- MC/A/4
- Item
- 1894
Bound in the November 1894 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
Mackintosh, Margaret Macdonald
Bound in the November 1894 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
Mackintosh, Margaret Macdonald
Bound in the Spring 1896 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
Mackintosh, Margaret Macdonald
Blind Window, Certosa di Pavia
Painted on Mackintosh's tour of Italy in 1891 with Alexander 'Greek' Thomson travelling scholarship.
Mackintosh, Charles Rennie
Mackintosh's style here is the closest he came to that of Margaret and Frances Macdonald, but his figures are always more substantial and the subject matter less whimsical than theirs.
Mackintosh, Charles Rennie
Mackintosh, Charles Rennie
In July Mackintosh and Margaret Macdonald spent a holiday in Dorset re-visiting many of the place he had visited in 1895. 'In 'The Village' and 'The Downs' Mackintosh makes his first conscious moves towards his mature style of the Port Vendres period. He is obviously concerned with the pattern of the landscape, picking out features like the stepped hillside, the stone walls, paths and roofs of village houses. These ordinary motifs are given an eerie emphasis by being painted in an equally detailed manner whether they are in the foreground of the the distance... it was probably at this time... that he decided to concentrate more and more on painting. By 1923 he had decided to forsake architecture and design and devote the rest of his life to producing watercolours.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Wall hanging designed for The Dug-Out, Willow Tea Rooms, Glasgow
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. The canvas relates to smaller watercolours in the Hunterian collection, formerly thought to be textile designs, and to their painted canvas, 'The Little Hills' by Margaret Macdonald. It is likely that they were intended for 'The Dug-Out', though it is not known whether they were ever installed there. Jessie Newbery recalled in 1933, that 'He (Mackintosh) and his wife spent the winter of 1914 painting two large decorations for Miss Cranston'. This would have been in Suffolk, after they had left Glasgow. Although The Dug-Out was not created till 1917-18 it is not unlikely that Miss Cranston was considering the project some years earlier. The canvas was found in the GSA in a single roll in 1981 and was cleaned and mounted on two stretchers.
Mackintosh, Charles Rennie
The Magazine: Volume 1 (Page 6)
The Magazine: Volume 1 (Page 8)
The Magazine: Volume 1 (Page 9)
The Magazine: Volume 1 (Page 10)
The Magazine: Volume 1 (Page 12)
The Magazine: Volume 1 (Page 17)
The Magazine: Volume 1 (Page 21)
The Magazine: Volume 1 (Page 27)
The Magazine: Volume 1 (Page 34)
The Magazine: Volume 1 (Page 36)
The Magazine: Volume 2 (Page 8)
The Magazine: Volume 2 (Page 15)
The Magazine: Volume 2 (Page 19)
The Magazine: Volume 2 (Page 31)
The Magazine: Volume 2 (Page 32)
The Magazine: Volume 2 (Page 35)
The Magazine: Volume 2 (Page 37)
The Magazine: Volume 2 (Page 41)
The Magazine: Volume 2 (Page 45)
The Magazine: Volume 2 (Page 46)
The Magazine: Volume 2 (Page 58)
The Magazine: Volume 2 (Page 59)
The Magazine: Volume 3 (Page 3)
The Magazine: Volume 3 (Page 6)
The Magazine: Volume 3 (Page 9)
The Magazine: Volume 3 (Page 10)
The Magazine: Volume 3 (Page 11)
The Magazine: Volume 3 (Page 12)
The Magazine: Volume 3 (Page 18)
The Magazine: Volume 3 (Page 19)
The Magazine: Volume 3 (Page 21)
The Magazine: Volume 3 (Page 24)
The Magazine: Volume 3 (Page 25)
The Magazine: Volume 3 (Page 30)
The Magazine: Volume 3 (Page 33)
The Magazine: Volume 3 (Page 37)
The Magazine: Volume 3 (Page 39)
The Magazine: Volume 3 (Page 47)
The Magazine: Volume 3 (Page 49)
The Magazine: Volume 3 (Page 59)
The Magazine: Volume 3 (Page 67)
The Magazine: Volume 3 (Page 68)
The Nativity ('And lo the star...')
Bound in the Spring 1896 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
MacNair, Frances Macdonald