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Emil Otto Hoppé (1878-1972) was one of the most important art and documentary photographers of the modern era whose artistic success rivaled those of his peers, Alfred Stieglitz (1864-1946), Edward Steichen (1879-1973) and Walker Evans (1903-1975). Hoppé was one of the most renowned portrait photographers of his day, as well as a brilliant landscape and travel photographer. His strikingly modernist portraits describe a virtual Who’s Who of important personalities in the arts, literature, and politics in Great Britain and the US between the wars. Among the hundreds of well-known figures he photographed were George Bernard Shaw, H.G. Wells, A.A. Milne, T.S. Eliot, Ezra Pound, G.K. Chesterton, Leon Bakst, Vaslav Nijinsky and the dancers of the Ballets Russes, and Queen Mary, King George, and other members of the Royal Family. Beginning art photography in 1903 Hoppé was admitted as a member of the Royal Photographic Society where, over the next four years, he regularly exhibited his amateur photographic works. In this same year Hoppé was also associated with The Linked Ring Brotherhood and fellow members Alvin Langdon Coburn, Henry Peach Robinson (1830-1901), and George Davidson (1854-1930), who played an important role in international art photography, maintaining close ties with continental and American groups including the Vienna Camera Club and the Photo Secession, New York.

Jean Horn studied at The Glasgow School of Art during the 1970s.

John Horn was born in Glasgow on the 16th of May 1895, one of two children of Christina Horn, a manufacturing jeweller. Horn attended The Glasgow School of Art from 1913-1915 and 1920-1923 as a part-time student in Design and Metalwork while working as an apprentice jeweller. During the First World War, he served in the Highland Light Infantry. John Horn is commemorated on The Glasgow School of Art's First World War Roll of Honour.

If you have any more information, please get in touch.

Sources: Ancestry: http://www.ancestry.co.uk.

William Bartlet Hossack was born in Airdre on 3rd February 1889, one of 3 surviving sons to Catherine (née MacLeod) and William Bartlet Hossack senior. William Bartlet Hossack senior was born in Banff, Scotland to William Hossack, a draper and clothier and Mary (née Bartlet), daughter of the owner of Banff brewery. William Bartlet Hossack senior later moved to Aidrie where he became a successful engineer with his firm Inglis, Hossack and Company, and where he brought up his own family including his son William. William commenced his studies at The Glasgow School of Art as an evening student in 1905 studying drawing and painting while working as an architectural draughtsman. He continued with evening classes between1907-09 but transferred his studies to architecture. During WW1, William served with the Royal Engineers, initially in Egypt, with the 1st/2nd Field Company. Although recorded as Lieutenant on the Roll of Honour, his medal card for the 1914-15 Star lists him as 2nd Lieutenant but his card for the British War Medal and Victory Medal records him as Captain. William married a South African, Mona Leonie van Ryneveld, who had been married previously to Francois Jan Jacobsz and who married again after William's death. They had one son William Antony Hossack and William was step father to Mona's son, Jan Francois Jacobsz. Mona died in 1989 but it is not known when or where William died. It is possible though that he met his wife while serving in South Africa and that he made his home there after the war. William Bartlet Hossack is commemorated on The Glasgow School of Art's First World War Roll of Honour.

If you have any more information, please get in touch.

Sources: Scotland's People: http://www.scotlandspeople.gov.uk; Ancestry: http://www.ancestry.co.uk; Geni http://www.geni.com; Wikipedia: en.wikipedia.org; The Long Trail: http://www.longlongtrail.co.uk

Dan Hou graduated from The Glasgow School of Art with an MDes in Fashion and Textiles in 2022. They won the postgraduate Chair Medal for Design, 2022. His artist statement reads: "I am a fashion designer from China. As an undergraduate, I took my menswear collection to Milan Fashion Week. In addition, two of my menswear collections have been photographed in collaboration with Vogue. I also have my own virtual fashion brand available in mainland China. My design approach combines Silhouette exploration, silhouette experimentation, three-dimensional tailoring, and minimalist graphic design with sustainable processes".

