- NMC/0060
- Item
- Late 19th century
Study of woman holding a plate.
Strang, William
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Study of woman holding a plate.
Strang, William
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Self-portrait of former Glasgow School of Art director.
Hutchison, Sir William Oliphant
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Self portrait of Glasgow artist William Drummond Bone.
Bone, William Drummond
That untidy chapie the washerman 'Dunkey Walker'. Sketches of fellow companions during service in Royal Army Medical Corps.
Hunter, William R
The fighting editor, Pte Jack Keathing. Sketches of fellow companions during service in Royal Army Medical Corps.
Hunter, William R
My dear friend? Sergt Lockhart. Sketches of fellow companions during service in Royal Army Medical Corps.
Hunter, William R
Billy Bob, Capt. Robert Kyle. Sketches of fellow companions during service in Royal Army Medical Corps.
Hunter, William R
Lieut. Donaldson GSC attached 2/2 L.F.A. Sketches of fellow companions during service in Royal Army Medical Corps.
Hunter, William R
The casual photographer, 'Kirby', Pte Arthur Kirkwood. Sketches of fellow companions during service in Royal Army Medical Corps.
Hunter, William R
The quartermaster, Lieut McDonald. Sketches of fellow companions during service in Royal Army Medical Corps.
Hunter, William R
Yours 'casually' B. J de Tanes. Sketches of fellow companions during service in Royal Army Medical Corps.
Hunter, William R
Wee Wallie, Staff Srgnt. Sketches of fellow companions during service in Royal Army Medical Corps.
Hunter, William R
To the 'artist person' from yours sincerely, The Fighting Editor. Sketches of fellow companions during service in Royal Army Medical Corps.
Hunter, William R
One of our favourites, Capt Wm Coombe. Sketches of fellow companions during service in Royal Army Medical Corps.
Hunter, William R
My first saergint, 'Jock' Sergt McArthur. Sketches of fellow companions during service in Royal Army Medical Corps.
Hunter, William R
Valerie Bloomfield-Ambrose business card
Part of Papers and Textiles of Veronica Matthew, student at The Glasgow School of Art, 1950s
Includes a business card with a sculpture and two oil paintings as images along the top. Written below "Valerie Bloomfield-Ambrose / Portrait painter and sculptor" and address.
Not available / given
Unidentified female portrait (Version 2)
J Giusti & Co
Unidentified female portrait (Version 1)
J Giusti & Co
Plaster portrait of an unidentified woman.
J Giusti & Co
Unidentified female death mask (Version 2)
Charles Smith & Sons
Unidentified female death mask (Version 1)
Charles Smith & Sons
Unidentified female death mask
Plaster copy of a death mask of an unknown woman.
Charles Smith & Sons
The Young Regenerators Project - Drawing
Ink drawing of female portrait in frame
The Young Regenerators
The Young Regenerators Project - Drawing
Ink drawing of female portrait in frame
The Young Regenerators
The Staff (The Glasgow School of Art)
Various GSA staff portrayed in caricature.
Coia, Emilio
The Painters Colquhoun & McBryde (The Two Roberts)
Study of the two Roberts - Colquhoun and McBryde - in their studio. Fleming's painting was the recipient of the 1938 Guthrie Award prize.
Fleming, Ian
The Giusti Plaster Cast Collection
Collection of items related to the Glasgow based firm J. Giusti & Co. which specialized in the production of plaster figures, mould making, statuary repair, and other plaster work. The collection is primarily composed of plaster busts and portraits, six moulds, and two medals. The casts and moulds are formed after a range of sculptural styles including ancient Greek and Roman, French Gothic, Italian Renaissance, and 19th century anatomical studies.
The Giusti Plaster Cast Collection highlights mould making and casting processes that were used to produce objects for retail and to repair existing plaster casts. Records from The Glasgow School of Art document purchases and repairs from J. Giusti & Co. from as early as 1890, and casts related to those in the collection were widely used as teaching and learning tools at the GSA through at least mid-20th century.
As most of the items in the collection were used in commercial casting processes, very few items have a plain white, white washed, or decoratively painted surface that are often observed in plaster cast collections. Many of the plaster casts and all of the plaster moulds are widely covered with uneven layers of shellac that appear yellow, red, or brown. Shellac was applied as a sealant and resist agent to prevent existing plaster elements from sticking to fresh plaster elements during the casting process.
In addition to the plaster casts and plaster moulds, several items provide further insights into the material processes employed by J. Giusti & Co. Two medals (likely bronze) showcase the company's involvement with mould making for metal casting, and a gelatine mould is a surviving example of a traditional process used to produce detailed casts in small quantities.
Proudfoot, Alexander
Stylised male portrait; angular features.
Gorman, James
Part of Mary Ramsay artworks
Study of male nude, from behind.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Part of Mary Ramsay artworks
Study of male nude, from behind. This item bears a label for The Glasgow School of Art, listing the 1917-1918 session, and Professor Greiffenhagen as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Part of Mary Ramsay artworks
Study of male nude.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Part of Mary Ramsay artworks
Study of standing male. This item bears a label for The Glasgow School of Art, listing the 1917-1918 session, and Professor Greiffenhagen as the teacher.
Originally located inside portfolio folder (DC 110/1/4)].
Ramsay, Mary
Part of Mary Ramsay artworks
Study of male nude, from behind, and foot.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary