Job files, images and drawings related to project.

Job files, images and drawings relating projects undertaken for the University of Glasgow.

Architectural drawing on tracing paper showing three isometric plans of the circulation and fire escapes from the second to first down to the basement floor, in scale 1:500, of the graduation hall for Strathclyde University. For presentation purposes, this sheet has been drawn to be attached below the second item on the left hand side to complete the whole presentation panorama. The fire escapes have been coloured with red to identify these from the other vertical circulations within the building. This sheet also includes the upper part of the enlarge section, in scale 1:20, which has been presented with the lower part of the third item on the left hand side of this whole panorama.

Architectural drawing on tracing paper showing part of a cross section, in scale 1:50, from the right hand side of the graduation hall for Strathclyde University. For presentation purposes, this sheet has been drawn to be attached to the previous item to complete the elevation/section panorama. The enlarged scale allows the architect to create as much architectural details as this design stage presents the technical study. This drawing comes with no materials indicated, but the drawing is coloured.

Architectural drawing on tracing paper showing an enlarged cross section, in scale 1:20, of the graduation hall for Strathclyde University. It includes the whole construction details for: pitched roof construction, internal ceiling to main hall, flat roof construction, external walls, cavity blockwork, typical internal wall finish, upper floor - upper lounge, ground floor - circulation area under gallery, and ground floor - hall floor. For presentation purposes, this sheet has been drawn to be attached below the third item on the left hand side to complete the whole presentation panorama.

Architectural drawing on tracing paper showing part of the entrance elevation, in scale 1:50, from the left hand side of the graduation hall for Strathclyde University. For presentation purposes, this sheet has been drawn to be attached to the next item to complete the elevation/section panorama. The enlarged scale allows the architect to create as much architectural details within the entrance elevation as this design stage presents the technical study. This drawing comes with no materials indicated.

Architectural drawing on tracing paper showing isometric section, in scale 1:20, of the roof structure of the graduation hall for Strathclyde University. It includes the whole construction details for the central area of the hall's roof including the skylights. This sheet also shows the design of the heating system including the warm air input presented in red , and the extract air presenting in blue. For presentation purposes, this sheet has been drawn to be attached below the fourth item on the right hand side to complete the whole presentation panorama. Note: the roof structure comes with scale 1:100, the correct and actual scale shown in this drawing is 1:20.

Architectural drawing on tracing paper showing part of an enlarged plan, in scale 1:50, from the upper lounge and gallery corner of the graduation hall for Strathclyde University, where the cross section in the previous item has been taken. For presentation purposes, this sheet has been drawn to be attached below the item on the right hand side to complete the whole presentation panorama. The enlarged scale allows the architect to create as much architectural details of the structural elements and construction system. This drawing comes with no materials indicated.
This sheet also includes the upper part of the enlarged section which will present the fifth item of the lower part on the left hand side of this whole panorama.

Four printed graphic designs featuring school magazine covers, annotated "Coatbridge Secondary School Magazine" and "Airdrie Academy Magazine." The designs are attached to backing paper and two of them are dated 1937 and 1938. This work was used as teaching material in schools in Scotland, as marked the level of students "Fifth year."

Four pieces of teaching examples for pattern designs, attached to backing paper. These pattern designs, featuring an interplay of waves and geometric shapes, were used as teaching materials in schools in Scotland, as marked the level of students "First year."

A painted graphical pattern design illustrating a sequence of figures with wavy lines. Includes annotations of student registration no. ("No. 71") and signed "Gerard Murphy."

A free hand drawings consisting of the Great pyramid of Cheops showing a cross section of the pyramid and details of the Lotus bud and Papyrus capital.

The photograph features a group of ten male students in a painting class, with Archibald Haswell Miller in the centre back.

The photograph features a group of fifteen male and four male students alongside Maurice Greiffenhagen, The reverse of the photograph shows the text "Haswell Miller / Centre back (highlighted) / (c1903) Student at Glasgow School of Art".

The photograph features Archibald Haswell Miller in the centre of the image, alongside a group of sixteen males and one female in a studio. The man on the right end of the image seems to be an academic. The annotations show the text "MARR SCHULE. MUNICH ACADEMY April 1909", lists the names of some of the people in the photograph and is supported by a map placing them in the photograph.

An annotation on the top right corner of the cardboard shows "1909".

The item shows two different photographs. The first photograph features Archibald Haswell Miller smoking a pipe in the centre of the image, alongside a group of seventeen male and one female students. The annotations below the photograph inform it was taken at the Academy of Fine Arts of Munich. The text reads "The Marrschule. Munich Akademie 1909. [...] as G.C. with halo hold by Baliut".

