Fashion shows

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Since the 1940s, fashion shows have run annually at GSA. These have been designed, planned and run by the students, with garments also designed and modelled by the students. The history of the fashion shows is documented here:

1940s: On the 14th January 1947, students from the Art School and College of Domestic Science came together in aid of Charities Week, to present a mannequin parade of more than 30 specially made outfits. During the early years of the fashion show, local press commented on different styles of garments, from 18th-century dress to modern swimsuits. The extra-curricular nature of early shows is apparent, with students noted as working during the holidays. Reports from the 1952 event mention a student committee charged with organisation. The programme for the coronation themed 1953 show, lists a team comprising convenor, associates, stage director, publicists, treasurer, electricians, compere, graphic designer and mannequins.

1950s – 1960s: Unusual materials and accessories, in particular headwear, commonly feature in shows of the late 1950s and early 1960s. From the mid to late 1960s more wearable and functional garments appear, often displaying geometric patterning and sometimes developed due to industry connections and competitions. During this period the event relocated from GSA's Assembly Hall, to various venues including the Mackintosh Building, with shows in the Lecture Theatre, Mackintosh Room and Museum. Shows were also held at external venues including Culzean Castle and the Scottish Design Centre.

1970s: GSA's Haldane Building became a regular choice for events throughout the 1970s. Large-scale placement prints, embroidered motifs, oversized garments and costumes featured in these shows. From the mid to late 1970s the theme of the fashion shows, decided upon by the organising student cohort (usually from the 3rd Year of a 4-year course of study), directs event design. For the 1977 'Fashion Circus' show, models paraded on a floor of sawdust and a gorilla costume featured. For 1978, the impactful visual identity of the show depicts a silhouette wearing a red carnation; this detail follows through to the programme, ticket and corsage worn by the show's compere. The programmes from this period state that garments can be purchased from students via the relevant department. The Bourdon Building Assembly Hall, now GSA's Library was also used for the event.

1980s: The first known audio-visual recording of the event is from 1982; this and other recordings (1984, 1985 and 1986) show a range of outfits from costumes to more wearable garments. Throughout this period shows appear to engage with topical, social and political themes, through performance-like presentations. The majority of 1980s shows took place in the Assembly Hall, the Students Union, indicating support for the event from GSA's Students Association. Throughout the history of the fashion show the involvement of students from departments across GSA is apparent, particularly when associated with GSA's Activities Week.

1990s: Photographs from the mid -1990s show backdrops, in front of which a mix of outfits are paraded. At this time, textiles at GSA was divided into 'Printed & Knitted' and 'Embroidered & Woven'. During this period design aspects of the show became more integrated into the undergraduate curriculum. By the late 1990s, as build up to Glasgow's year as City of Architecture and Design 1999, there was a shift in the scale of the show and large venues were used around the city. Themed 'Morphogeneis', the 1998 show included 40 collections, with projections of video works by GSA's Interior Design students. In 1999 GSA's textile departments were amalgamated into a single Department of Textiles combining embroidery, weave, print and knit.

2000-2017: At the start of the new millennium, large-scale fashion shows continued, taking place in the Fruitmarket and the Arches. The show moved back to GSA's Assembly Hall in 2004 and the 'boutique' was introduced to raise additional funds. With curriculum change the organisational aspects of the event were integrated into the textile design curriculum. This is still the case today, students work in groups and aspects of the project are delivered by GSA's Careers Services. Recent shows have provided opportunities to work on live projects with external organisations and companies, or with practising designers. The Students' Union, renamed 'The Art School' continues to be used as the venue for the show, although external sites were used during the development of GSA's Reid Building. The introduction of undergraduate fashion design at GSA in 2010 has meant that garments by fashion student are shown alongside those produced by textile students. Themes of recent shows have challenged students to consider the role fashion can play in the perpetuation of cultural stereotypes, explored issues of cultural appreciation and addressed gender neutrality.

In recent years, students have regularly been influenced by the material in the Archives and Collections when producing garments for the GSA fashion show. For the 70th Anniversary fashion show, 21-22 March, 3rd-year fashion and textiles students selected a period between '1947-2017' for inspiration.