Emma Houlston studied Communication Design at The Glasgow School of Art. She is a designer, illustrator, and art director living in London and working for clients all over the world.

Elizabeth Houston was a student at the Glasgow School of Art during the 1970s. She won the Johnson Matthey Silver Award in 1975.

James Houston was born 22nd June 1893. He was the youngest son of James Houston JP and the younger brother of the landscape painter Robert Houston (1891-1942) and a relative of George Houston (1869-1847) both of whom studied at The Glasgow School of Art. James Houston attended The Glasgow School of Art. James Houston was educated at Spiers School, Beith and was an apprentice architect with Fryers & Penman of Largs from 1909 – 1913. Houston then attended The Glasgow School of Art from 1913-1917 after completing his apprenticeship, studying under Professor Eugene Bourdon and Professor Charles Gourlay. Houston excelled as a student at The Glasgow School of Art winning many awards, scholarships and bronze, silver and gold medals for each year of his attendance. Houston was presented with his senior course certificate in October 1917 and received his diploma from the school in 1921. Houston also assisted Professor Charles Gourlay towards the completion of his studies in the illustration of his book, 'The Italian Order of Architecture, 'a practical book for the use of architects and craftsmen, consisting of letterpress, with thirty-two plates based on the orders of Vignola, Palladio, Gibbs, Chambers, and other masters' (1916).

Following his studies at The Glasgow School of Art, James Houston undertook three year in The Royal Navy from 1916 -1919.

In 1919, Houston, arranged by his previous Professor Charles Gourlay, took up the position of chief assistant and lecturer at The Royal Technical college. Houston began his own practice in 1920 in Kilbirnie and early in the same year was admitted ARIBA under the war exemption scheme with his proposers being Thomas Lennox Watson, Alexander Nisbet Paterson and John Watson. In the early years of Houston's practice, he was assisted by Hugh Macdonald who remained in the firm for two decades and Gavin Mclure who was killed in WW2. The firm was well known for their modernist cinema and entertainment building design.

Some of Houston's best known works include the Radio City Cinema which opened in 1937, an example of 'theme' architecture, a genre associated with thirties cinemas. The cinema was built for and operated by Bridgend Picture House Ltd. The cinema was taken over by George Palmer circuit and was renamed George Cinema in 1959 but closed in the late 60s. The cinema was then converted into a bingo club, named George Bingo Club which operated until 1995. Houston's building was then left empty until it was restored and re-opened as a community centre and gym. On 19th April 2000, Historic Scotland designated the Radio City Cinema a Grade C(s) Listed building. Radio City Cinema is also Houston's last surviving cinema building.

During WW2, Houston reenlisted now with the royal Engineers, being commissioned with the role of Captain. At the end of the war, Houston remained the sole partner of the firm until his son John B G Houston joined the partnership. At some point the partnership moved to 2 School Wynd Kilbirnie.

As well as his architectural practice, Houston also exhibited painting at the Royal Scottish Academy on two occasions. The first in 1938 whilst living at the address Whitehurst Kilbirnie Ayrshire and a second time in 1961 now living at 22 School Wynd Kilbirnie Ayrshire.

Houston died on 6th September 1966 at the age of 73. His son John continued the practice from 1976 with William Macdonald Dunlop.

Sources

• http://www.scottisharchitects.org.uk/architect_full.php?id=201553
• http://portal.historicenvironment.scot/designation/LB47121
• http://cinematreasures.org/theaters/23279

Robert Houston was a student at the Glasgow School of Art c1914. He is listed in the School's World War One Roll of Honour.

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George Gerard Howard was born on the 4th June 1896. He began working as an apprentice with Thomas Lennox Watson from September 1912 until January 1915. Howard attended evening classes in architecture at The Glasgow School of Art from 1913-1917. Whilst studying at the school, Howard's address was listed as 11 Rockdove Gardens, Tollcross Road, Glasgow. From January 1915 until March 1916, Howard worked as an apprentice at the practice of James Campbell Reid. Howard began serving in WW1 from March 1916 and was demobilised in January 1919. It unclear if Howard withdrew from practising as an architect immediately following the war or it is possible that he continued to work with Reid's firm. In November 1920, he began working as an assistant in the office of Crawley and Partners of Glasgow and London. Howard remained with the firm until March 1922 when he returned to study at The Glasgow School of Art full time from 1922 until 1924 and his address was listed as Westmost House Sandyhills Tollcross, Glasgow and during this time he passed the qualifying exam in London. Also in 1923, Howard was admitted ARIBA (Associate of the Royal Institute of British Architects) with his proposers being Charles Gourlay, a professor of architecture at The Glasgow School of art, William John Blain and David Bateman Hutton. Howard's nomination papers list his business address as 'Glasgow School of Architecture'.

Sources

http://www.scottisharchitects.org.uk/architect_full.php?id=207213

George S Howard was a student at the Glasgow School of Art c1914. He is listed in the School's World War One Roll of Honour.

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Peter Howson studied at The Glasgow School of Art in the 1970s and early 1980s, and is recognised as "one of his generation’s most formidable figurative artists". From the early 1980s he has exhibited across the UK and worldwide and in 1993 he was appointed Official British War Artist for Bosnia. In 2009 he was awarded an OBE for services to the visual arts.

Sources: https://peterhowson.co.uk/biography/; http://www.peterhowson.co.uk/CV.pdf; https://www.thegazette.co.uk/London/issue/59090/supplement/11

Edwin Hoyle was born in Keighley, Yorkshire on 7th June 1885, one of four children of Sarah E. and Joseph Hoyle. He had two older brothers, Ernest and Percy, and an older sister, Annie. Hoyle attended The Glasgow School of Art from 1911 to 1915 as a full time student of drawing and painting. During the First World War, Hoyle served as a Private in the Argyll and Sutherland Highlanders battalion. Hoyle married Dorothy Alice Whittick on 10th August 1920. Hoyle is commemorated on The Glasgow School of Art's First World War Roll of Honour.

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Sources: Ancestry: http://www.ancestry.co.uk

Cheng Wan Hsiung was born 20th July 1893 in Nanchang, China, the son of Shaw Loo who was a private gentleman.

Hsiung studied at The Glasgow School of Art during the session 1917-1918, taking afternoon classes in elect engineering three times per week under the teaching of Miss Allan. Whilst in Glasgow, Hsiung lived at 1 Wilton Crescent Kelvinside W.

As well as taking classes at The Glasgow School of Art, Hsiung was enrolled at Glasgow University from 1913, studying courses in science and engineering for six years. He also attended the Royal Technical College (now known as The University of Strathclyde). During this time, he took classes in Natural Philosophy, Chemistry, Physical Laboratory, Mathematics, Engineering, Laboratory and Drawing, Mechanical and Electrical Engineering.

Sources: The University of Glasgow International Stories http://www.internationalstory.gla.ac.uk/

Harry Hubbard was born in Tradeston on 25th November 1988 to Susan Ann Hubbard (née Treleaven) and Richard Hubbard, a master baker and confectioner. He attended evening classes in architecture at The Glasgow School of Art from 1906 to 1913, studying under Eugène Bourdon and Alexander McGibbon. From 1906 he was articled to Frank Southorn, and from 1910 was appointed as assistant in the firm of John Burnet & Son. He served in the Glasgow Highlanders regiment in the First World War, during which time he suffered from a poisoned leg and was hospitalised for sixteen months. He was discharged in 1917, whereupon he was appointed as an assistant with Watson, Salmond & Gray. In 1919 he was admitted as an associate of the Royal Institute of British Architects (ARIBA) under the war exemption scheme. He later moved to Edinburgh where he became chief assistant to Sir Robert Lorimer, and then in 1925 an assistant instructor at Edinburgh College of Art. From 1932 until his retirement he was in partnership with William Williamson of Kirkcaldy. He also appears on the Glasgow Institute of Architects Roll of Honour where it is recorded that he was wounded (Student). He died in Kirkcaldy on the 7th December 1959.

Born in Lasswade, he received his early education in Galashiels and Hawick. While still a young man, he established an Art School in Galashiels which later developed into South of Scotland Technical College now known as Scottish Textile College, Galashiels (part of Heriott-Watt University). He went on to study at the GSA and the Slade in London.

In 1900 he won a Haldane Travelling Bursary and visited France and Italy. In 1904, he won the Bram Stoker medal for the best imaginative work of the year. He joined the GSA staff as a lecturer in artistic anatomy in 1901, and held various teaching roles at the GSA, including Assistant Director in 1926, until he retired in 1938.

He was a regular exhibitor at the RGIFA and in 1918 became the first president of the Federation of Scottish Art Clubs.

Helen Fontaine Huggins was born on 26th July 1889. She attended The Glasgow School of Art as a Day student studying drawing and painting. Whilst studying at the School, Huggins lived at 12 Burbank Gardens, Glasgow.

Glasgow School of Art Interior Design Student.

Helen Hunt was a student at The Glasgow School of Art in 1900.

Mary Winifred Hunt was born in Fingarry, Stirling in 1889 to Ellen Samuel Hunt and John Hunt, a a calico printer. She died in 1978. She studied drawing and painting at The Glasgow School of Art from 1908 to 1914, after which time she served as a nurse during the First World War. Mary W Hunt is listed in the School's World War One Roll of Honour.

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Agnes Hunter was born 2nd September 1894 and studied at The Glasgow School of Art between 1914–1919. Hunter studied as a day student in drawing and painting from 1914 until 1918. She was awarded the Minor Travel Bursary during the session 1916-17 when she also received her diploma for drawing and painting.

Hunter in her final year of study, took evening classes in 'Modelling – Pottery' whilst in training to become an art teacher. Hunter was fully qualified as a teacher by 1921 and is listed in the 1921-1922 session prospectus for the school as having completed the course of professional training and had achieved the special qualification granted by The Scottish Education Department to Teachers of Art.

Whilst studying at the school Hunter lived at 3 Park Lane during the session 1914-1915 and during 13 Willowbank Cres. Woodlands Road, Glasgow during the session 1915-1916. In 1917-1918, Hunter moved to 3 Park Lane, Glasgow and in 1918-19, she lived at 90 Buccleuch Street, Glasgow.

After leaving Glasgow School of Art where she qualified as a textile designer, Eirene worked for the United Africa Company as a studio designer. Marrying a Naval Officer meant a change in her life and she travelled the world with her husband and two sons, tackling any art oriented job that came her way from teaching to painting scenery for the stage. Two years in the United States of America gave her the opportunity and time to start her career in animal painting, a subject always close to her heart. She not only exhibited in the United States but also gained recognition as an animal painter working on commission. After returning to Britain she developed her own particular style of oil painting in which the animals appear in a natural setting - gun dogs working in shooting country or portraits of champion bulls on their owners' farms. The animals she has painted include many champions from both sides of the Atlantic - cattle, horses, sheep and dogs; but many are well loved pets or ponies who have no claim to fame.

Garcia Hunter was a student at Glasgow School of Art from 1923-1927. Following graduation, she spent two years working in advertising in London before setting up her own studio at 65 West Regent Street in the 1930s. Following her marriage in 1941 and the birth of her daughter in 1944, she took a break from her career. In 1947, Hunter returned to work, working from a studio in her own home. Drawing illustrations for the Daily Record, The Bulletin (which was sister paper to The Herald) and the Daily Express, she also carried out advertising work which appeared in the Evening Times and the Evening Citizen. Hunter also won numerous advertising commissions from clients including department stores like McDonald's, Frasers and Watt Brothers, furriers like Whitneys and Morrisons and ladies outfitters including Pettigrew's and Daily's, sketching wedding dresses and lingerie for posters and brochures. She was perhaps best known for her Garcia Girl page, which was the brainchild of then-Daily Record editor Alistair Dunnet. She would go out to functions on a Friday night and then draw the best frock of the night and write her copy over the course of the weekend. Women would buy the paper on a Monday to see who had been chosen as that week's Garcia Girl. She said that the last drawing she did before the deadline came out the best, as the deadline gave her an edge. It was unusual for a woman to do what she did at that time. She continued working into her 80s, and died in 1990.

