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10661 Archival description results for Archives

10661 results directly related Exclude narrower terms

Contracts and Agreements

Contracts agreements, and acceptances for School Extension works. GOV/5/10/6/1: Extract from Minutes of Building Committee 22 Jan 1907, the appointment of Messrs Honeyman, Keppie and Mackintosh as Architects of the Extension of the School building (3 copies) GOV/5/10/6/2: Bundle of copy letters and extracts of minutes relating to the acceptance of estimates of the Architects with the clause that the Architects cannot make any alterations to plans without the approval of the Building Committee, 1927 (5 items) GOV/5/10/6/3: Copy template letter from John Keppie & Henderson for the accepting of an offer of 01 Jun 1927. Blanks are left for the sums of money to be filled in. Recipient unknown GOV/5/10/6/4: Bundle of papers labelled 'Contracts Work' including extracts of minutes of the Building Committee where offers and estimates are accepted. Includes a letter from John Keppie & Henderson notifying Glasgow School of Art of acceptences made, 03 Sep 1927 . Also includes a typed document of extension suggestions for e.g. Modelling Studios and the Chair Store. 1927-1928 (7 items) GOV/5/10/6/5: Glasgow School of Art Extension Scheme Statement as to Tenders accepted and work authorised as at 19 Jun 1928 GOV/5/10/6/6: Letter from John Keppie & Henderson to Glasgow School of Art informing the School that they have accepted the estimate of Messrs M. Stewart & Co for the rebuilding of the corner of the front wall, 20 Jun 1928 GOV/5/10/6/7: Copy extract of Minutes of the Building Committee sanctioning alterations to the plans, with cover letter to Keppie & Henderson, 24 Oct 1928 GOV/5/10/6/8: Typed list of Glasgow School of Art Extension, Tenders accepted and costs, 06 Dec 1928 GOV/5/10/6/9: Letter from John Keppie & Henderson to Glasgow School of Art informing the School that they have accpeted the estimate of Messrs Lawson for fittings, 29 May 1929

*Not available / given

Contracts, Agreements and Tenders

Includes:

  • Agreements with measurer, architects and clerk of works, 1897-1907
  • pecification of material, 1907
  • general conditions of contracts, 1907
  • lists of tradesmen and contractors invited to tender 1907
  • GOV/5/5/1: Signed agreement by Robert Scott to undertake the duties of Measurer, 20 Apr 1897
  • GOV/5/5/2: Appointment of architects, Jan 1906-Mar 1907
  • GOV/5/5/3: Signed agreement by Honeyman, Keppie and Mackintosh to conditions [with enclosure written by Mr Burnet, an architect],  1 Feb 1907
  • GOV/5/5/4: Extracts on condition of appointment of architects, Feb 1907
  • GOV/5/5/5: General Specification of material for the Extension, 1907
  • GOV/5/5/6: GSA Extensions & Alterations: General Conditions of Contracts, 1907
  • GOV/5/5/7: List of contractors invited to tender, 1907
  • GOV/5/5/8: List of tradesmen invited to tender, 1907
  • GOV/5/5/9: Signed agreement by Robert Scott & Son to conditions as to appointment as Measurers [4 items], Mar 1907
  • GOV/5/5/10: Correspondence & testimonials re: the appointment of John Montgomery as Clerk of Works for the new building [5 items], 1907

*Not available / given

Copy of an poster for an exhibition called "Inclined to Design"

A paper copy of a poster (in a rolled state) of an exhibition of work by four local students architects from the Mackintosh School of Architecture. The poster has title of "Inclined to design", held at Greenock, The Arts Guild Campbell Street, from 9th to 20th September (mentioned with no year). It designed by: Alan Fullarton, Brain Hendry, Christopher Platt, and Richard Robb. The exhibit is built on the idea that the architectural drawings become as paintings and sculptures rather than just as end products for buildings, and following London and New York architectural drawings sold as paintings. The main theme of the poster centred around an arch, and a pendant hanging in the centre of the arch ( from a drawing by David MacAuley), screenprinting by Colin Johnstone.

Platt, Christopher

Copy of poster for an exhibition called "Inclined to Design"

A second paper copy of a poster of an exhibition of work by four local students architects from the Mackintosh School of Architecture. The poster has title of "Inclined to design", held at Greenock, The Arts Guild Campbell Street, from 9th to 20th September (mentioned with no year). It designed by: Alan Fullarton, Brain Hendry, Christopher Platt, and Richard Robb. The exhibit is built on the idea that the architectural drawings become as painting and sculptures rather than just as end products for buildings, and following London and New York architectural drawings sold as paintings. The main theme of the poster centred around an arch, and a pendant hanging in the centre of the arch ( from a drawing by David MacAuley), screenprinting by Colin Johnstone.

