- NMC/1911A
- Item
- 2017
Screen print, "I DON'T LIKE IT HERE". Annotated on reverse '5/5 AW 2017'
Wachsmuth, Anna
Screen print, "I DON'T LIKE IT HERE". Annotated on reverse '5/5 AW 2017'
Wachsmuth, Anna
Second in a series of five screen prints of a dancing nude male figure against a vivid pink background.
Wiszniewski, Adrian
Black and white etching.
Sander, Thomas Edward
Group of various figures, with Glasgow skyline beyond. Signed "O.R.S.".
*Not available / given
Scarecrow with kneeling figures and birds.
Paterson, George William Lennox
Etching of Sandy Moffat, former head of painting, The Glasgow School of Art.
Wiszniewski, Adrian
Two female nudes with animals.
Laurie, John
Military parade centred on raising the Union Jack.
*Not available / given
View on the Thames. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Heath scene. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Print of 'The Archer'
McGlashan, Archibald A
Portrait study set against abstract background.
Todhunter, Fiona
Portrait of Archibald E Haswell Miller
Signed: "Gerber 45", bottom right.
*Not available / given
Selby, Frederick
Selby, Frederick
Two studies of trees; pollard willow and oak. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Psychedelic mermaid.
Mitchell, Charles
Picture of Domestic Fun: Causing the Coins to Play
Depiction of four women among anthromorphized coins engaged in various activities.
Kunimaro, Utagawa
Two landscape studies. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Native woman selling oranges.
Addo-Osafo, Emmanuel
Miller, Archibald E Haswell
Study of three cottages. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Llanilted Vale, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Subject matter derived from George Orwell's book, '1984' first published in 1949. The wood engraving depicts a group of workers, three in the foreground, and others climbing an external staircase.
Chapman, June Crisfield
Abstract design.
Kuusik, Alexander
Study of river valley. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Group of figures seated at a table.
Russell, Avishai
Miller, Archibald E Haswell
Miller, Archibald E Haswell
Views of Windsor Castle and Conway Castle. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Fish market on the beach, Hastings. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Riverside composition. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Morning at Eton College. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
View on the Thames near Chertsey. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Bridge and pollard willows. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Midday, view of a cornfield. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Cottage near Birmingham. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Horsemen.
*Not available / given
Study of two ducks with reeds to background. Possibly by G W Lennox Paterson.
*Not available / given
Possibly portrait of fellow GSA staff member, Danny Ferguson.
Laurie, John
Still life with mackerel. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Abstract design.
Kuusik, Alexander
Nude figure, head bent forward with gnarled hands clasping around the crown central to viewer.
Spence, Judith
Lithographic print of factory gates and view into yard. McCall, Munro and Co Ltd sign on closed gate.
Walsh, Thomas
Stylised landscape.
Furlong, Michael
Landscape with walled gardens and greenhouses.
Ross, John Ferguson
*Not available / given