A collection of six sketchbooks created by Mary Ramsay, including four from her time as a student at The Glasgow School of Art, one dated to after her studies, and one undated. These sketchbooks feature a variety of subjects and themes, including life drawings, portraits, illustrations, floral patterns, ceramics studies, book designs, card designs, and lettering. Most artworks are pencil on paper, with some also using paint, ink, and pastel. Some sketchbooks include a number of loose ephemera items, such as newspaper cuttings and postage stamps.

A sketchbook of notes and artworks by Mary Ramsay. This item does not include an official date, but is presumed to date to c1926 due to the inscription 'Mary A. Ramsay, Dunellan, Strathyre' on the first page. This sketchbook includes a sketch of Comiston Road, Edinburgh, children's illustrations, sketches of floral pattern designs, and some portraits; however, most of the pages are left blank. All drawings are pencil on paper.

Folder containing 44 black and white and colour photographs of mostly unidentified shops fronts, all taken by George Oliver. Locations include: Glasgow, Edinburgh, St Andrews, and London. Shops include: grocers, chemists, booksellers, tobacconists, butchers and ironmongers.

Job files, images and drawings related to project.

Poster for 'Tyler Art Workshop in Scotland', 07 Jun 1993-05 Jul 1993. The workshop was offered by the Crafts Department, Tyler School of Art of Temple University and The Glasgow School of Art. It was held between London and various locations in Scotland, namely the Isle of Skye, Hospitalfield in Arbroath, Glasgow and Edinburgh.

Poster for exhibition 'Bruce McLean, works 1969-1999' at The Talbot Rice Gallery, University of Edinburgh, 23 Jan-26 Feb 2000.

The collection constists of 4 volumes containing 29 portrait carbon prints and 90 calotype prints by Hill and Adamson. The images are mainly portraits but also include some scenes of Edinburgh. Some of the portraits within the collection are of Hill and Adamson themselves and members of their families. In addition to this material, there is a volume (volume 5) of 50 photographic carbon prints printed by Jessie Bertram, Rose Street, Edinburgh in 1916 from original negatives by David Octavius Hill's and then published by Andrew Elliot, Princess Street, Edinburgh. These images consist mainly of portraits with a small number of photographs of Edinburgh included. A further 7 loose photographs also exist.

This collection is unfortunately too fragile for users to handle, however the material has been fully digitized and is available to view online both via this catalogue and on Flickr at http://www.flickr.com/photos/gsalib/sets/72157623414969565/

Folder containing black and white photographs, taken by George Oliver and of various sizes. Some annotated. Some photographs are duplicates of photographs in other folders. Includes: performers and performances from the Third Eye Centre and street performers from the Edinburgh Fringe Festival.

Various details of a French bench from the collection of the Royal Scottish Museum, Edinburgh. Work undertaken by Beveridge as a First Year student.

Folder containing black and white contact sheets and negatives of photographs taken by George Oliver. Most are annotated. Also includes a handwritten list. Includes: Leith docks 1966, Edinburgh, cars, Catterline, Crail, Rossyln Chapel, Festival of Britain 1951, start of Monte Carlo Rally at Blythswood Square in 1955, vintage motor cars in various locations, Richmond Horse Show 1948 and Glasgow.

A variety of loose artworks and six sketchbooks completed by Mary Ramsay, including life drawings, portraits, architectural studies, designs, prints, and illustrations. Some of these items are dated to her time as a student at The Glasgow School of Art. Most items are pencil on paper, with a few further studies in paint. This collection also includes a portfolio folder (DC 110/1/4) and personal papers (DC 110/3).

This collection includes one item by Jessie Wilson (DC 110/1/1/18), another student of The Glasgow School of Art, with whom Mary Ramsay and Margaret Macdonald started a pottery decorating business at The Studio, Strathyre, in 1926.

Folder containing black and white contact sheets and negatives of photographs by George Oliver. Some are annotated. Includes: clocks in Kilmarnock, GSA's Mackintosh Building and Victoria street, Edinburgh.

Folder containing black and white contact sheets and negatives of photographs taken by George Oliver. Some are annotated. Includes: Catterline, Fife, Caithness, Mull and various cars.

Folder containing black and white negatives and contact sheets of photographs taken by George Oliver. Most are annotated. Includes: Labour Party Eurofest at the Edinburgh Playhouse in 1984 as part of their election campaign for the European Elections with Neil Kinnock, Robin Cook and Donald Dewar speaking at such, Oriental Figurines and Scottish Crafts Trade Fair.

Folder containing 76 black and white photographs of various scenes in Edinburgh, taken by George Oliver and of various sizes. Some annotated. Also contains a newspaper cutting of a picture taken by George of a horse and cart on the Royal Mile. Most date from the period that the Olivers lived in Edinburgh as their Edinburgh address is given on many of the photographs. Includes: Playfair Library, glass houses at the Botanic Gardens, Life Association of Scotland Building, Princes Street, George Street, George Street lane sales, Leith Docks and the New Town.

Folder containing 8 contact sheets and 114 negative strip of photographs taken by George Oliver. Most are annotated.  Although the folder is entitled 'Edinburgh', some of the material is of scenes outwith Edinburgh and of cars. For example: scenes of George's Rolls Royce at Doune, Broughton House and an Albion car dating from 1920. The Edinburgh material includes: Museum of Childhood, Edinburgh University, New Town and George Street lane sales. Some negatives relate to photographs in the previous folder entitled 'Edinburgh Prints'.

Folder containing 22 contact sheets and 224 negative of photographs taken by George Oliver. Majority are annotated. Includes: Museum of Childhood, Royal Scottish Museum, Henry Moore statues at Inverleith, New Town, Edinburgh University and Greyfriars graveyard.