Design for a bookcase for Windyhill, Kilmacolm
- MC/G/55
- Item
- 1901
Sketch design for Windyhill bookcase (MC/F/32).
Mackintosh, Charles Rennie
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Design for a bookcase for Windyhill, Kilmacolm
Sketch design for Windyhill bookcase (MC/F/32).
Mackintosh, Charles Rennie
Design for a Memorial Fireplace, The Dug-Out, Willow Tea Rooms, Glasgow
Inscribed: This room was opened by Miss Cranston in the year 1917 during the Great European War between the Allied Nations and the Central Powers.The Dug-Out, which Miss Cranston created in the basement of the Willow Tea Rooms was Mackintosh's last work in Glasgow (designed while he was living in London) and develops his new style seen in 78 Derngate. A dramatic interior was created with black ceilings and dark walls highlighted by strong colours in the decorations. The centrepiece was the Memorial Fireplace, decorated with inlaid glass and paintings of the flags of the opposing nations; above the commemorative plaque was a panel of stencilled decoration in chequers, diamonds and triangles, all in the bright colours used in the Derngate frieze. Two interior elevations indicate Mackintosh's schemes for decoration and furniture, some of which survives.
Mackintosh, Charles Rennie
Design for an Artist's Town House and Studio: east elevation
Proposed east elevation of building.
Mackintosh, Charles Rennie
Design for an Artist's Town House and Studio: south elevation
Proposed south elevation of building.
Mackintosh, Charles Rennie
Design for an Artist's Town House and Studio: south elevation and plans
Proposed plans for building.
Mackintosh, Charles Rennie
Design for Conversazione Programme
Designed for the Glasgow Architectural Association.
Mackintosh, Charles Rennie
Design for fireplace, Morning Room, Prospecthill House
Design for Miss Rowat. The job books indicate that this commission was carried out, but no photographs exist to indicate how closely the executed work followed this design. A completely new motif is introduced with the wavy apron below the top shelf which provides relief to an otherwise rigidly geometrical design.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: additions to South-East wing - lower centre
Architectural drawing showing various additions to building. The handwriting suggests that this sketch plan was not drawn by Mackintosh himself, but probably by a draughtsman in his office.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: additions to South-East wing - lower left
Architectural drawing showing various additions to building. The handwriting suggests that this sketch plan was not drawn by Mackintosh himself, but probably by a draughtsman in his office.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: back elevation
Architectural drawing showing back elevation.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: back elevation
Architectural drawing showing back elevation. On the left is the tower block of the Library. The little walkway at the top of the building (the 'Hen Run') links the new West wing with the earlier East wing, separated by the already built Director's Studio. The greenhouse cantilevered out from a studio on the top floor provided models for still life painting. The superimposed alterations show changes made to the first building, and those in pencil others thought of between 1907 and 1910.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: east/west elevations
Architectural drawing showing east elevation, west elevation and section through library. The East elevation was little changed in the process of building, but by the time the West elevation came to be executed 1906-09, Mackintosh's ideas had altered radically.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: elevation and plan
Architectural drawing showing elevation and plan of building.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: elevation of Scott Street and Dalhousie Street
Architectural drawing showing east/west elevations of building.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: elevation to Renfrew Street
Architectural drawing showing north elevation of building.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: elevation to Renfrew Street
Architectural drawing showing north elevation. The main difference between the completed North elevation and that shown in the 1896-97 design is the addition of an attic storey, but by setting back the upper row of windows Mackintosh made them quite invisible from Renfrew Street.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: elevation to Scott Street/elevation to Dalhousie Street
Architectural drawing showing east/west elevations. 'The East elevation is as built... the West elevation has been completely redesigned. In 1897 the roof line falls with the steep slop of Scott Street: in 1907 the lower part of the site provides a base for a soaring tower block containing the Library which, if it has affinities with the spirit of the traditional Scottish tower house, is completely twentieth century in all its detailing... Other changes were made in the course of construction,... the ashlar of the blank wall on the left was replaced by undressed stone and... the normal sized doorway grew to colossal proportions, extending well above the line of the windows (Mackintosh's pencilled alterations are just visible on the drawing).' (McLaren Young).