Author: Helena Britt

Code

S760

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Fashion shows

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Fashion shows

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Fashion shows

114 Archival description results for Fashion shows

114 results directly related Exclude narrower terms

Robert Stewart photographs including GSA student fashion show, 1952

Contains black & white photocopies and one colour photocopy of photographs of Robert Stewart, 1947-early 1990s, with Liz Arthur's accompanying notes. Includes images of Robert Stewart, D. White, Betty Stewart, Peter Perritt, Margaret Stewart, Sheila McQuistan, Sheila Stewart, John Macfarlane and Jimmy Cosgrove, as well as images of Robert Stewart's flat, Oakfield Ave; GSA student fashion show, 1952; printed textiles student group, 1954; students working on printed textiles, 1966; Robert Stewart receiving gold medal in Munich, 1968; and GSA Activities Week, 1975.

*Not available / given

Robert Stewart graphics

Contains colour reproductions and 29 colour photographs of Robert Stewart's graphic designs, c1948-1979, with Liz Arthur's accompanying notes. Includes images of designs for magazine covers (Colville's House magazine, 1948 and School of Architecture Magazine, 1958); exhibition catalogues (GSA, 1950s and Exhibition of Contemporary Scottish Crafts, 1957); greeting cards (including ones designed for Dovecot); Austin Reed Christmas catalogue, 1950s; Liberty Christmas catalogue, 1959; studio label for SCWS, 1948; GSA fashion show program, 1952; 'Mackintosh and the modern interior' exhibition invitation; posters (the GSA exhibition of embroidery & weaving 1963, the Commonwealth arts festival 1965, GSA activities week 1970s, Farewell dinner for Kath Whyte 1973, GSA fashion show c1973); and GSA degree certificate, 1979. As well as images of design for Schweppes, 1950s; design based on Mackintosh's weathervane on the GSA building, late 1950s; design for Scottish Craft Centre, mid 1950s; Robert Stewart Ceramics publicity 1957 - 63; and work published in Motif 2. (Note : the above dates reflect the year in which the work was done and not the year the photograph was taken.)

*Not available / given

Photographs of Robert Stewart's works collected by Liz Arthur

Contains 5 black & white photographs of : Robert Stewart climbing a ladder to hang his mobile at the 1952 GSA fashion show, Elizabeth Stewart wearing a hat designed by Robert Stewart for the 1952 GSA fashion show, and Robert Stewart demonstrating the use of procion to Richard Demarco and Romanian artists at Hill House, Loch Striven, 1969. Also contains 79 colour photographs of Robert Stewart's : post diploma show paintings, gouache on paper, 1946-1947; textile designs, late 1940s-early 1950s; Jon Noble, Ardkinglas commission, c1950; embroidered panel worked by Kath Whyte, 1955; designs for Christmas cards done for Dovecot Studios, Edinburgh Tapestry Company, mid 1950s; Robert Stewart Ceramics storage jars and tankards, 1957-1963; graphic designs for Liberty, late 1950s; greetings cards, 1964; ceramic mural for Tappit Hen restaurant, Paisley, 1965; ceramic mural designed for West Dumbartonshire Burgh offices (Robert Stewart in picture), 1965; untitled paintings, procion, grease and gouache on paper, late 1960s; ceramic panels, late 1960s; 'First Sight of Santorini' painting, 1968; ceramic mural for Hebridean & Highlander restaurant, Queen Street Station, Glasgow. (Note : these dates reflect the year in which the work was done and not the year the photograph was taken.) As well as : fireplace designed by Robert Stewart for 5 Clarkston Rd., Busby, for commission by Ian Millen, 1963; Robert Stewart exhibition, Design Centre, St. Vincent Street, Glasgow, 1969; Sheila Macfadyn's (nee McQuistan) diploma show textile designs (she was a student of Robert Stewart at GSA 1951-1953); and the Robert Stewart exhibition, Glasgow School of Art, 2003. Most photographs have captions handwritten by Liz Arthur.

*Not available / given

Misc: Interesting

Folder containing contacts and negatives of photographs taken by George Oliver. Most are annotated. Includes: Glasgow School of Art Fashion Show in 1989, paper workshop, Glasgow books, Bently, gable ends, Hungarian reception, Dick Wing Royal Infirmary, Port Glasgow, McLean Museum and Crieff shops.