James Hunter was born on the 1st of March 1888, residing at 110 Great Western Road, Glasgow while studying at The Glasgow School of Art. Hunter attended evening classes in design during the 1916-17 session, these classes were held in Room 37. While attending The School Hunter held down a career as an Art Metal Craftsman.

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Jonathan Hunter was born on the 1st of June 1891, residing at 8 Clydeview Terrace, Greenhead, Glasgow while studying at The Glasgow School of Art. Hunter, intially took evening classes in design during the 1908-09 session before returning to study from 1914-1916, one again opting for evening classes in design. During the latter period his occupation was listed as 'designer'.

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Laura Hunter studied at GSA in the early 1980s and modelled in the 1984 and 85 fashion shows. She then spent ten years living in Italy. She is also an artist at Unlimited Studios, founded by GSA graduates in 2007 and shows at a number of art galleries.

Sources: MS Support Revive Blog http://revivemssupport.blogspot.co.uk/2012/04/laura-hunter-featured-artist-at-revive.html; Arran Art Gallery http://www.arranartgallery.com/artwork/36/laura-hunter; Unlimited Studios https://www.iotaarts.space/us-team

Born in Scotland in 1948, Margaret Hunter studied at GSA between 1981-1985 and was awarded a Scottish Arts Council Artists Bursary in 1987.

William Reid Hunter was born in Alloa on the 24th of February 1896 to Nellie Lennox Hunter (née Reid) and George Hunter, a grocer. He studied drawing and painting at The Glasgow School of Art for a year in 1914 before enlisting with the Royal Army Medical Corps. He returned to the School in 1918, where he continued to study drawing and painting until 1924 while working as a teacher. He is listed on the School's World War One Roll of Honour.

Gordon Huntly was a member of staff at Glasgow School of Art from 1953-1976. During this time he held the following positions: Assistant: Commercial and Graphic Art (Lithography) 1953/54 - 1960/61; Assistant: Graphic Design 1961/62 - 1965/66; Senior Assistant: Graphic Design 1966/67 - 1968/69;  Principal Lecturer: Graphic Design 1969/70 - 1970/71;  Director of Studies: Graphic Design 1971/72 - 1974/75; Senior Lecturer in Charge: Design (Graphic Design) 1975/76.

Tom Hutcheson RGI, was an artist and teacher born on the 13th of November 1922. He enrolled at The Glasgow School of Art for session 1941-42, and then volunteered for the RAF. He returned after the war to continue his studies from 1946-49, and graduated in drawing and painting. Among his tutors were Hugh Adam Crawford, David Donaldson, and Geoffrey Squire. Douglas Percy Bliss was then director.

Tom taught very successfully in Glasgow junior secondary schools pioneering, along with Danny Ferguson and others, the new art teachers' philosophy, which fostered creativity and imagination. In 1977, he was appointed principal of art education at Jordanhill College, thus carrying on the work of Sam Black.

From the outset, he was a dedicated painter, exhibiting publicly from 1949 onwards. His subject matter was invariably drawn from the landscape of the West of Scotland, with occasional forays to Skye or Spain. His love of the mining areas of Ayrshire and Lanarkshire furnished him with a steady stream of subjects which, as he matured as a painter, became more concerned with colour and texture, and less with topographical detail.

