Framed display of navy and green embroidery with beading, with engraved title "Samples and Examples by Anne Knox Arthur, The Glasgow School of Art". Includes label "Embroidery A_Navy and Green" and instruction on back of frame. Due to information in archival documentation, display case can be dated pre-1943.

Includes 3 adverts and order forms for the NDS bulletin publications. Each of the adverts includes short synopses of the new issue and other publications under the NDS such as some of their books.

Embroidered cotton nightdress bag.

Framed textile landscape includes a white felt like background and mesh blue representing water and linen like green to represent land. Includes various pieces of metallic fabric and stitches throughout. Includes an orange grid like mesh within the art and a wood gold frame.

This collection comprises recorded interviews with the following former Glasgow School of Art staff and students:

• OH/1 Ellen Cunningham (née Timney), Embroidery and Weaving student, 1960-1964
• OH/2 Margaret Ferguson (née Dunn), Embroidery and Weaving student, 1946-1950
• OH/3 Meg Pollok (née Clark), Embroidery and Weaving student, 1946-1951
• OH/4 Margaret Grant (née Taylor), Interior Design student, 1946-1950 and member of staff, c1953-1979
• OH/5 Malcolm Lochhead, Embroidery and Weaving student, 1966-1970
• OH/6 Dugald Cameron, Industrial Design student, 1947-1962, member of staff, 1962-1999, and Director 1991-1999
• OH/7 Conrad McKenna, Commercial Art student, 1939-1942 and 1946-1948, and member of staff,1950-1984
• OH/8 Eirene Hunter (née Paton), Printed Textiles student c1952-53.

Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.

Pale blue sampler with grey metallic thread and chenille. Buttonhole stitch and couching.

German. Worked in white on blue silk. Showing calf lying in field of flowers. By Suse Sardeman-Bermuth, Berlin. Used to be framed.

From Berlin, Germany. Worked in white on rust silk. Charming drawing of foal. Used to be framed.

Collection includes a number of photographs featuring Sheena Reid and other GSA students plus five textiles designed and made by Sheena Reid as a student at GSA.

The collection includes:

• Textiles by Veronica Matthew;
• Artworks on paper by Veronica Matthew;
• Material relating to Art Therapy;
• Newspaper cuttings;
• Photographs;
• Personal papers.

A collection of work by Dorothy C Smith including Glasgow School of Art student material and teacher training college material.

Includes:
GSA student notebooks

• teacher training notebooks from her time at Jordanhill teacher training college
• essays
• architectural drawings
• figure drawings
• printed designs
• paper-cut work
• leaf prints
• designs for repeat prints
• embroidery designs
• hadow work designs
• designs for embroidered textiles
• embroidery samplers
• embroidery samples
• a wooden stool with embroidered top
• a poster
• material relating to the proposed publication "Designing for Embroidery"
• material relating to the "Unbroken Thread" exhibition
• publications related to the Needlework Development Scheme

A collection of Kath Whyte's personal papers which comprises:

• Family papers, press cuttings and photographs, c1909-1981
• School certificates, c1922
• Correspondence, 1927-1996
• Early sketches and drawings, 1920s
• ketchbooks, notebooks, photographs and correspondence from Gray's School of Art, c1922-1947
• Personal correspondence, 1922-1996
• National Identification Card, 1943
• Travel diary, c1940s
• Lecture notes, sketchbooks and notebooks, 1948-1974
• Assorted textile samples, sketch books and notebooks, 1950s-1970s
• Examples of weaving by Kath Whyte and her pupils, c1950s-1970s
• Diaries 1974-1988 and miscellaneous books owned by Kath Whyte
• Photographs (professional and personal), 1909-1996
• MBE medal and associated correspondence and photograph
• Extensive collection of undated slides
• Exhibition catalogues
• Textile and design pieces, c1930s-1970s

This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.

Various samples of embroidered weave, canvas work and applique, plus bound volumes with relevant notes.

The collection contains 6 folders, binders, or books, which hold the samples of work:

• Blue Embroidery folder, containing 14 items
• Black binder of canvas work samples
• Patterned binder of canvas work samples
• Sampler fold-out book
• Pattern Making book
• Embroidery stitches folder

Plus six loose cards with designs and worked textiles attached.

Cretan. Traditional design of scrolling pattern of animals, figures, birds and flowers. Dark blue silk embroidery on natural linen background, mostly in Cretan stitch.

Small blue card folder with the hand-written label Patchwork. It contains a handwritten explanation of the technique and materials, the pattern design with different shapes in white paper glued into the folder, and the worked textile in patterned fabric with blue, green, red, black and white.

Framed display of pink and black embroidery with beading, with engraved title "Samples and Examples by Anne Knox Arthur, The Glasgow School of Art". Includes label "Embroidery C_Black and Pink" and instruction on back of frame. Due to information in archival documentation, display case can be dated pre-1943.

Place mat

Place mat

Place mat

Place mat

Place mat