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Plaster Casts Architecture
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Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze (Block XL from the North frieze)

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze (South Frieze XLIV)

Original: Designed by Pheidias, 447-432BC. A section of the south frieze showing men leading sacrificial animals. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

Plaster cast of Parthenon Frieze (West Frieze II)

Original: Designed by Pheidias, 447-432BC. Horsemen. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. Figures bearing water jugs. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787. Original currently in the collection of the Acropolis Museum, Athens, Greece.

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of King and Queen Column (Royal Portal Chartres Cathedral)

  • PC/031
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.

Original: Also known as the Porte Royale, the West Portal was carved by 1150. The sculptures and reliefs were modelled on those in the triple west portal at St. Denis and at Chartres Cathedral.

Plaster cast of King

  • PC/032A
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Plaster cast copies of sculptures from the church of Notre-Dame de Corbeil, Essonne, France. The original sculptures were previously displayed in the Musée des Monuments as King Clovis I of the Franks (465 - 511) and his wife Queen Clotilde (474 – 545). However, they are now housed in the Louvre where they are catalogued as possibly the Old Testament monarchs, King Solomon and the Queen of Sheba.

Plaster cast of Queen

  • PC/032B
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Plaster cast copies of sculptures from the church of Notre-Dame de Corbeil, Essonne, France. The original sculptures were previously displayed in the Musée des Monuments as King Clovis I of the Franks (465 - 511) and his wife Queen Clotilde (474 – 545). However, they are now housed in the Louvre where they are catalogued as possibly the Old Testament monarchs, King Solomon and the Queen of Sheba.

Plaster cast of Sarcophagus of Giustina

  • PC/036B
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Original: Attributed to Gregorio di Allegretto, 1476. Marble. Church of Santa Giustina, Padua, Italy. On the front of the sarcophagus the body of the saint is carved in relief, lying on a bier and covered with a cloth. At the ends are reliefs of angels swinging censers. Annotated "182A Brucciani & Co, London".

D Brucciani & Co

Plaster cast of foundling roundel

  • PC/044
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Foundling roundel, originally glazed blue and white terracotta. Original: Andrea della Robbia, 1487, at the Ospedale degli Innocenti, Florence, Italy. Annotated with numbers on reverse.

Commission Royale Belge Atelier du Moulage Bruxelles

Plaster cast of Mother and Child

  • PC/046
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Roundel, surrounded by fruits. Original: Studio della Robbia, c1490. Glazed terracotta. Original currently in the collection of the National Gallery of Ancient Art in the Palazzo Barberini, Rome, Italy. Annotated "D Brucciani & Co London EC" and "325".

D Brucciani & Co

Plaster cast of Virgin and Child

  • PC/047
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Original: Andrea della Robbia, c1487. Blue and white tin-glazed terracotta. Florence, Italy. The original relief is believed to have been commissioned by Gabriele di Cambio de' Medici, whose marriage to Lucrezia di Alessandro Rondinelli took place in 1487-88. The style of the relief is related to that of Andrea del Verroccio.

*Not available / given

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