In 1949 it was "Tanyard in Cumnock". In 1989 it was "Earthscape in Mottled Green and Muted Reds". He acknowledged this himself, stating: "Colour is, for me, the most important element in painting. But it should never be used solely in a decorative, anecdotal or descriptive manner. It is the element for expressing emotion and feelings."

His work is in many public and private collections at home and abroad, including those of the Queen, arts councils, and the art galleries of Kelvingrove, Detroit, and Puerto Rico. He was a regular exhibitor at the Royal Glasgow Institute, Royal Scottish Academy and Society of Scottish Artists, and was a longtime member of the Glasgow Art Club. Another Glasgow connection was with the Glasgow Group of Artists, whose annual exhibitions in June at the McLellan Galleries were, for many years, a regular feature of the art scene.

Tom died suddenly on the 1st of November 1999 while collecting work at the close of this year's RGI exhibition – in sight of the Glasgow School of Art, where it all began over 50 years ago.

Information taken from Tom Hutcheson's website, courtesy of The Herald, 20th November 1999: https://tomhutcheson.co.uk/

Graduated from Edinburgh College of Art in 2004. In 2006 was commissioned to make a teapot and cups for Sharleen Spiteri as part of the 'Silver of the Stars' project pairing contemporary silversmiths with ten Scottish celebrities. Each silversmith and celebrity pair designed and made a drinking vessel inspired by the universal theme: ‘a drink with a close friend’. Opened a shop in Edinburgh in 2011 selling her own designs alongside work by other contemporary jewellers.

Hutchison studied Visual Communication at The Glasgow School of Art, and graduated in 2004. He was awarded the W O Hutchison Prize. After art school he became lead singer of Glasgow-based band Frightened Rabbit.

Sir William Oliphant Hutchison was born in Kirkcaldy 2 July 1889, and was educated at Kirkcaldy High School, Cargilfield, and later at Rugby School. He entered Edinburgh College of Art in 1909 where he studied until 1912, leaving to form the Edinburgh Group with Eric Robertson, A.R. Sturrock, G. Spence Smith, and D.M. Sutherland (later Principal of Gray's School of Art, Aberdeen). He studied in Paris, and worked primarily as a portrait painter although he also exhibited landscape and figure paintings. Hutchison served in the Royal Garrison Artillery during the First World War, in Malta and in France, where he was severely wounded. Shortly after his demobilization, late in 1918, he and his wife took a studio flat in York Place in Edinburgh. They remained there only until 1921, when they moved to London.

Hutchison practised as a portrait painter and had some measure of success. He exhibited regularly at the Royal Academy, joined the Savage Club, and had a wide circle of friends, mainly connected with the arts. He was appointed Director of Glasgow School of Art in 1933 and guided the School through the pre-war years, overseeing connections between the School and the Empire Exhibition of 1938 and the first four years of World War II. Although he had had no teaching experience, he made an excellent director. He painted very much in the academic tradition but was always ready to help and encourage students and young artists who aspired to the avant-garde. He maintained a keen interest in all staff and students, and those serving in the armed forces were sent cards and presents from the School.

Hutchison was a member of the Glasgow Art Club, the Royal Scottish Academy, the Royal Academy and the Royal Society of Portrait Painters. He retired from Glasgow School of Art in 1943 to continue with portrait painting in Edinburgh and London. In 1964 he held an exhibition of his work in London. Hutchison was a retiring and modest man but he had a good speaking voice and was in demand as a public speaker. He was also a great raconteur and his reminiscences of his early days in London were a never failing source of pleasure and amusement to his family and friends. He died suddenly at his home in London in February 1970.

Arch J C Hutton was a student at the Glasgow School of Art c1914. He is listed in the School's World War One Roll of Honour.