Mackintosh, Charles Rennie
Design for Glasgow School of Art: elevation to Scott Street/elevation to Dalhousie Street
Architectural drawing showing east/west elevations.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: front elevation
Architectural drawing showing Renfrew Street elevation.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of Antique Room, Life Rooms etc
Architectural drawing showing various plans. This sketch shows how accommodation was arranged in the East wing of the GSA before the West wing was added and the building was completed in 1906-09.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of basement floor
Architectural drawing showing plan of basement floor.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of basement floor
Architectural drawing showing basement plan.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of basement floor
Architectural drawing showing basement floor plan.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of basement floor - East wing
Architectural drawing showing basement plan of building. This sketch, very possibly not in Mackintosh's own hand but drawn by a draughtsman in his office, shows how the accommodation was arranged in the East wing basement before the GSA was completed with the addition of the West wing in 1906-09. The technical studios on the plan were housed in a temporary building which can be seen in the perspective drawing of the unfinished GSA.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of entresol level
Architectural drawing showing new entresol level, formed between basement and ground floors.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of first floor
Architectural drawing showing first floor plan.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of first floor
Architectural drawing showing first floor plan.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of first floor
Architectural drawing showing first floor plan.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of ground floor
Architectural drawing showing ground floor plan.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of ground floor
Architectural drawing showing ground floor plan.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of ground floor - East wing
This sketch shows how accommodation was arranged in the East wing ground floor before the GSA was completed in 1906-09.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of second floor
Architectural drawing showing second floor plan.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of second floor
Architectural drawing showing second floor plan.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of second floor
Architectural drawing showing second floor plan. The addition of this floor in the 1907-09 stage of building did not change the external appearance of Mackintosh's original two storey facade as the set back series of studios are not visible from street level. The plan shows how Mackintosh linked the two ends of the floor, by passing the already built Director's studio with the 'Hen-Run'.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of sub-basement floor
Architectural drawing showing sub-basement plan.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of sub-basement floor
Architectural drawing showing sub-basement floor. With one or two exceptions, a series of Mackintosh drawings appear to be the final 'working drawings' from which a 'finished' hand coloured set were based.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plans for drainage
Architectural drawing showing drainage plans for the building.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plans for fire exit - East wing
Architectural detail of Mackintosh Building.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: platform in Animal Room
Architectural drawing of room in basement of Mackintosh Building. Signed: Artot (t.r.).
Mackintosh, Charles Rennie
Design for Glasgow School of Art: section on line AA/section on line BB
Architectural drawing showing sections through building.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: section on line A.A/section on line D.D
Architectural drawing showing sections through building.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: section on line C.C/section on line A.A
Architectural drawing showing sections through building.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: section on line CC/section on line DD
Architectural drawing showing sections through building.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: section on line C.C/section on line D.D
Architectural drawing showing sections through building.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: section through existing building/section B.B
Architectural drawing showing sections through building.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: section through Museum/section D.D
Architectural drawing showing sections through building.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: south elevation
Architectural drawing showing back elevation of building.'Even after his revisions to the first half of the building, and the proposed alterations pencilled on the 1907 elevation, Mackintosh made a few others. This drawing, from a set made in 1910 of the completed building, shows the facade as it is, including the parts that are now virtually invisible' (McLaren Young).
Mackintosh, Charles Rennie
Design for Liverpool cathedral
Illustration from the British Architect, March 13, 1903.
Mackintosh, Charles Rennie
Design for Liverpool Cathedral: plan
Plan of proposed building. The competition for the Liverpool Anglican Cathedral was won by Giles Gilbert Scott. Mackintosh's design was unpremeditated, although it drew comment.
Mackintosh, Charles Rennie
Design for Liverpool Cathedral: preliminary sketch
Preliminary sketch for building. The competition for the Liverpool Anglican Cathedral was won by Giles Gilbert Scott. Mackintosh's degin was unpremeditated, although it drew comment.
Mackintosh, Charles Rennie