The second photograph features John R. Covert sitting in a rocket chair. The annotations on the left hand side show the text "John R. Covert. American faint abstract painter. In Munich 1910". The annotation on the right hand side show the text "Here he is – a malen. Oh see [...] he sits and [...]. He'll paint – perhaps. And perhaps? –".

An annotation on the top right corner of the cardboard shows "1909-10".

The reverse of the cardboard lists the names and background of the nineteen students in the first photograph. It is supported by a map placing the subjects in the photograph.

The photograph features Archibald Haswell Miller in the centre back of the image alongside three other students of the Academy of Fine Arts of Munich. The annotations below the photograph show the names "John R. Covert", "Oliver Smock", A Haswell Miller ("Glasgow-Muller"), and "Louis ("Consul") Miller". They also show the text "Vier Kunstakademiker. München 1909 - / John R. Covert / Oliver Smock / A Haswell Miller ("Glasgow-Muller") / Louis ("Consul") Miller. I [...] taken at a small fair in Munich Spring 1909. The screen represents the [...] of a Zeppelin airship the first of which had just visited Munich with great excitement."

An annotation on the top right corner of the cardboard shows "1909".

The photograph features Archibald Haswell Miller in the centre back of the image alongside three other students of the Academy of Fine Arts of Munich. The annotations below the photograph show the text "R. Covert" and "A Haswell Miller".

The reverse of the photograph shows the text "AEHM in Germany (Munich) as a student (about 21 yrs)".

The photograph features a group of nineteen female students in an anatomy drawing class.

The photograph features a group of nineteen female students in an anatomy drawing class.

An annotation on the top right corner of the cardboard shows "1914".

The photograph features a group of eleven male students. One of them is lying on an elevated flat surface with his core undressed, while the others gather around him.

The reverse of the photograph shows the text "E; J; C. Haswell doing a tableau of Rembrandt's Anatomy Lesson at Glasgow School of Art (1903-4?)".

The photograph features a group of sixteen male and nine female students.

The photograph features a group of four female and one male students.

This collections in includes material relating to The Glasgow School of Art's undergraduate fashion show.

3 volumes, each consisting of text, drawings and photographs relating to the subject matter.

1. The Fair City. A review of the 18th and 19th century architecture of Perth and district. Dated 1948 – Rowand Anderson student.
2. A study of the Cantilever Principle in Architectural Design. Signed and dated 4th October 1949.
3. Contemporary Church Design. (Not signed or dated).

Drawings and job files related to the project.

Job files and drawings relating to alterations at the Halt Bar.

The handwritten documents are written on the back of Kino Film Ltd. agent's booking forms. 12 pages in total. Titled "Highland Clearances." On the first page, it describes the contents as "showing the change from Chief of Clan to Lord of Earl."

Handwritten note discussing "Com. Fraser" and "Com. Mune". Quote from "Com. Mune" about an item going into the care of the Kino Film Group once "Kino was ready for it" which "Com. Mune" denied stating.

Includes Harry Anthony Wheeler's travel report, a portfolio of drawings and the portfolio cover.

Job files, images and drawings related to project.

Material related to studying cars. The architect chose the Hillman Hunter 1977 to study the existing model, its plans, elevations and sections in scale 1:20. All drawings are freehand sketches on greaseproof paper. The aim was to analyse the manufacturing design and how the recent model had been developed to create more comfortable space and improve car shell and body elements like dashboard, steering wheel, and storage. The drawing sheet has been folded vertically.

Material related to the writing of a history essay studying three Victorian buildings from Glasgow situated in the pedestrian precircuit area of Buchanan Street (No. 21-31, 106-112, and 123-129). It consists of 23 pages (with no binding) done in the form of hand writing with some photos and free hand sketches. The aim is to identify if there is any similarities among these buildings in terms of architectural façade styles and interior functional spaces.

Material related to the writing of a history essay studying three Victorian buildings from Glasgow.

Material related to the writing of a history essay studying the art and craft movement in the UK influenced by three architects, Augustus Pugin, John Ruskin, and William Morris. It consists of a hard back cover page with 20 pages (on white plastic strip binding) done in the form of hand writing. The aim is to study the architectural movement in Britain after the Industrial Revolution with its social and economic aspects and how the architects criticised the missing aspect of art and craft that marked by the "battle of styles" between the Classic and Gothic styles.