Clothing

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Clothing

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Clothing

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Clothing

355 Archival description results for Clothing

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Apron

Portuguese. Part of peasant costume. Closely woven in red wool on white warp. Geometric design in bright colours in loom embroidery - extra weft pulled up in loops on the surface Yellow braid waistband, and pink braid edges.

*Not available / given

Child's Dress

Yugoslavian. Sleeveless dress with side seams and hem decorated with red, blue and black embroidery. Tasselled braid belt. From Bosnia. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.

*Not available / given

Apron

British. Scallop-edged cream taffeta apron. Silk and metal threads. Symmetrical floral design incorporating metal thread areas padded with cord. Extensive use of pearl and sequins. Framed.

*Not available / given

Georgian Waistcoat

English. Fine white corded silk waistcoat with floral border incorporating the rose, thistle and shamrock. Pockets have embroidered flaps. Part of the spotted background has been unpicked. Shows influence of Chinese embroideries. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.

*Not available / given

Sleeve

Sleeve

British. Pierced 'broderie anglaise' design of circles and flowers on lower half of sleeve and cuff. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.

*Not available / given

Velvet collar

Embroidered dark fawn silk and velvet collar. There are several reasons for the attribution to Jessie Newbery: the very fine quality of the fabrics used; the method of construction; the quality of the stitching; the colours used; the simplicity of the design which complements the shape of the collar so effectively and the use of silver metal clasps.

Newbery, Jessie Wylie

Jumpsuit

Striped cotton jumpsuit in cream, light and dark green, light and dark lilac, and khaki.  The design of the garment suggests that the material was dyed to suit. Strapless fitted bodice with darts opening to wide legged trousers which gather at the ankles in a decorative thread weave cuff. Lace tie fastening on the front of the bodice with braided cord made from coloured threads that match the material. The garment demonstrates a variety of pattern cutting and construction skills and was probably made for a Glasgow School of Art fashion show.

*Not available / given

Woven jacket

Short, collarless box jacket made from panels of loosely woven fabric with pink warp thread and yellow, orange, pale blue and lilac silk organza ribbon weft. Panel sections edged with tightly woven cream threads. A band of silk in graduated colours finnishes the inside hem. Very similar to a fabric sample in the Textile Student Work collection believed to be made by Pauline Mcconnachie.

McConnachie, Pauline

Fish cape sleeved jacket

Cape sleeved jacket with long, mermaid style fishtail made of an iridescent synthetic fabric lined with green synthetic silk and decorated with strands of couched wool in a fish scale design.  Thought to have been made and used as a costume for a masque or play at The Glasgow School of Art in the early-mid 20th century.

*Not available / given

Awaken Exhibition material - textile sample

Large scale textile work, 'Drawn Out', designed to be stretched over a frame allowing the central neck opening and sleeves to pull forward from the rest of the work. Digitally printed in greyscale and black on stretch cotton fabric. The artist has posted images of the textile on display at the following link: http://digicloth.blogspot.com/2009/01/awaken-glasgow-school-of-art-archive.html

Campbell, J R

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