Oliver, George

Collection of polaroid photographs documenting The Cloth and Fraser Taylor

Polaroid photographs by Fraser Taylor recording The Cloth activities, fabric samples, garments, launch events, trade shows, exhibitions, Liberty window display and scarves and studio sketches. Also includes painting work and exhibitions by Fraser Taylor. 250 polaroids mounted on A4 sheets of paper. Handwritten notes and dates. Includes 3, 130 x 90 mm prints. Fragile areas where mounted with cellotape.

Taylor, Fraser

GSA Undergraduate Fashion Show

  • DC 093
  • Collection
  • 1950-1980

This collections in includes material relating to The Glasgow School of Art's undergraduate fashion show.

The Glasgow School of Art

Student work

  • DC 093/1/1-3 Shift dress, jacket and printed coat made from sackcloth by Elizabeth (Betty) Sinclair (nee Stewart) for the GSA Fashion Shows c1950-52.
  • DC 093/1/4 Coat of woven material, designed and woven by Betty Myerscough in the Weaving Department for her Diploma show in 1954 and included in the 1954 fashion show
  • DC 093/1/5-8 Two dresses, plus one top and skirt made by Judith MacKechnie, 1975
  • DC 093/1/9-11 Two 'Penny Daintee' dresses printed and made by Sheila R McDonald, 1st year Textile Design, in 1977, plus 1 x original design sketch for these dresses
  • DC 093/1/12-16 Outfit comprising: printed beige georgette kimono coat and jodpurs; satin sash; satin strapless sequin top; satin pillbox hat and veil; made by Elizabeth (Lyz) Armstrong in 1979
  • DC 093/1/17-19 Black, white and grey graphic lace print tiered skirt; black 'teddy' cami bodysuit with graphic lace print trim; and a black cotton seer sucker petticoat made by Elizabeth (Lyz) Armstrong in 1978.
  • DC 093/1/20-21 Two items by Mary-Ann Chatterton, to be worn as male skirts, from the 1998 fashion show held at The Tramway, Glasgow. One yellow tulle with yellow lace waistband, red tie around waist and red thread at hem. Label inside waistband band that reads 'Chatterton centre back'. One large woven length of red fabric speckled with white featuring orange half-circle at one side and decorative coarse red thread stitches.

Sinclair, Elizabeth

Photographs

  • DC 093/3/1, Portrait of Sheila Bates, 1961, one photograph
  • DC 093/3/3-6, ‘Penny Daintee’ dresses by Sheila McDonald, 1977 (see: DC 093/1/9-11) , four images
  • DC 093/3/7-14, Two photographs, one contact sheet, one contact sheet cut into five strips plus five negative strips relating donated by Elizabeth (Lyz) Armstrong, 1970s
  • DC 093/3/15, Copy of a photograph of Rena Hume, née Harris (Interior Design student) modelling a dress, 1950.

*Not available / given

Press Coverage

  • DC 093/4/1 Picture Post magazine published 7th February 1953, includes an article on the GSA Fashion Show; donated by Eirene Hunter (nee Paton), plus a loose copy of the article donated by Rena Hume.
  • DC 093/4/2 News cutting from 1961, donated by Sheila Bates
  • DC 093/4/3-5 Three press cuttings from 1975, donated by Judith MacKechnie and relating to the donor’s work, see DC 093/1/5-8
  • DC 093/4/6, News cutting from 1977, donated by Sheila R McDonald

*Not available / given

Fabric poster - fashion show

Screen-printed poster on fabric advertising a fashion show, with the text 'Design a set for fashion show. (Mac. Lec.) Prize £15. Designs for 14 Feb Textiles.'

Cosgrove, James

Papers of C A Wallace Shaw

  • DC 114
  • Collection
  • 1957-2021

Variety of materials relating to the design work of former GSA student C A Wallace Shaw, including student work; Pringle of Scotland LTD; Donna Karan International; Braemar International; and Fornton Knitting Company LTD. The collection also includes a number of personal and professional photographs; designs and textiles; and personal papers.

Please note that some of this material is not yet fully catalogued and therefore may not be accessible.

Shaw, Wallace

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