Platt, Christopher

Correspondence

Various correspondence of Francis Newbery, and relating to Francis Newbery. Some correspondence dates from his time as Director of the School but other correspondence dates to after Newbery's retirement. Most of the correspondence is Newbery's but some is from the School Secretary or others connected with the School of Art. The letters include correspondence with artists, writers and architects such as: William Morris, Charles Francis Annesley Voysey, P Wilson Steer, David Young Cameron, Auguste Rodin, John Lavery, Walter Crane, and H.G. Wells. Correspondence as follows: DIR/5/38/1/1: Letters from William Morris to Mr Mavor, 1889 (4 letters): (a) Letter about Morris visiting Glasgow to give a lecture and about his travelling expenses,14 Jan 1889 (1 sheet). (b) Letter about a series of lectures Morris was to give upon his visit to Glasgow to groups such as 'the Glasgow Branch of the S. L.' , the students of the School of Art, and the Edinburgh Socialists, 21 Jan 1889 (1 sheet). (c) Letter addressed 'Dear Sir' about lectures Morris plans to deliver on his visit: 'Arts & Crafts', and 'Gothic Architecture' for the Haldane Students, 24 Jan 1889 (1 sheet). (d) Letter about Morris' travel arrangements to Glasgow, 06 Feb (1 sheet). DIR/5/38/1/2: Postcard, perhaps from T. P. C..(?) of 146 Blythswood Drive (portion of postcard damaged) to Francis Newbery about an engraving of a brooch found at Duncan Keith's auction rooms, called 'The Macgregor Brooch', 14 Mar 1896 (1 item). DIR/5/38/1/3: Letter from Edward J Poynter to Newbery conveying thanks for Newbery's congratulations on Poynter's election, 04 Dec 1896 (1 sheet). DIR/5/38/1/4: Letter from John Lavery to Newbery about his seeing Newbery's paintings at an exhibition in Venice,18 May 1897 (1 sheet). DIR/5/38/1/5: Letters from Walter Crane to Newbery, 1897-1913 (3 letters): (a) Letter to Mr & Mrs Newbery thanking them for their hospitality during his short stay, 12 Dec 1897 (1 sheet). (b) Letter to Newbery thanking Newbery for his kind letter on Crane's appointment, 28 Aug 1898 (1 sheet). (c) Letter to Newbery thanking Newbery and his wife for their hospitality during his visit, 12 Jun 1913 (1 sheet). DIR/5/38/1/6: Letters from staff to Newbery requesting an increase in salary, 1898 (5 letters): (a) Letter from John Dunlop, 12 Sep 1898 (1 sheet). (b) Letter from James M Dunlop, 13 Sep 1898 (1 sheet). (c) Letter from A Aston Nicholas, 15 Sep 1898 (1 sheet). (d) Letter from Johan Keller, 17 Sep 1898 (1 sheet). (e) Letter from James Gray, 19 Sep 1898 (1 sheet). DIR/5/38/1/7: Draft letter to Mr R S Allan about classes at the School, c1900 (3 sheets). DIR/5/38/1/8: Correspondence to Newbery about a fire escape stair, 1900 (2 letters): (a) Letter from W Forrest & Salmon cover letter returing documents sent by Newbery concerning a proposed escape stair, 07 Dec 1900 (1 sheet). (b) Letter to Honeyman & Keppie from Robert Scott, Measurer & Valuator about the cost of a fire escape stair for the Glasgow School of Art, 01 Aug 1900. Enclosure of the above (1 sheet). DIR/5/38/1/9: Letters from Auguste Rodin to Newbery, 1901-1903 (2 letters): (a) Letter, in French, about the return of plaster casts to Rodin and about an exhibition of plaster casts, 29 Apr 1901 (1 sheet). (b) Letter, in French, thanking Newbery for his kind wishes, 11 Dec 1903 (1 sheet). DIR/5/38/1/10 Correspondence between Newbery and Vanderstappen about proposing Mr Delville and Mr Paul Artot as Professors at the School, 1902 (4 letters). DIR/5/38/1/11: Letter and transcription of letter from William Leiper, Architect, to Newbery, 1904-1905 (2 letters): (a) Letter from Leiper to Newbery congratulating Newbery on the work of the School observed by Leiper on a recent visit, 13 Dec 1904 (1 sheet). (b) Typed transcript of the above letter from William Leiper to Newbery, 13 Dec 1904. Also on this sheet is a typed transcript of a letter from Alexander Roche to Newbery about an enclosed cheque for a supplementary travelling studentship, 22 May 1905 (1 sheet). DIR/5/38/1/12: Letter from W Forrest Salmon of Salmon & Son & Gillespie Architects to E Catterns, School Secretary, apologising that Salmon will be unable to attend the next Governors' meeting and recording his thoughts on some business such as his support for the re-election of W Fleming to the Chair, 26 Sep 1906 (1 sheet). DIR/5/38/1/13: Letter from George Gregory to Newbery about arrangements for Mr Wilson's class coming to 'modelling' (the sculpture department), 12 Oct 1906 (1 sheet). DIR/5/38/1/14: Correspondence about a letter to Newbery from Sir Henry Craik, Oct 1906 (2 letters): (a) Letter from Newbery to James Fleming requesting Fleming to telephone him to discuss an enclosure. On the back is a draft reply to the enclosure that Newbery wishes to discuss with Fleming (see below for enclosure), Oct 1906 (1 sheet). (b) Letter from H Craik to Newbery enquiring about the possibility of a position for a 'W Kennaway' who was at the Athenaeum School of Art in Glasgow until it closed. (enclosure of above correspondence), 23 Oct 1906 (1 sheet). DIR/5/38/1/15: Correspondence with Mr Robertson Weir, 1909-1919 (3 letters): This correspondence was donated to the School of Art Archives and Collections by the daughter of Robertson Weir in 1994. (ACC 52) (a) Letter from Newbery to Robertson Weir about Weir's trasmission to the Scotch Education Department. Refers to the course of study and Training of Teachers in the Special Subject of Art (Article 47), 04 Nov 1909 (1 sheet). (b) Letter from Newbery to Robertson Weir expressing his relief that Weir survived the War, 19 May 1919 (1 sheet). DIR/5/38/1/16: Letter from J Struthers of the Scotch Education Department to Newbery about the possible uses of the bursary of a student Mr Alexander Gordon, 28 Jul 1910 (2 sheets). DIR/5/38/1/17: Letter from H G Wells to Newbery thanking him for sending a copy of the Art School 'Masque', 10 Jun 1927 (1 sheet). DIR/5/38/1/18: Letters from Charles Francis Annesley Voysey to Newbery, 1927-1931 (2 letters): (a) Letter about a letter Newbery sent to 'MacAlister' that was flattering to Voysey and thanking Newbery for his support, 15 Nov 1927 (1 sheet). (b) Letter to Mr and Mrs Newbery apologising for having missed them when they went to his show and asking them if they have ever visited Sir Herbert Cook who lives in a house built by Voysey for Alfred Sutro, 05 Oct 1931 (1 sheet). DIR/5/38/1/19: Letter from P Wilson Steer to Newbery thanking Newbery for his congratulations and reminiscing about Walberswick, 19 Jan 1931 (1 sheet). DIR/5/38/1/20: Letter from D. Y. Cameron to Mr & Mrs Newbery thanking them for their sympathy on the death of his partner, c1930s (1 sheet). DIR/5/38/1/21: Letter from Archibald A McGlashan to 'Alick' thanking Alick for sending a painting of Francis Newbery and reflecting on the character of Newbery, 03 May 1947 (1 sheet).