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Arthur James Scott Hutton was born in Glasgow on 10 January 1891, one of 8 children of Isabella Hutton (née Bain) and Robert B Hutton, an architect and structural engineer. He commenced his studies at The Glasgow School of Art in 1910 initially taking evening classes in architecture and from 1912 /13 as a full time student of architecture following the career of his elder brother David Bateman Hutton, a practising architect. Hutton's biography is detailed in the Dictionary of Scottish Architects as follows. Arthur James Scott Hutton was born on 10 January 1891 and was articled to Duncan MacNaughtan & Son of Glasgow in 1909, studying at the Glasgow School of Architecture under Eugène Bourdon. He was a successful student, gaining a bronze medal in 1911, silver in 1912 and gold in 1913, and was Haldane Bursar in 1912 and 1913, and Haldane Travelling Scholar in 1914. He spent his last two summers of study, in 1912 and 1913, in the Inland Revenue Valuation Department and in the Hamilton office of Cullen, Lochhead & Brown. In June 1914, having completed his studies, he was appointed assistant in H M Office of Works, Edinburgh. He left in March the following year to serve in the Royal Engineers in France, supervising and designing hospitals, camps, bakeries, halls and other buildings. Whilst still on war service in late 1918 he was admitted ARIBA, his proposers being John Keppie, John Watson and David Bateman Hutton. His nomination papers give a business address of H M Office of Works, Edinburgh and a private address of 21 Derby Crescent, Kirklee, Glasgow. He retired from the Royal Engineers a Captain in September 1919. On 5 September he was appointed architect to the Imperial War Graves Commission in France Belgium and Germany, working under Sir Herbert Baker, Sir Reginald Blomfield and Sir Edwin Lutyens to execute their designs for British military cemeteries as well as designing and carrying out many himself. He designed 67 cemeteries including Marzargues Indian Cemetery, Longueval, Fricourt and the Memorial at Arques-la-Bataille. He also assisted Lorimer on cemeteries in Germany. He left the Commission on 15 October 1926 when he was appointed to the Public Works Department in Kenya on the recommendation of Sir Herbert Baker. There he supervised the construction of all buildings designed by Baker under the Colony's Loan Programme, amounting to a total value of some £700,000 by 1935. He was elected FRIBA on 22 July of the latter year, his proposers being Baker, Blomfield and Thomas Lumsden Taylor. By the late 1930s Hutton had transferred to a post as Senior Assistant Architect in the Public Works Department in Singapore, the Straits Settlement. In 1946 he was Government Architect, Malayan Union, Kuala Lumpur, Malaya. He returned to England on his retirement and was living in Surrey in 1950. Hutton died between January and March 1982 in Surrey. Arthur J.S Hutton is commemorated on The Glasgow School of Art's First World War Roll of Honour.

If you have any more information, please get in touch.

Sources: the Dictionary of Scottish Art and Architecture by Peter J M McEwan; the Dictionary of Scottish Architects: http://www.scottisharchitects.org.uk; Scotland's People: http://www.scotlandspeople.gov.uk.

Sarah Iannucci is an interdisciplinary Biomedical Illustrator and Medical Visualisation Engineer. Originally from New Jersey, she went on to complete an undergraduate degree at The University of Scranton, graduating magna cum laude (‘with great distinction’) with a Bachelor of Science degree in Biology in 2018. During this time, she completed independent research in cellular biology, investigating the differential effects of neurotransmitter exposure on nerve cell differentiation. She also undertook research in the field of developmental neuroscience, performing whole embryo staining and confocal microscopy of the neural crest. In 2020, she completed a non-credit four-course specialisation in Human Anatomy from The University of Michigan. In 2021, Sarah completed a Master of Science degree in Medical Visualisation & Human Anatomy offered jointly by the University of Glasgow and the Glasgow School of Art. She finished with a first-class honours degree and was awarded the Chairman’s Award as the top postgraduate student from the School of Simulation & Visualisation. During the degree, she explored visualisation techniques such as interaction design, 3D modeling & animation, and volumetric visualisation. Rigorous anatomy training was gained during the second semester of this degree. For her Master’s dissertation project, she explored how visualising SARS-CoV-2 spike protein mutations can facilitate the understanding of Variants of Concern in the general public.

