned on the body; to become an extension of the body. As nature changes it gifts us with fleeting phenomena and these moments are captured in these activated body adornments, such as the life cycle of the dandelion head changing first from yellow to translucent, and then as motion, like that of a bird in flight.

"Flight Mask" from degree show collection 'Kinetic Nature' made from milk bottle plastic and metal.

Artist's statement on "Kinetic Nature" collection: Biomimicry, which is innovation inspired by nature, through emulating, ethos and reconnection is the focus of this body of work. These jewellery pieces heighten the presence of nature in the wider landscape and its relationship to the human body, through texture, form, repetition, transformation and movement. The Caddisfly Larva use materials found around them to make intricate adorning cocoons in order to blend with their surroundings and in some respects personifies the idea of a sustainable existence. During the Covid-19 lockdown, this same ethos has been applied to practice, in giving new life to discarded objects, transforming these into body adornments. Milk bottle plastic, for example, has beautiful, ethereal and translucent qualities, that are used here in interactive sculptural pieces. It gives a new purpose to the continued existence of this material, transforming it from an everyday product to a desirable object. The concept of biomimicry sits usefully in Michel Serres’ understanding of human-to-non-human relations. In ‘The Five Senses: A Philosophy of Mingled Bodies’ (2008), Serres argues that our sense-experiences should be foregrounded in social and cultural life and that humans should recall from nature how to adapt and trust our intuitive bodily impressions. In this respect, the pieces of jewellery presented here are sculptures intended to become animated once positioned on the body; to become an extension of the body. As nature changes it gifts us with fleeting phenomena and these moments are captured in these activated body adornments, such as the life cycle of the dandelion head changing first from yellow to translucent, and then as motion, like that of a bird in flight.

"Flight Mask" from degree show collection 'Kinetic Nature' made from milk bottle plastic and metal.

Artist's statement on "Kinetic Nature" collection: Biomimicry, which is innovation inspired by nature, through emulating, ethos and reconnection is the focus of this body of work. These jewellery pieces heighten the presence of nature in the wider landscape and its relationship to the human body, through texture, form, repetition, transformation and movement. The Caddisfly Larva use materials found around them to make intricate adorning cocoons in order to blend with their surroundings and in some respects personifies the idea of a sustainable existence. During the Covid-19 lockdown, this same ethos has been applied to practice, in giving new life to discarded objects, transforming these into body adornments. Milk bottle plastic, for example, has beautiful, ethereal and translucent qualities, that are used here in interactive sculptural pieces. It gives a new purpose to the continued existence of this material, transforming it from an everyday product to a desirable object. The concept of biomimicry sits usefully in Michel Serres’ understanding of human-to-non-human relations. In ‘The Five Senses: A Philosophy of Mingled Bodies’ (2008), Serres argues that our sense-experiences should be foregrounded in social and cultural life and that humans should recall from nature how to adapt and trust our intuitive bodily impressions. In this respect, the pieces of jewellery presented here are sculptures intended to become animated once positioned on the body; to become an extension of the body. As nature changes it gifts us with fleeting phenomena and these moments are captured in these activated body adornments, such as the life cycle of the dandelion head changing first from yellow to translucent, and then as motion, like that of a bird in flight.

Costume design for performance of Parsifal.

One sheet from a folder of six sheets of furniture designs, and designs for a fireplace, including one with a GSoA label recording session 1903-1904, James Porteous' student registration number 237, and Mr Taylor as his tutor. This sheet shows front elevations of a chair, a dressing table and a cabinet.

One sheet from a folder of six sheets of furniture designs, and designs for a fireplace. This one with a GSoA label recording session 1903-1904, James Porteous' student registration number 237, and Mr Taylor as his tutor.

One sheet from a folder of six sheets of furniture designs, and designs for a fireplace, including one with a GSoA label recording session 1903-1904, James Porteous' student registration number 237, and Mr Taylor as his tutor. This sheet shows designs for a single wardrobe, dressing table, side view of dressing table, chair and wash stand.

One sheet from folder of six sheets of furniture designs, and designs for a fireplace. Includes one with a GSoA label recording session 1903-1904, James Porteous' student registration number 237, and Mr Taylor as his tutor. Large sheet with double wardrobe, dressing table, cabinet and details.

One sheet from a folder of six sheets of furniture designs,and designs for a fireplace, including one with a GSoA label recording session 1903-1904, James Porteous' student registration number 237, and Mr Taylor as his tutor. This sheet shows a design for a fireplace with integral mantle clock.

4 pieces in mount. Two textile samples showing colour gradiations. One painted piece and corresponding photograph.

Costume design for Shakespeare's Macbeth.