Morris, William

Correspondence with Contractors

Correspondence with contractors about extension works. GOV/5/10/7/1: Correspondence and copy letters between Glasgow School of Art and John Keppie & Henderson, Architects of the extension, about matters such fees, alterations to plans, and the collapse of a wall on Renfrew Street and the necessary repairs, 1926-1930 (29 items) GOV/5/10/7/2: Letter from the Office of Public Works, City Chambers, Glasgow to the School about opening a carriageway at 164 Renfrew Street, 09 Nov 1927 (1 item) GOV/5/10/7/3: Copy letters and correspondence between Robert Scott & Son, Surveyors, and the Glasgow School of Art about matters such as fees, 1930 (5 items)

*Not available / given

Daylight effects on street: looking through North Court Royal Exchange from Royal Exchange Square

Free hand sketch showing the contrast between immediate shade and distant sunlit. Buildings invite you through the lane and rewards you at the other end with a street where you can check your bearings. Cobbles just past archway indicate lane running across path.

Platt, Christopher

Daylight effects on street: Royal Bank Place

Free hand sketch describing Royal Bank Place as a peaceful space, very different from Royal Exchange Place (other side of arch) or Buchanan Street where there is either vehicular traffic or pedestrian traffic. Nothing invites you through the Arch except the sun.

Platt, Christopher

Design criteria: "The eight proposals"

A tracing paper showing the eight proposals from the Design criteria.
1- Thou shalt have thy sleeping/recreational space away from thy work space
2- Thou shalt have some plant life in thy study bedroom
3- Thou shalt have a wash hand basin near some natural light
4- Thou shalt have storage to lay A1 sheets flat
5- Thy study/writing space must be attached to and lower down than thy drawing space
6- Thy bed must not be opposite an open door
7- Thou shalt have facilities for an electric kettle
8- Thou shalt have shelving above the bed and the drawing/study space

Platt, Christopher

Design for a poster for exhibition called "Inclined to Design"

A poster design on tracing paper for an exhibition of work by four local students architects from the Mackintosh School of Architecture. The poster has the title of "Inclined to Design", held at The Arts Guild, Campbell Street, Greenock, from 9th to 20th September (mentioned with no year). Designed by: Alan Fullarton, Brain Hendry, Christopher Platt, and Richard Robb. The exhibition is built on the idea that the architectural drawings become paintings and sculptures rather than just as end products for buildings, following London and New York architectural drawings sold as paintings. The main theme of the poster is centred around an arch, and a pendant hanging in the centre of the arch (from a drawing by David MacAuley), screen-printing by Colin Johnstone. The poster is rolled, and is in two pieces of tracing paper attached together by tape.

Platt, Christopher

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