Her website is available to view at: https://www.sarahmiannucci.com/

Agnes Inglis was born on the 13th March 1894. From 1916-1918 Agnes is registered as a student at The Glasgow School of Art. Her occupation during this period is first given as an evening class life model and latterly as an evening class sewing and needlework teacher at the College of Domestic Science.

1901 census records indicate her parents to be William Inglis, a mechanical engineer, and Janet Inglis (nee Sharp Young, born Edinburgh 1856) and the family residence to be 5 Walker Street, Renfrew. These records also indicate that Agnes had a younger sister, Marion, who was born in Durban, South Africa in 1899.

If you have any more information, please get in touch.

Sources: GSA student registers; ancestry.com

Alexander Inglis was born on 29/12/1902. He was registered as an apprentice draughtsman at The Glasgow School of Art from 1918-1919, studying Drawing and Painting at evening classes that year. Alexander enrolled as an evening student in the 1919-1920 session but was 'withdrawn' from the register.

He may have been a relation of Nellie Inglis (see separate entry) as they are both listed in The Glasgow School of Art student registers as residing at the same address (8 Meadowwell Street, Shettleston) from 1918-1920.

If you have any other information, please get in touch.

Source: GSA student registers

David M Inglis (born 17 August 1894) was an evening student of Architecture at The Glasgow School of Art from 1911-1914, studying under Professor Eugene Bourdon and Professor McGibbon. He returned to his studies from 1919-1923, progressing from Architectural Assistant to Architectural Draughtsman. For the duration of his studies his address is given as Cambridge Street, Glasgow.

He was absent for a year before re-registering in 1915 but appears to have left his studies at some point during this session because in October 1915 he signed up to fight with the Royal Engineers, serving as Acting 2nd Corporal. He was awarded a British War Medal and a Victory Medal for his service. A David M M Inglis is listed as exhibiting at the Royal Scottish Academy in 1948, however it is not clear if this is the same person. Inglis is listed in the School's World War One Roll of Honour.

If you have any more information, please get in touch.

Sources: McEwan, Peter J M, The Dictionary of Scottish Art and Architecture; de Laperriere, Charles Baile, The Royal Scottish Academy Exhibitors 1826-1990; ancestry.com

Mary C Inglis is mentioned in the 1916-17 session under the address of Elleray, Drumchapel. Her name is scored off that session register and there is no further mention of her in any other student registers.

If you have any other information, please get in touch.

Source: GSA student registers

Nellie Hamilton Inglis was born on the 15th March 1897. Nellie is registered as a student at The Glasgow School of Art from 1918-1924. She was an evening class teacher of Drawing and Painting at The Glasgow School of Art from 1918 to 1922. In 1922 her post changed to that of a teacher of Modelling (Sculpture), again at evening classes, which she continued as until 1924.

1901 census records indicate her parents to be Thomas Inglis, a Vicehand Spinning Machinist, and Margaret Inglis, residing at 103 Westerhill Street, Glasgow. Although the census and birth records make no mention of a brother, there was an Alexander Inglis (dob 29/12/1902), resident at the same given address as Nellie (8 Meadowwell Street, Shettleston) who was registered as an apprentice draughtsman at The Glasgow School of Art from 1918-1919.

If you have any other information, please get in touch.

Sources: GSA student registers, ancestry.com

Rebecca B Inglis was born on the 15th March 1902. Rebecca is registered in the 1917-18 session as a day student of Drawing and Painting at The Glasgow School of Art. Her address is given as Maybole, Ayrshire.

If you have any other information, please get in touch.

Source: GSA student registers

Frank Edwin Innes was born on 3/2/1895. He was first registered at The Glasgow School of Art in the 1918-1919 session as an evening class student of Drawing and Painting. In 1919 he became a day student, also of Drawing and Painting, which he remained throughout 1919-1923. He is absent from the register for one academic year, returning in 1924-1925, again as a day student of Drawing and Painting. His registered address for the duration of his studies was 92 South Wellington Street, Glasgow.

If you have any other information, please get in touch.

Source: GSA student registers