Masque Outfit, Dress (Version 4)
- NMC/0433A/v4
- Part
- c1900-1904
97 results directly related Exclude narrower terms
Masque Outfit, Dress (Version 4)
Fur, part of a costume used in a Glasgow School of Art Masque.
McGlashan, Daisy Agnes
Masque Outfit, Fur (Version 1)
Masque Outfit, Fur (Version 2)
Pair of suede slippers, part of a Costume used in Glasgow School of Art Masque.
McGlashan, Daisy Agnes
Part of a costume used in Glasgow School of Art Masque. The wig may have been acquired separately, after the rest of the outfit, which at one point is believed to have included a cape and dagger.
McGlashan, Daisy Agnes
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Original mount with captions.
*Not available / given
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Pharaisees & Rabbis (from Salome)
Costume design for performance of Salome.
Smyth, Dorothy Carleton
Part of Papers of Archibald Haswell Miller and Josephine Haswell Miller (nee Cameron)
The photograph features a close-up shot of a woman wearing a light-coloured hat and outfit.
*Not available / given
Photograph of Josephine Haswell Miller
Part of Papers of Archibald Haswell Miller and Josephine Haswell Miller (nee Cameron)
The photograph features a close-up shot of Josephine Haswell Miller.
The reverse shows the text "Jessie Thomson 319 Sauchiehall St" stamped on the cardboard.
*Not available / given
Photograph of Josephine Haswell Miller
Part of Papers of Archibald Haswell Miller and Josephine Haswell Miller (nee Cameron)
The photograph features a close-up shot of Josephine Haswell Miller.
*Not available / given
Photograph of Josephine Haswell Miller
Part of Papers of Archibald Haswell Miller and Josephine Haswell Miller (nee Cameron)
The photograph features an image of Josephine Haswell Miller.
The reverse shows the text "Jessie Thomson 319 Sauchiehall St" stamped on the cardboard.
*Not available / given
Photograph of male wearing religious outfit
Part of Papers of Archibald Haswell Miller and Josephine Haswell Miller (nee Cameron)
The photograph features a man wearing a religious outfit. The reverse of the photograph shows the following text:
"Arch. H Miller Esq.
Mansfield Lodge
Partickhill
Glasgow
Dear old Miller I hope you are enjoying yourself & not working too hard. Convey my respects to Miss Cathcart when
you see her.
A.L. Jackson"
Jackson, Alexander Logan
Photograph of women portraying a scene
Part of Papers of Archibald Haswell Miller and Josephine Haswell Miller (nee Cameron)
The photograph features fourteen women representing a scene. One of the women is on her knees, head bowed. There is a sign with the words 'A daft lot'.
The reverse of the photograph shows a text addressed to Archibald Haswell Miller.
*Not available / given
Photograph of women wearing varied outfits
Part of Papers of Archibald Haswell Miller and Josephine Haswell Miller (nee Cameron)
The photograph features eleven female students wearing a variety of outfits. The photograph shows five female names on the reverse.
*Not available / given
Part of Papers of Archibald Haswell Miller and Josephine Haswell Miller (nee Cameron)
A variety of photographs featuring loose photographs of artworks and GSA students and staff.
Photographs of GSA staff and students
Part of Papers of Archibald Haswell Miller and Josephine Haswell Miller (nee Cameron)
A variety of photographs showing students and staff of The Glasgow School of Art, many of which feature Archibald Haswell Miller during his time as a student and staff at the institution.
Jackson, Alexander Logan
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Sketches of roman clothing and sandals. The reverse shows a man in a laurel crown.
Gorman, James
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for performance of Salome.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Student material by Lindsay Winning, student at The Glasgow School of Art
A collection of graphic design work, product design prototypes, life drawings and graded coursework by Lindsay Wadey (née Winning), completed during her time as a student at The Glasgow School of Art from 1963 to 1967. Includes work carried out as part of courses in the Graphics department and on the Section 5 course under Ted Odling. Material spans the entirety of her student career, including final projects and degree show work.
Winning, Lindsay
Part of Mary Ramsay artworks
Study of a costumed female, seated. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Robinson as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Part of Mary Ramsay artworks
Study of a costumed female, seated. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Robinson as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Part of Mary Ramsay artworks
Study of a costumed male, standing. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Robinson as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Part of Mary Ramsay artworks
Study of a costumed male, standing. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Robinson as the teacher.
On the reverse of this item is a sketch of a female figure.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
The Servants of the Queen (from Salome)
Costume design for performance of Salome.
Smyth, Dorothy Carleton
Tintagiles (for The Death of Tintagiles)
Costume design for Maurice Maeterlinck's The Death of Tintagiles.
Meikle, Dorothy
Blue ink sketches of men and women in clothing from the the Tudor period. On the reverse is a pencil sketch of a female nude, as well as a face with head tilted upward.
Gorman, James
Two Roman soldiers (from Salome)
Costume design for performance of Salome.
Smyth, Dorothy Carleton
Ivory coloured full length dress in two layers, with a fine gauze silk over silk satin. Braided shoelace straps, fitted bodice and full skirt with decorative flounces. Eighteen covered buttons down back. Some damage through wear and from the metal parts of the buttons. Thought to have been designed and possibly also made by either Daisy or Violet Anderson (see DC 022).
The Anderson family
Wedding head dress. Thought to have been designed and possibly also made by either Daisy or Violet Anderson (see DC 022).
The Anderson family
Wedding head dress (Version 1)
Wedding head dress (Version 2)
Cream, synthetic velvet full-length dress coat. High neck, fitted bodice with long sleeves gathered on the shoulder and fastened with three double covered buttons at waist level. An open skirt falls in a narrow A line below with simple edge to edge closing on the front and a shaped central back panel to suggest a train. Badly marked by decay of metal sections of the covered buttons. Believed to have been designed and possibly made by either Violet or Daisy Anderson (see DC 022).
The Anderson family
White velvet coat dress (Version 1)
White velvet coat dress (Version 2)
White velvet coat dress (Version 3)
White velvet coat dress (Version 4)
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton